Archive for the 'acting' Category

Armitage upstage

• April 20, 2013 • 29 Comments

Posted in acting, anger, Armitage's body, Richard Armitage
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Starting to process Armitage’s work as Thorin

• January 6, 2013 • 4 Comments

Posted in acting, anger, Armitage's body, dwarves, fear, gravitas, humiliation, loss, me, microexpressions, morality / ethics / norms, Richard Armitage, status transactions, the chin, the energy, the eyes, the face, the forehead, the hair, The Hobbit, the jaw, the lips, the mouth, the nose, the profile, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?
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Translation of Richard Armitage interview in BRAVO (German to English)

• January 4, 2013 • 42 Comments

Posted in acting, action, Armitage on Armitage, Armitage's body, capitalism, career, dwarves, fans, fantasy, filmmaking, me, Peter Jackson, reality, Richard Armitage, silliness, the competition, The Hobbit, the hype, the muscles, Thorin Oakenshield, violence, why Armitage?, work
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My Richard Armitage: An interpretation. Armitage meets “the media,” round one

• December 30, 2012 • 45 Comments

Posted in *ooof*, acting, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, Cats, Cold Feet, dance, Daniela Denby-Ashe, fans, fantasy, gratitude, Guy of Gisborne, Guylty, heterosexual dystopias, heterosexual utopias, humility, if I could interview Mr. Armitage, Lee, loss, Margaret Hale, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, reality, Richard Armitage, sex, silliness, the clothes, the competition, the energy, the ethics, the eyes, the face, The Golden Hour, the hair, the hype, the real Armitage, the smolder, the teeth, theatre theatre, why Armitage?, Why me?, work
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Armitage pitchman: A brief videography

• December 24, 2012 • 21 Comments

Posted in acting, Armitage as victim, Armitageworld dogmas, capitalism, Captain America, career, fans, gravitas, Heinz Kruger, humiliation, if I could interview Mr. Armitage, John Porter, Lucas North, me, microexpressions, morality / ethics / norms, objectification, reality, resentment, Richard Armitage, silliness, Spooks, Strike Back, the energy, the ethics, The Hobbit, the hype, the real Armitage, the voice, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work
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Legenda 58: Stuff worth reading

• December 23, 2012 • 18 Comments

Posted in acting, action, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, Black Sky, capitalism, career, Claude Monet, Dawn French, dwarves, fan art, fanfic, fans, fantasy, fear, filmmaking, Gary, gravitas, Guy of Gisborne, Harry Kennedy, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, joy, Legenda: Stuff worth reading, me, morality / ethics / norms, objectification, Peter Jackson, reality, resentment, Richard Armitage, sex, silliness, squee, the competition, The Hobbit, the hype, The Impressionists, the real Armitage, Thorin Oakenshield, Vicar of Dibley, why Armitage?, Why me?
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My Richard Armitage: An interpretation. An excursus on identity and personality in 2004

• December 22, 2012 • 23 Comments

Posted in acting, action, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, Cold Feet, fans, fear, flow, gratitude, gravitas, heterosexual dystopias, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, interiority, loss, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, reality, resentment, Richard Armitage, silliness, sprezzatura, the competition, the energy, the ethics, The Hobbit, the hype, the real Armitage, theatre theatre, thinking / feeling, why Armitage?, Why me?, work
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The Hobbit: An Unexpected Journey / Richard Armitage / HFR: First impressions [spoilers]

• December 14, 2012 • 52 Comments

Posted in absolute utter unadulterated joy!, acting, action, anger, Armitage's body, Armitageworld dogmas, capitalism, career, collateral attractions, comedy, dwarves, evil, fans, fantasy, fear, filmmaking, flow, gratitude, gravitas, humiliation, if I could interview Mr. Armitage, interiority, me, morality / ethics / norms, objectification, Peter Jackson, reality, redemption, Richard Armitage
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Armitage confirms he was often trying not to be seen outside of costume while on set.

• December 7, 2012 • 8 Comments

Posted in absolute utter unadulterated joy!, acting, Armitage as mirror, Armitageworld dogmas, attempts at bravery, capitalism, career, dwarves, fantasy, fear, filmmaking, flow, gravitas, humiliation, humility, if I could interview Mr. Armitage, Uncategorized


Armitage leads with the feelings, or: How thick is Richard? A beginning.

• December 5, 2012 • 216 Comments

Posted in acting, action, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, attempts at bravery, Black Sky, capitalism, Captain America, career, Claude Monet, collateral attractions, dance, Dawn French, dwarves, evil, fan letters, fans, fantasy, fear, filmmaking, flow, Gary, Geraldine Granger, gravitas, Guy of Gisborne, Harry Kennedy, Heinz Kruger, humiliation, humility, if I could interview Mr. Armitage, interiority, John Porter, John Standring, joy, liking food, loss, Marian, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, Peter Jackson, reality, redemption, Richard Armitage, Robin Hood, Sparkhouse, sprezzatura, status transactions, Strike Back, the competition, the energy, The Hobbit, the hype, The Impressionists, the real Armitage, theatre theatre, thinking / feeling, Thorin Oakenshield, Vicar of Dibley, violence, why Armitage?, Why me?, work


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