Archive for the 'humility' Category

My Richard Armitage: An interpretation. Armitage meets “the media,” round one

• December 30, 2012 • 45 Comments

Posted in *ooof*, acting, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, Cats, Cold Feet, dance, Daniela Denby-Ashe, fans, fantasy, gratitude, Guy of Gisborne, Guylty, heterosexual dystopias, heterosexual utopias, humility, if I could interview Mr. Armitage, Lee, loss, Margaret Hale, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, reality, Richard Armitage, sex, silliness, the clothes, the competition, the energy, the ethics, the eyes, the face, The Golden Hour, the hair, the hype, the real Armitage, the smolder, the teeth, theatre theatre, why Armitage?, Why me?, work
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Legenda 58: Stuff worth reading

• December 23, 2012 • 18 Comments

Posted in acting, action, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, Black Sky, capitalism, career, Claude Monet, Dawn French, dwarves, fan art, fanfic, fans, fantasy, fear, filmmaking, Gary, gravitas, Guy of Gisborne, Harry Kennedy, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, joy, Legenda: Stuff worth reading, me, morality / ethics / norms, objectification, Peter Jackson, reality, resentment, Richard Armitage, sex, silliness, squee, the competition, The Hobbit, the hype, The Impressionists, the real Armitage, Thorin Oakenshield, Vicar of Dibley, why Armitage?, Why me?
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My Richard Armitage: An interpretation. An excursus on identity and personality in 2004

• December 22, 2012 • 23 Comments

Posted in acting, action, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, Cold Feet, fans, fear, flow, gratitude, gravitas, heterosexual dystopias, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, interiority, loss, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, reality, resentment, Richard Armitage, silliness, sprezzatura, the competition, the energy, the ethics, The Hobbit, the hype, the real Armitage, theatre theatre, thinking / feeling, why Armitage?, Why me?, work
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The end of the world

• December 20, 2012 • 2 Comments

Posted in attempts at bravery, fans, fear, gratitude, humility, joy, me, morality / ethics / norms, reality, redemption, resentment, thinking / feeling, work


Third year, eighth candle

• December 16, 2012 • 4 Comments

Posted in anger, evil, fear, flow, gratitude, humility, joy, loss, me, morality / ethics / norms, reality, redemption, resentment, Richard Armitage, thinking / feeling, why Armitage?, Why me?


Armitage confirms he was often trying not to be seen outside of costume while on set.

• December 7, 2012 • 8 Comments

Posted in absolute utter unadulterated joy!, acting, Armitage as mirror, Armitageworld dogmas, attempts at bravery, capitalism, career, dwarves, fantasy, fear, filmmaking, flow, gravitas, humiliation, humility, if I could interview Mr. Armitage, Uncategorized


Armitage leads with the feelings, or: How thick is Richard? A beginning.

• December 5, 2012 • 216 Comments

Posted in acting, action, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, attempts at bravery, Black Sky, capitalism, Captain America, career, Claude Monet, collateral attractions, dance, Dawn French, dwarves, evil, fan letters, fans, fantasy, fear, filmmaking, flow, Gary, Geraldine Granger, gravitas, Guy of Gisborne, Harry Kennedy, Heinz Kruger, humiliation, humility, if I could interview Mr. Armitage, interiority, John Porter, John Standring, joy, liking food, loss, Marian, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, Peter Jackson, reality, redemption, Richard Armitage, Robin Hood, Sparkhouse, sprezzatura, status transactions, Strike Back, the competition, the energy, The Hobbit, the hype, The Impressionists, the real Armitage, theatre theatre, thinking / feeling, Thorin Oakenshield, Vicar of Dibley, violence, why Armitage?, Why me?, work


Still looking with eyes of wonder at Richard Armitage

• December 3, 2012 • 29 Comments

Posted in absolute utter unadulterated joy!, acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, capitalism, career, dwarves, equilibrium, fans, fantasy, filmmaking, flow, gratitude, gravitas, heterosexual utopias, humility, if I could interview Mr. Armitage, interiority, me, morality / ethics / norms, objectification, Peter Jackson, reality, redemption, Richard Armitage, silliness, sprezzatura, status transactions, swords, the Armitage morass, the arms, the chin, the clothes, the energy, the ethics, the eyes, the face, the hair, the hands, the hips, The Hobbit, the hype, the jaw, the legs, the stubble, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work


OT: Reflections on slamming into 1st Advent

• December 3, 2012 • 16 Comments

Posted in Armitage as mirror, fans, fear, flow, gratitude, humiliation, humility, if I could interview Mr. Armitage, loss, me, morality / ethics / norms, order / disorder, reality, redemption, resentment, Richard Armitage, sprezzatura, swords, The Hobbit, the hype, thinking / feeling, violence, why Armitage?, Why me?


A great evening at the TORn party in Wellington

• December 2, 2012 • 13 Comments

Posted in acting, collateral attractions, dwarves, fan art, fan showcase, fans, fantasy, gratitude, humility, if I could interview Mr. Armitage, joy, me, morality / ethics / norms, objectification, Peter Jackson, reality, Richard Armitage, silliness, squee, The Armitage Army, the competition, The Hobbit, the hype, Thorin Oakenshield, TORn, WETA workshop


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