Archive for the 'heterosexual dystopias' Category
• December 30, 2012 •
45 Comments
Posted in *ooof*, acting, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, Cats, Cold Feet, dance, Daniela Denby-Ashe, fans, fantasy, gratitude, Guy of Gisborne, Guylty, heterosexual dystopias, heterosexual utopias, humility, if I could interview Mr. Armitage, Lee, loss, Margaret Hale, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, reality, Richard Armitage, sex, silliness, the clothes, the competition, the energy, the ethics, the eyes, the face, The Golden Hour, the hair, the hype, the real Armitage, the smolder, the teeth, theatre theatre, why Armitage?, Why me?, work
Tags: richard armitage
• December 22, 2012 •
23 Comments
Posted in acting, action, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, Cold Feet, fans, fear, flow, gratitude, gravitas, heterosexual dystopias, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, interiority, loss, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, reality, resentment, Richard Armitage, silliness, sprezzatura, the competition, the energy, the ethics, The Hobbit, the hype, the real Armitage, theatre theatre, thinking / feeling, why Armitage?, Why me?, work
Tags: richard armitage
• December 3, 2012 •
9 Comments
Posted in #ArmitageWatch, acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, career, fans, fanvids, heterosexual dystopias, heterosexual utopias, if I could interview Mr. Armitage, loss, me, medieval, morality / ethics / norms, polls, reality, Richard Armitage, Richard III, sex, The Hobbit, the hype, The Sunne in Splendour, why Armitage?, Why me?
• November 25, 2012 •
21 Comments
Posted in *ooof*, acting, action, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, collateral attractions, dwarves, fan art, fanfic, fans, fantasy, fanvids, Gaskell, Guy of Gisborne, Guylty, heterosexual dystopias, heterosexual utopias, John Porter, John Standring, joy, Legenda: Stuff worth reading, loss, Marian, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, order / disorder, Peter Jackson, reality, redemption, Richard Armitage, Richard Armitage Online, Robin Hood, sex, silliness, Sparkhouse, squee, Strike Back, swords, the beard, the clothes, the hair, The Hobbit, the hype, Thorin Oakenshield, TORn, why Armitage?
• November 21, 2012 •
39 Comments
Posted in accents, acting, action, Angus, Annabel Capper, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Between the Sheets, Bill Chatford, capitalism, career, Casualty, Cleopatra, Cold Feet, Craig Porter, dance, Daniela Denby-Ashe, Doctors, Epiphanes, fans, fantasy, fear, flow, Frozen, Gaskell, gestures, gratitude, gravitas, heterosexual dystopias, heterosexual utopias, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, Inspector Lynley Mysteries: In Divine Proportion, interiority, John Standring, joy, Lee, loss, Macbeth, Malice Aforethought, Margaret Hale, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, overwork, Paul Andrews, Philip Turner, pronunciation, reality, redemption, Richard Armitage, silliness, singing, smug man, Sparkhouse, sprezzatura, status transactions, Steven, the accent, the Armitage morass, the clothes, the energy, the eyes, the face, the forehead, the hype, the smile, the smolder, theatre theatre, thinking / feeling, Tom Steele, Ultimate Force, why Armitage?, Why me?, work
• November 12, 2012 •
5 Comments
Posted in #ArmitageWatch, acting, action, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, career, collateral attractions, dance, fan art, fans, fantasy, heterosexual dystopias, heterosexual utopias, if I could interview Mr. Armitage, loss, me, medieval, morality / ethics / norms, objectification, osculation, polls, reality, resentment, Richard Armitage, Richard III, sex, silliness, status transactions, swords, the energy, the eyes, the fingers, the hands, The Hobbit, the hype, the kisses, the mouth, The Sunne in Splendour, Thorin Oakenshield, violence, why Armitage?
• November 10, 2012 •
29 Comments
Posted in #ArmitageWatch, acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, Black Sky, capitalism, career, collateral attractions, dwarves, fan art, fanfic, fans, fantasy, fanvids, Gary, gratitude, Guy of Gisborne, heterosexual dystopias, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, John Standring, joy, Legenda: Stuff worth reading, liking food, loss, Lucas North, Marian, me, morality / ethics / norms, North & South, objectification, Peter Jackson, polls, reality, redemption, Richard Armitage, Richard Armitage Online, RichardArmitageNet.com, Robin Hood, sex, silliness, Sparkhouse, Spooks, swords, The Hobbit, the hype, thinking / feeling, Thorin Oakenshield, TORn, why Armitage?
• November 5, 2012 •
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Posted in Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, career, collateral attractions, evil, fans, heterosexual dystopias, if I could interview Mr. Armitage, me, medieval, morality / ethics / norms, order / disorder, reality, Richard Armitage, Richard III, silliness, why Armitage?, Why me?
• November 5, 2012 •
2 Comments
Posted in #ArmitageWatch, acting, action, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, career, collateral attractions, dance, fan art, fans, fantasy, fear, forgiveness, heterosexual dystopias, heterosexual utopias, humiliation, if I could interview Mr. Armitage, interiority, Lucas North, me, medieval, morality / ethics / norms, objectification, order / disorder, polls, reality, redemption, resentment, Richard Armitage, Richard III, silliness, Spooks, status transactions, swords, the energy, The Hobbit, The Sunne in Splendour, thinking / feeling, Thorin Oakenshield, violence, why Armitage?, Why me?
• November 2, 2012 •
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Posted in Armitage as victim, Armitage on Armitage, Armitageworld dogmas, career, collateral attractions, evil, fans, fantasy, fear, heterosexual dystopias, me, medieval, morality / ethics / norms, redemption, Richard Armitage, Richard III, silliness, the hype, why Armitage?, Why me?
