
Posted in absolute utter unadulterated joy!, acting, action, anger, Armitage's body, Armitageworld dogmas, capitalism, career, collateral attractions, comedy, dwarves, evil, fans, fantasy, fear, filmmaking, flow, gratitude, gravitas, humiliation, if I could interview Mr. Armitage, interiority, me, morality / ethics / norms, objectification, Peter Jackson, reality, redemption, Richard Armitage
Tags: richard armitage, The Hobbit: An Unexpected Journey
Posted in acting, action, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, attempts at bravery, Black Sky, capitalism, Captain America, career, Claude Monet, collateral attractions, dance, Dawn French, dwarves, evil, fan letters, fans, fantasy, fear, filmmaking, flow, Gary, Geraldine Granger, gravitas, Guy of Gisborne, Harry Kennedy, Heinz Kruger, humiliation, humility, if I could interview Mr. Armitage, interiority, John Porter, John Standring, joy, liking food, loss, Marian, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, Peter Jackson, reality, redemption, Richard Armitage, Robin Hood, Sparkhouse, sprezzatura, status transactions, Strike Back, the competition, the energy, The Hobbit, the hype, The Impressionists, the real Armitage, theatre theatre, thinking / feeling, Thorin Oakenshield, Vicar of Dibley, violence, why Armitage?, Why me?, work
Posted in acting, collateral attractions, dwarves, fan art, fan showcase, fans, fantasy, gratitude, humility, if I could interview Mr. Armitage, joy, me, morality / ethics / norms, objectification, Peter Jackson, reality, Richard Armitage, silliness, squee, The Armitage Army, the competition, The Hobbit, the hype, Thorin Oakenshield, TORn, WETA workshop
Posted in Armitage's body, career, collateral attractions, dwarves, fans, fantasy, forgiveness, gestures, joy, loss, me, morality / ethics / norms, reality, redemption, resentment, Richard Armitage, the beard, the chin, the energy, the eyes, the hair, The Hobbit, the hype, the jaw, the mouth, Thorin Oakenshield, why Armitage?
Posted in acting, Armitage on Armitage, Armitage's body, capitalism, Captain America, career, collateral attractions, comedy, dwarves, evil, fans, fantasy, filmmaking, humility, if I could interview Mr. Armitage, joy, liking food, me, morality / ethics / norms, Peter Jackson, Richard Armitage, swords, the beard, the hair, The Hobbit, the hype, Thorin Oakenshield, violence, work
Posted in acting, capitalism, career, collateral attractions, dwarves, evil, fans, fantasy, filmmaking, joy, loss, me, Peter Jackson, polls, reality, Richard Armitage, silliness, singing, swords, the beard, the competition, the energy, The Hobbit, the hype, thinking / feeling, Thorin Oakenshield, violence, why Armitage?
Posted in collateral attractions, dwarves, fans, me, reality, silliness, the competition, The Hobbit, the hype
Posted in collateral attractions, fans, reality, silliness, the competition, The Hobbit, the hype
Posted in acting, Armitage on Armitage, capitalism, collateral attractions, fans, fantasy, filmmaking, gravitas, if I could interview Mr. Armitage, me, Peter Jackson, reality, Richard Armitage, The Hobbit, the hype
Posted in action, anger, Armitage as mirror, Armitageworld dogmas, career, collateral attractions, dwarves, fans, fantasy, gravitas, me, morality / ethics / norms, reality, Richard Armitage, the competition, The Hobbit, the hype, Thorin Oakenshield, violence, why Armitage?


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