Archive for the 'Ian Macalwain' Category
Third Armitage Thanksgiving
• November 22, 2012 • 41 CommentsPosted in acting, action, Angus, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Black Sky, Brendan Coyle, capitalism, career, Cats, Cleopatra, dance, Daniela Denby-Ashe, Dawn French, dwarves, Epiphanes, fan art, fans, fantasy, fanvids, flow, forgiveness, Geraldine Granger, gratitude, gravitas, Guy of Gisborne, Guylty, Harry Kennedy, heterosexual utopias, Higgins, humility, Ian Macalwain, if I could interview Mr. Armitage, John Porter, John Standring, joy, liking food, Lucas North, Macbeth, Margaret Hale, me, medieval, morality / ethics / norms, Mr. Thornton, Mrs. Thornton, musical theatre, North & South, objectification, reality, redemption, Richard Armitage, Richard III, Robin Hood, silliness, Sinead Cusack, singing, Sparkhouse, Spooks, Strike Back, swords, the Armitage morass, the beard, the booty, the circus, the clothes, the energy, the eyes, the face, the fingers, the forearms, the hair, the hands, The Hobbit, the hype, the kisses, the shoes, the smile, the smolder, the thumbs, theatre theatre, thinking / feeling, Thorin Oakenshield, Ultimate Force, Vicar of Dibley, violence, why Armitage?, Why me?
My Richard Armitage: An interpretation. Early career to North & South
• November 21, 2012 • 39 CommentsPosted in accents, acting, action, Angus, Annabel Capper, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Between the Sheets, Bill Chatford, capitalism, career, Casualty, Cleopatra, Cold Feet, Craig Porter, dance, Daniela Denby-Ashe, Doctors, Epiphanes, fans, fantasy, fear, flow, Frozen, Gaskell, gestures, gratitude, gravitas, heterosexual dystopias, heterosexual utopias, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, Inspector Lynley Mysteries: In Divine Proportion, interiority, John Standring, joy, Lee, loss, Macbeth, Malice Aforethought, Margaret Hale, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, overwork, Paul Andrews, Philip Turner, pronunciation, reality, redemption, Richard Armitage, silliness, singing, smug man, Sparkhouse, sprezzatura, status transactions, Steven, the accent, the Armitage morass, the clothes, the energy, the eyes, the face, the forehead, the hype, the smile, the smolder, theatre theatre, thinking / feeling, Tom Steele, Ultimate Force, why Armitage?, Why me?, work
XLI: Richard Armitage by the numbers
• August 22, 2012 • 61 CommentsPosted in acting, action, anger, Angus, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, audiobooks, Between the Sheets, Black Sky, Captain America, career, Claude Monet, Cold Feet, collateral attractions, comedy, Damerel, Daniela Denby-Ashe, Dawn French, Doctors, fan art, fans, fantasy, fanvids, flow, forgiveness, Geraldine Granger, gestures, gratitude, Guy of Gisborne, Harry Kennedy, Heinz Kruger, Hermione Norris, heterosexual dystopias, heterosexual utopias, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, interiority, John Bateman, John Mulligan, John Porter, John Standring, joy, Lee, Lords of the North, loss, Lucas North, Macbeth, Margaret Hale, Marie Lloyd, me, morality / ethics / norms, Moving On, Mr. Thornton, Mrs. Thornton, musical theatre, North & South, objectification, Paul Andrews, reality, redemption, Richard Armitage, Richard Armitage Central, Richard Armitage Online, Robin Hood, Ros Myers, sex, silliness, Sparkhouse, Spooks, status transactions, Strike Back, Sylvester, The Armitage Army, the Armitage morass, the beard, the clothes, the energy, the eyes, the face, the hands, the hips, The Hobbit, the hype, The Impressionists, the jaw, the legs, the muscles, the real Armitage, the shoes, the smile, the thumbs, the voice, theatre theatre, thinking / feeling, Thorin Oakenshield, Tom Steele, TPTW: Too painful to watch, Uhtred of Bebbanburg, Ultimate Force, Venetia, Vicar of Dibley, violence, why Armitage?, Why me?, work
Armitage stands in the back, or: Tropes Armitage fans live by
• June 28, 2012 • 62 CommentsPosted in acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Captain America, career, Cats, collateral attractions, dance, fan art, fans, fantasy, fear, flow, forgiveness, gratitude, gravitas, Heinz Kruger, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, interiority, John Standring, joy, loss, Lucas North, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, order / disorder, overwork, Peter Jackson, polls, reality, redemption, Richard Armitage, silliness, Sparkhouse, Spooks, the Armitage morass, the circus, the competition, the energy, the eyes, the face, The Hobbit, the hype, the real Armitage, theatre theatre, thinking / feeling, Thorin Oakenshield, Ultimate Force, why Armitage?, Why me?, work
Armitage incompletism
• June 11, 2012 • 44 CommentsPosted in Alex Track, Armitageworld dogmas, audiobooks, Boon, career, Cleopatra, Doctors, fans, Georgette Heyer, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, Lords of the North, loss, me, morality / ethics / norms, reality, Richard Armitage, Richard Armitage Online, Robin Hood, silliness, The Convenient Marriage, The Golden Hour, theatre theatre, thinking / feeling, Tom Steele, Uhtred of Bebbanburg, Ultimate Force, voice work, work
Armitage magister?
• June 3, 2012 • 40 CommentsPosted in acting, Alex Track, Armitage as mirror, Armitage as victim, Captain America, Cleopatra, Cold Feet, Epiphanes, Genevieve O'Reilly, gravitas, Guy of Gisborne, Heinz Kruger, heterosexual dystopias, heterosexual utopias, Ian Macalwain, if I could interview Mr. Armitage, John Bateman, John Porter, John Standring, Laila Rouass, Lee, Lucas North, Lucy Griffiths, Margaret Hale, Marian, Maya Lahan, me, morality / ethics / norms, Mr. Thornton, North & South, Richard Armitage, Robin Hood, Sarah Caulfield, silliness, Sparkhouse, Spooks, Strike Back, The Golden Hour, the kisses, the real Armitage, the smolder, thinking / feeling, TPTW: Too painful to watch, Ultimate Force, why Armitage?, work
Data: Richard Armitage “I” statements, part 1 (2002-03)
• March 26, 2012 • 16 CommentsPosted in acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Between the Sheets, career, Cleopatra, Cold Feet, Epiphanes, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, Lee, me, morality / ethics / norms, objectification, Paul Andrews, reality, redemption, Richard Armitage, Richard Armitage Central, Richard Armitage Online, sex, the circus, the clothes, the ears, the mouth, the muscles, the shoes, Ultimate Force, why Armitage?, Why me?, work
School starts for me tomorrow
• January 10, 2012 • 10 CommentsPosted in humiliation, Ian Macalwain, me, morality / ethics / norms, reality, Richard Armitage, the face, the jaw, the lips, the mouth
If Richard Armitage played every role at a Friday faculty research seminar
• November 18, 2011 • 63 CommentsPosted in Alex Track, Captain America, Casualty, CBeebies, Claude Monet, Craig Porter, Dawn French, fantasy, George Gently, Geraldine Granger, Guy of Gisborne, Harry Kennedy, Heinz Kruger, humiliation, Ian Macalwain, John Porter, Lucas North, Macbeth, Macduff, me, morality / ethics / norms, Mr. Thornton, North & South, overwork, Peter Macduff, reality, Richard Armitage, Ricky Deeming, Robin Hood, Ros Myers, Shakespeare Retold, silliness, Spooks, Strike Back, The Golden Hour, The Impressionists, thinking / feeling, Vicar of Dibley, why Armitage?, Why me?
“Armigerous” Armitage: a career overview
• November 7, 2011 • 41 CommentsPosted in acting, Alex Track, Angus, Armitage on Armitage, Armitageworld dogmas, Captain America, career, Cleopatra, Epiphanes, fans, fantasy, George Gently, Guy of Gisborne, Heinz Kruger, heterosexual dystopias, heterosexual utopias, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, Inspector Lynley Mysteries: In Divine Proportion, John Porter, John Standring, loss, Lucas North, Macbeth, Macduff, Marian, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, Peter Macduff, Philip Turner, Richard Armitage, Ricky Deeming, Robin Hood, Sarah Caulfield, Shakespeare Retold, silliness, Sparkhouse, Spooks, squee, Strike Back, the arms, the eyes, the face, the fingers, the hands, The Hobbit, the thumbs, Thorin Oakenshield, Ultimate Force, why Armitage?, Why me?
