Archive for the 'interiority' Category
My Richard Armitage: An interpretation. An excursus on identity and personality in 2004
• December 22, 2012 • 23 CommentsPosted in acting, action, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, Cold Feet, fans, fear, flow, gratitude, gravitas, heterosexual dystopias, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, interiority, loss, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, reality, resentment, Richard Armitage, silliness, sprezzatura, the competition, the energy, the ethics, The Hobbit, the hype, the real Armitage, theatre theatre, thinking / feeling, why Armitage?, Why me?, work
Tags: richard armitage
The Hobbit: An Unexpected Journey / Richard Armitage / HFR: First impressions [spoilers]
• December 14, 2012 • 52 CommentsPosted in absolute utter unadulterated joy!, acting, action, anger, Armitage's body, Armitageworld dogmas, capitalism, career, collateral attractions, comedy, dwarves, evil, fans, fantasy, fear, filmmaking, flow, gratitude, gravitas, humiliation, if I could interview Mr. Armitage, interiority, me, morality / ethics / norms, objectification, Peter Jackson, reality, redemption, Richard Armitage
Tags: richard armitage, The Hobbit: An Unexpected Journey
Armitage leads with the feelings, or: How thick is Richard? A beginning.
• December 5, 2012 • 216 CommentsPosted in acting, action, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, attempts at bravery, Black Sky, capitalism, Captain America, career, Claude Monet, collateral attractions, dance, Dawn French, dwarves, evil, fan letters, fans, fantasy, fear, filmmaking, flow, Gary, Geraldine Granger, gravitas, Guy of Gisborne, Harry Kennedy, Heinz Kruger, humiliation, humility, if I could interview Mr. Armitage, interiority, John Porter, John Standring, joy, liking food, loss, Marian, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, Peter Jackson, reality, redemption, Richard Armitage, Robin Hood, Sparkhouse, sprezzatura, status transactions, Strike Back, the competition, the energy, The Hobbit, the hype, The Impressionists, the real Armitage, theatre theatre, thinking / feeling, Thorin Oakenshield, Vicar of Dibley, violence, why Armitage?, Why me?, work
Still looking with eyes of wonder at Richard Armitage
• December 3, 2012 • 29 CommentsPosted in absolute utter unadulterated joy!, acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, capitalism, career, dwarves, equilibrium, fans, fantasy, filmmaking, flow, gratitude, gravitas, heterosexual utopias, humility, if I could interview Mr. Armitage, interiority, me, morality / ethics / norms, objectification, Peter Jackson, reality, redemption, Richard Armitage, silliness, sprezzatura, status transactions, swords, the Armitage morass, the arms, the chin, the clothes, the energy, the ethics, the eyes, the face, the hair, the hands, the hips, The Hobbit, the hype, the jaw, the legs, the stubble, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work
Here’s most of p. 2
• November 24, 2012 • 10 CommentsPosted in acting, action, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, collateral attractions, comedy, disgust, dwarves, fans, fantasy, filmmaking, flow, gestures, gravitas, humiliation, humility, interiority, joy, loss, me, morality / ethics / norms, Peter Jackson, reality, redemption, resentment, Richard Armitage, RichardArmitageNet.com, silliness, sprezzatura, status transactions, swords, the beard, the clothes, the ears, the energy, The Hobbit, the hype, thinking / feeling, Thorin Oakenshield, violence, voice work, WETA workshop, why Armitage?, Why me?, work
Translation of French piece
• November 24, 2012 • 26 CommentsPosted in acting, action, anger, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Captain America, career, collateral attractions, dwarves, fans, fantasy, fear, filmmaking, flow, gravitas, Heinz Kruger, humiliation, if I could interview Mr. Armitage, interiority, joy, me, morality / ethics / norms, overwork, Peter Jackson, reality, redemption, resentment, Richard Armitage, RichardArmitageNet.com, silliness, Spooks, sprezzatura, status transactions, swords, The Hobbit, the hype, thinking / feeling, Thorin Oakenshield, violence
Translation of Acción piece
• November 23, 2012 • 95 CommentsPosted in acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, capitalism, Captain America, career, dwarves, fans, fantasy, fear, filmmaking, flow, gratitude, gravitas, Guy of Gisborne, Heinz Kruger, humility, if I could interview Mr. Armitage, interiority, John Porter, joy, loss, me, morality / ethics / norms, Peter Jackson, reality, Richard Armitage, RichardArmitageNet.com, Robin Hood, silliness, Strike Back, The Hobbit, the hype, the shoulders, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work
My Richard Armitage: An interpretation. Early career to North & South
• November 21, 2012 • 39 CommentsPosted in accents, acting, action, Angus, Annabel Capper, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Between the Sheets, Bill Chatford, capitalism, career, Casualty, Cleopatra, Cold Feet, Craig Porter, dance, Daniela Denby-Ashe, Doctors, Epiphanes, fans, fantasy, fear, flow, Frozen, Gaskell, gestures, gratitude, gravitas, heterosexual dystopias, heterosexual utopias, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, Inspector Lynley Mysteries: In Divine Proportion, interiority, John Standring, joy, Lee, loss, Macbeth, Malice Aforethought, Margaret Hale, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, overwork, Paul Andrews, Philip Turner, pronunciation, reality, redemption, Richard Armitage, silliness, singing, smug man, Sparkhouse, sprezzatura, status transactions, Steven, the accent, the Armitage morass, the clothes, the energy, the eyes, the face, the forehead, the hype, the smile, the smolder, theatre theatre, thinking / feeling, Tom Steele, Ultimate Force, why Armitage?, Why me?, work
Thorin behind the scenes
• November 6, 2012 • 20 CommentsPosted in absolute utter unadulterated joy!, acting, Armitage as victim, Armitageworld dogmas, attempts at bravery, capitalism, career, dwarves, fans, fantasy, gravitas, if I could interview Mr. Armitage, interiority, me, objectification, reality, Richard Armitage, silliness, the beard, the energy, the eyes, the face, the feet, the forehead, the hair, the hands, The Hobbit, the hype, Thorin Oakenshield, why Armitage?, Why me?
#RA4R3 rumble, Week Six!
• November 5, 2012 • 2 CommentsPosted in #ArmitageWatch, acting, action, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, career, collateral attractions, dance, fan art, fans, fantasy, fear, forgiveness, heterosexual dystopias, heterosexual utopias, humiliation, if I could interview Mr. Armitage, interiority, Lucas North, me, medieval, morality / ethics / norms, objectification, order / disorder, polls, reality, redemption, resentment, Richard Armitage, Richard III, silliness, Spooks, status transactions, swords, the energy, The Hobbit, The Sunne in Splendour, thinking / feeling, Thorin Oakenshield, violence, why Armitage?, Why me?
