Archive for the 'Heinz Kruger' Category
Armitage pitchman: A brief videography
• December 24, 2012 • 21 CommentsPosted in acting, Armitage as victim, Armitageworld dogmas, capitalism, Captain America, career, fans, gravitas, Heinz Kruger, humiliation, if I could interview Mr. Armitage, John Porter, Lucas North, me, microexpressions, morality / ethics / norms, objectification, reality, resentment, Richard Armitage, silliness, Spooks, Strike Back, the energy, the ethics, The Hobbit, the hype, the real Armitage, the voice, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work
Tags: richard armitage
Armitage leads with the feelings, or: How thick is Richard? A beginning.
• December 5, 2012 • 216 CommentsPosted in acting, action, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, attempts at bravery, Black Sky, capitalism, Captain America, career, Claude Monet, collateral attractions, dance, Dawn French, dwarves, evil, fan letters, fans, fantasy, fear, filmmaking, flow, Gary, Geraldine Granger, gravitas, Guy of Gisborne, Harry Kennedy, Heinz Kruger, humiliation, humility, if I could interview Mr. Armitage, interiority, John Porter, John Standring, joy, liking food, loss, Marian, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, Peter Jackson, reality, redemption, Richard Armitage, Robin Hood, Sparkhouse, sprezzatura, status transactions, Strike Back, the competition, the energy, The Hobbit, the hype, The Impressionists, the real Armitage, theatre theatre, thinking / feeling, Thorin Oakenshield, Vicar of Dibley, violence, why Armitage?, Why me?, work
Translation of French piece
• November 24, 2012 • 26 CommentsPosted in acting, action, anger, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Captain America, career, collateral attractions, dwarves, fans, fantasy, fear, filmmaking, flow, gravitas, Heinz Kruger, humiliation, if I could interview Mr. Armitage, interiority, joy, me, morality / ethics / norms, overwork, Peter Jackson, reality, redemption, resentment, Richard Armitage, RichardArmitageNet.com, silliness, Spooks, sprezzatura, status transactions, swords, The Hobbit, the hype, thinking / feeling, Thorin Oakenshield, violence
Translation of Acción piece
• November 23, 2012 • 95 CommentsPosted in acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, capitalism, Captain America, career, dwarves, fans, fantasy, fear, filmmaking, flow, gratitude, gravitas, Guy of Gisborne, Heinz Kruger, humility, if I could interview Mr. Armitage, interiority, John Porter, joy, loss, me, morality / ethics / norms, Peter Jackson, reality, Richard Armitage, RichardArmitageNet.com, Robin Hood, silliness, Strike Back, The Hobbit, the hype, the shoulders, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work
Legenda 50: Stuff worth reading
• October 27, 2012 • 27 CommentsPosted in #ArmitageWatch, action, Armitage's body, capitalism, Captain America, career, Daniela Denby-Ashe, dwarves, fan art, fanfic, fans, fantasy, fanvids, gravitas, Guy of Gisborne, Heinz Kruger, heterosexual dystopias, heterosexual utopias, joy, Legenda: Stuff worth reading, liking food, Lucas North, Margaret Hale, Marian, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, Richard Armitage, RichardArmitageNet.com, Robin Hood, sex, silliness, Spooks, squee, swords, the arms, The Hobbit, the hype, the legs, the lips, the mouth, the muscles, the shoes, the smile, theatre theatre, Thorin Oakenshield, TORn, violence, why Armitage?, Why me?
XLI: Richard Armitage by the numbers
• August 22, 2012 • 61 CommentsPosted in acting, action, anger, Angus, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, audiobooks, Between the Sheets, Black Sky, Captain America, career, Claude Monet, Cold Feet, collateral attractions, comedy, Damerel, Daniela Denby-Ashe, Dawn French, Doctors, fan art, fans, fantasy, fanvids, flow, forgiveness, Geraldine Granger, gestures, gratitude, Guy of Gisborne, Harry Kennedy, Heinz Kruger, Hermione Norris, heterosexual dystopias, heterosexual utopias, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, interiority, John Bateman, John Mulligan, John Porter, John Standring, joy, Lee, Lords of the North, loss, Lucas North, Macbeth, Margaret Hale, Marie Lloyd, me, morality / ethics / norms, Moving On, Mr. Thornton, Mrs. Thornton, musical theatre, North & South, objectification, Paul Andrews, reality, redemption, Richard Armitage, Richard Armitage Central, Richard Armitage Online, Robin Hood, Ros Myers, sex, silliness, Sparkhouse, Spooks, status transactions, Strike Back, Sylvester, The Armitage Army, the Armitage morass, the beard, the clothes, the energy, the eyes, the face, the hands, the hips, The Hobbit, the hype, The Impressionists, the jaw, the legs, the muscles, the real Armitage, the shoes, the smile, the thumbs, the voice, theatre theatre, thinking / feeling, Thorin Oakenshield, Tom Steele, TPTW: Too painful to watch, Uhtred of Bebbanburg, Ultimate Force, Venetia, Vicar of Dibley, violence, why Armitage?, Why me?, work
Stay away from Armitage! The “C” reading and conclusion
• August 8, 2012 • 74 CommentsPosted in acting, action, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Captain America, career, collateral attractions, fans, fear, flow, gratitude, Heinz Kruger, heterosexual dystopias, humiliation, humility, if I could interview Mr. Armitage, John Porter, joy, Legenda: Stuff worth reading, Lucas North, Macbeth, me, morality / ethics / norms, musical theatre, objectification, reality, redemption, Richard Armitage, Richard Armitage Central, Richard Armitage Online, silliness, squee, status transactions, Strike Back, The Armitage Army, the competition, The Hobbit, the hype, the real Armitage, The Rovers, theatre theatre, thinking / feeling, Thorin Oakenshield, Use Me as Your Cardigan, why Armitage?, Why me?, work
Legenda 38: Stuff worth reading
• August 5, 2012 • 17 CommentsPosted in anger, Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, CBeebies, fan art, fanfic, fans, fantasy, gratitude, Guy of Gisborne, Heinz Kruger, heterosexual dystopias, heterosexual utopias, John Bateman, John Mulligan, joy, Lee, Legenda: Stuff worth reading, liking food, me, morality / ethics / norms, Mr. Thornton, North & South, reality, redemption, Richard Armitage, Richard Armitage Central, Richard III, Robin Hood, silliness, Spooks, The Hobbit, the hype, Thorin Oakenshield, why Armitage?, Why me?
Legenda 36: Stuff worth reading
• July 21, 2012 • 15 CommentsPosted in acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Captain America, career, collateral attractions, fan art, fanfic, fans, fantasy, fanvids, Guy of Gisborne, Heinz Kruger, heterosexual utopias, Legenda: Stuff worth reading, loss, me, morality / ethics / norms, objectification, reality, Richard Armitage, Richard III, Robin Hood, silliness, The Hobbit, the hype, Thorin Oakenshield, why Armitage?, work
Armitage stands in the back, or: Tropes Armitage fans live by
• June 28, 2012 • 62 CommentsPosted in acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Captain America, career, Cats, collateral attractions, dance, fan art, fans, fantasy, fear, flow, forgiveness, gratitude, gravitas, Heinz Kruger, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, interiority, John Standring, joy, loss, Lucas North, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, order / disorder, overwork, Peter Jackson, polls, reality, redemption, Richard Armitage, silliness, Sparkhouse, Spooks, the Armitage morass, the circus, the competition, the energy, the eyes, the face, The Hobbit, the hype, the real Armitage, theatre theatre, thinking / feeling, Thorin Oakenshield, Ultimate Force, why Armitage?, Why me?, work
