Archive for the 'John Porter' Category
Armitage pitchman: A brief videography
• December 24, 2012 • 21 CommentsPosted in acting, Armitage as victim, Armitageworld dogmas, capitalism, Captain America, career, fans, gravitas, Heinz Kruger, humiliation, if I could interview Mr. Armitage, John Porter, Lucas North, me, microexpressions, morality / ethics / norms, objectification, reality, resentment, Richard Armitage, silliness, Spooks, Strike Back, the energy, the ethics, The Hobbit, the hype, the real Armitage, the voice, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work
Tags: richard armitage
Armitage leads with the feelings, or: How thick is Richard? A beginning.
• December 5, 2012 • 216 CommentsPosted in acting, action, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, attempts at bravery, Black Sky, capitalism, Captain America, career, Claude Monet, collateral attractions, dance, Dawn French, dwarves, evil, fan letters, fans, fantasy, fear, filmmaking, flow, Gary, Geraldine Granger, gravitas, Guy of Gisborne, Harry Kennedy, Heinz Kruger, humiliation, humility, if I could interview Mr. Armitage, interiority, John Porter, John Standring, joy, liking food, loss, Marian, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, Peter Jackson, reality, redemption, Richard Armitage, Robin Hood, Sparkhouse, sprezzatura, status transactions, Strike Back, the competition, the energy, The Hobbit, the hype, The Impressionists, the real Armitage, theatre theatre, thinking / feeling, Thorin Oakenshield, Vicar of Dibley, violence, why Armitage?, Why me?, work
Richard Armitage and the trouser break: A brief overview with examples
• November 30, 2012 • 32 CommentsPosted in absolute utter unadulterated joy!, Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, capitalism, career, fans, gratitude, gravitas, heterosexual utopias, John Porter, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, reality, Richard Armitage, RichardArmitageNet.com, sprezzatura, squee, status transactions, Strike Back, the arms, the booty, the clothes, the competition, the energy, the eyes, the face, the feet, the hips, The Hobbit, the hype, the muscles, the shoulders, the smile, the stubble, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?
Legenda 54: Stuff worth reading
• November 25, 2012 • 21 CommentsPosted in *ooof*, acting, action, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, collateral attractions, dwarves, fan art, fanfic, fans, fantasy, fanvids, Gaskell, Guy of Gisborne, Guylty, heterosexual dystopias, heterosexual utopias, John Porter, John Standring, joy, Legenda: Stuff worth reading, loss, Marian, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, order / disorder, Peter Jackson, reality, redemption, Richard Armitage, Richard Armitage Online, Robin Hood, sex, silliness, Sparkhouse, squee, Strike Back, swords, the beard, the clothes, the hair, The Hobbit, the hype, Thorin Oakenshield, TORn, why Armitage?
Translation of Acción piece
• November 23, 2012 • 95 CommentsPosted in acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, capitalism, Captain America, career, dwarves, fans, fantasy, fear, filmmaking, flow, gratitude, gravitas, Guy of Gisborne, Heinz Kruger, humility, if I could interview Mr. Armitage, interiority, John Porter, joy, loss, me, morality / ethics / norms, Peter Jackson, reality, Richard Armitage, RichardArmitageNet.com, Robin Hood, silliness, Strike Back, The Hobbit, the hype, the shoulders, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work
Third Armitage Thanksgiving
• November 22, 2012 • 41 CommentsPosted in acting, action, Angus, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Black Sky, Brendan Coyle, capitalism, career, Cats, Cleopatra, dance, Daniela Denby-Ashe, Dawn French, dwarves, Epiphanes, fan art, fans, fantasy, fanvids, flow, forgiveness, Geraldine Granger, gratitude, gravitas, Guy of Gisborne, Guylty, Harry Kennedy, heterosexual utopias, Higgins, humility, Ian Macalwain, if I could interview Mr. Armitage, John Porter, John Standring, joy, liking food, Lucas North, Macbeth, Margaret Hale, me, medieval, morality / ethics / norms, Mr. Thornton, Mrs. Thornton, musical theatre, North & South, objectification, reality, redemption, Richard Armitage, Richard III, Robin Hood, silliness, Sinead Cusack, singing, Sparkhouse, Spooks, Strike Back, swords, the Armitage morass, the beard, the booty, the circus, the clothes, the energy, the eyes, the face, the fingers, the forearms, the hair, the hands, The Hobbit, the hype, the kisses, the shoes, the smile, the smolder, the thumbs, theatre theatre, thinking / feeling, Thorin Oakenshield, Ultimate Force, Vicar of Dibley, violence, why Armitage?, Why me?
Legenda 53: Stuff worth reading
• November 18, 2012 • 12 CommentsPosted in acting, action, Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, attempts at bravery, Black Sky, capitalism, career, collateral attractions, dwarves, fan art, fanfic, fans, fantasy, fanvids, Guy of Gisborne, John Porter, joy, Legenda: Stuff worth reading, liking food, loss, Marian, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, overwork, reality, Richard Armitage, Robin Hood, silliness, singing, Strike Back, the booty, the clothes, the competition, The Hobbit, the hype, the shoes, Thorin Oakenshield, violence, why Armitage?, Why me?
Thinking.
• November 16, 2012 • 14 CommentsPosted in acting, anger, Armitage as mirror, attempts at bravery, fans, fantasy, fear, flow, forgiveness, humiliation, if I could interview Mr. Armitage, John Porter, loss, me, morality / ethics / norms, reality, redemption, resentment, Richard Armitage, status transactions, Strike Back, the eyes, the face, the forehead, the hands, the nose, the profile, thinking / feeling, violence, why Armitage?, Why me?, work
Armitage: arms, armor, intensity
• November 15, 2012 • 20 CommentsPosted in acting, Armitage as mirror, Armitage as victim, Armitage's body, attempts at bravery, fantasy, fear, flow, forgiveness, gratitude, heterosexual utopias, humiliation, humility, John Porter, loss, me, morality / ethics / norms, objectification, reality, redemption, resentment, Richard Armitage, Strike Back, the arms, the chin, the energy, the eyes, the face, the hands, the jaw, the lips, the mouth, the nose, thinking / feeling, violence, why Armitage?, Why me?, work
Armitage says “f”
• November 6, 2012 • 10 CommentsPosted in accents, acting, Armitage anatomy, Armitage's body, career, gestures, if I could interview Mr. Armitage, John Porter, me, objectification, pronunciation, Richard Armitage, silliness, Strike Back, the accent, the energy, the lips, the mouth, the teeth, the voice, theatre theatre, voice work, why Armitage?, Why me?
