Archive for the 'attempts at bravery' Category

My Richard Armitage: An interpretation. Armitage meets “the media,” round one

• December 30, 2012 • 48 Comments

Posted in *ooof*, acting, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, Cats, Cold Feet, dance, Daniela Denby-Ashe, fans, fantasy, gratitude, Guy of Gisborne, Guylty, heterosexual dystopias, heterosexual utopias, humility, if I could interview Mr. Armitage, Lee, loss, Margaret Hale, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, reality, Richard Armitage, sex, silliness, the clothes, the competition, the energy, the ethics, the eyes, the face, The Golden Hour, the hair, the hype, the real Armitage, the smolder, the teeth, theatre theatre, why Armitage?, Why me?, work
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My Richard Armitage: An interpretation. An excursus on identity and personality in 2004

• December 22, 2012 • 23 Comments

Posted in acting, action, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, Cold Feet, fans, fear, flow, gratitude, gravitas, heterosexual dystopias, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, interiority, loss, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, reality, resentment, Richard Armitage, silliness, sprezzatura, the competition, the energy, the ethics, The Hobbit, the hype, the real Armitage, theatre theatre, thinking / feeling, why Armitage?, Why me?, work
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The end of the world

• December 20, 2012 • 2 Comments

Posted in attempts at bravery, fans, fear, gratitude, humility, joy, me, morality / ethics / norms, reality, redemption, resentment, thinking / feeling, work


Armitage confirms he was often trying not to be seen outside of costume while on set.

• December 7, 2012 • 8 Comments

Posted in absolute utter unadulterated joy!, acting, Armitage as mirror, Armitageworld dogmas, attempts at bravery, capitalism, career, dwarves, fantasy, fear, filmmaking, flow, gravitas, humiliation, humility, if I could interview Mr. Armitage, Uncategorized


Armitage leads with the feelings, or: How thick is Richard? A beginning.

• December 5, 2012 • 216 Comments

Posted in acting, action, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, attempts at bravery, Black Sky, capitalism, Captain America, career, Claude Monet, collateral attractions, dance, Dawn French, dwarves, evil, fan letters, fans, fantasy, fear, filmmaking, flow, Gary, Geraldine Granger, gravitas, Guy of Gisborne, Harry Kennedy, Heinz Kruger, humiliation, humility, if I could interview Mr. Armitage, interiority, John Porter, John Standring, joy, liking food, loss, Marian, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, Peter Jackson, reality, redemption, Richard Armitage, Robin Hood, Sparkhouse, sprezzatura, status transactions, Strike Back, the competition, the energy, The Hobbit, the hype, The Impressionists, the real Armitage, theatre theatre, thinking / feeling, Thorin Oakenshield, Vicar of Dibley, violence, why Armitage?, Why me?, work


Last post for tonight. A few last caps of him. Richard Armitage, you were resplendent!

• November 28, 2012 • 15 Comments

Posted in absolute utter unadulterated joy!, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, dwarves, equilibrium, fans, fear, flow, gratitude, gravitas, humility, if I could interview Mr. Armitage, me, morality / ethics / norms, objectification, order / disorder, Peter Jackson, reality, redemption, Richard Armitage, silliness, sprezzatura, squee, status transactions, the clothes, the competition, the energy, The Hobbit, the hype, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?


Armitage fan thoughts while staring at a thumb and grading

• November 26, 2012 • 17 Comments

Posted in #ArmitageWatch, absolute utter unadulterated joy!, Armitage as mirror, Armitage as victim, Armitageworld dogmas, attempts at bravery, capitalism, career, collateral attractions, dwarves, fan art, fans, fantasy, gratitude, humility, joy, me, morality / ethics / norms, objectification, reality, redemption, Richard Armitage, Richard III, The Hobbit, the hype, the real Armitage, The Sunne in Splendour, the thumbs, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work


Legenda 54: Stuff worth reading

• November 25, 2012 • 21 Comments

Posted in *ooof*, acting, action, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, collateral attractions, dwarves, fan art, fanfic, fans, fantasy, fanvids, Gaskell, Guy of Gisborne, Guylty, heterosexual dystopias, heterosexual utopias, John Porter, John Standring, joy, Legenda: Stuff worth reading, loss, Marian, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, order / disorder, Peter Jackson, reality, redemption, Richard Armitage, Richard Armitage Online, Robin Hood, sex, silliness, Sparkhouse, squee, Strike Back, swords, the beard, the clothes, the hair, The Hobbit, the hype, Thorin Oakenshield, TORn, why Armitage?


In which I defend some aspects of PETA: or, sub-addendum to Legenda 54

• November 25, 2012 • Leave a Comment

Posted in anger, Armitage as victim, attempts at bravery, capitalism, career, Cats, collateral attractions, disgust, fans, filmmaking, humiliation, humility, liking food, loss, me, morality / ethics / norms, overwork, Peter Jackson, reality, resentment, Richard Armitage, The Hobbit, the hype, the real Armitage, thinking / feeling, violence


Here’s most of p. 2

• November 24, 2012 • 10 Comments

Posted in acting, action, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, collateral attractions, comedy, disgust, dwarves, fans, fantasy, filmmaking, flow, gestures, gravitas, humiliation, humility, interiority, joy, loss, me, morality / ethics / norms, Peter Jackson, reality, redemption, resentment, Richard Armitage, RichardArmitageNet.com, silliness, sprezzatura, status transactions, swords, the beard, the clothes, the ears, the energy, The Hobbit, the hype, thinking / feeling, Thorin Oakenshield, violence, voice work, WETA workshop, why Armitage?, Why me?, work


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