
Posted in acting, action, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, Black Sky, capitalism, career, Claude Monet, Dawn French, dwarves, fan art, fanfic, fans, fantasy, fear, filmmaking, Gary, gravitas, Guy of Gisborne, Harry Kennedy, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, joy, Legenda: Stuff worth reading, me, morality / ethics / norms, objectification, Peter Jackson, reality, resentment, Richard Armitage, sex, silliness, squee, the competition, The Hobbit, the hype, The Impressionists, the real Armitage, Thorin Oakenshield, Vicar of Dibley, why Armitage?, Why me?
Tags: richard armitage, The Hobbit: An Unexpected Journey
Posted in attempts at bravery, fans, fear, gratitude, humility, joy, me, morality / ethics / norms, reality, redemption, resentment, thinking / feeling, work
Posted in anger, evil, fear, flow, gratitude, humility, joy, loss, me, morality / ethics / norms, reality, redemption, resentment, Richard Armitage, thinking / feeling, why Armitage?, Why me?
Posted in acting, action, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, attempts at bravery, Black Sky, capitalism, Captain America, career, Claude Monet, collateral attractions, dance, Dawn French, dwarves, evil, fan letters, fans, fantasy, fear, filmmaking, flow, Gary, Geraldine Granger, gravitas, Guy of Gisborne, Harry Kennedy, Heinz Kruger, humiliation, humility, if I could interview Mr. Armitage, interiority, John Porter, John Standring, joy, liking food, loss, Marian, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, Peter Jackson, reality, redemption, Richard Armitage, Robin Hood, Sparkhouse, sprezzatura, status transactions, Strike Back, the competition, the energy, The Hobbit, the hype, The Impressionists, the real Armitage, theatre theatre, thinking / feeling, Thorin Oakenshield, Vicar of Dibley, violence, why Armitage?, Why me?, work
Posted in Richard Armitage, me, The Armitage Army, acting, squee, morality / ethics / norms, fantasy, joy, reality, if I could interview Mr. Armitage, fan showcase, silliness, fans, gratitude, collateral attractions, objectification, Thorin Oakenshield, The Hobbit, humility, fan art, Peter Jackson, the competition, the hype, WETA workshop, TORn, dwarves
Posted in Armitage's body, career, collateral attractions, dwarves, fans, fantasy, forgiveness, gestures, joy, loss, me, morality / ethics / norms, reality, redemption, resentment, Richard Armitage, the beard, the chin, the energy, the eyes, the hair, The Hobbit, the hype, the jaw, the mouth, Thorin Oakenshield, why Armitage?
Posted in acting, Armitage on Armitage, Armitage's body, capitalism, Captain America, career, collateral attractions, comedy, dwarves, evil, fans, fantasy, filmmaking, humility, if I could interview Mr. Armitage, joy, liking food, me, morality / ethics / norms, Peter Jackson, Richard Armitage, swords, the beard, the hair, The Hobbit, the hype, Thorin Oakenshield, violence, work
Posted in acting, capitalism, career, collateral attractions, dwarves, evil, fans, fantasy, filmmaking, joy, loss, me, Peter Jackson, polls, reality, Richard Armitage, silliness, singing, swords, the beard, the competition, the energy, The Hobbit, the hype, thinking / feeling, Thorin Oakenshield, violence, why Armitage?
Posted in Armitage as victim, Armitage's body, career, fans, fantasy, heterosexual utopias, joy, me, objectification, reality, Richard Armitage, silliness, squee, the eyes, the face, The Hobbit, the hype, thinking / feeling, why Armitage?, Why me?
Posted in Armitage as victim, Armitage's body, career, fans, gratitude, heterosexual utopias, joy, loss, me, objectification, redemption, Richard Armitage, silliness, sprezzatura, the arms, the clothes, the energy, the eyes, the face, the fingers, the hands, The Hobbit, the hype, the mouth, the smile, the stubble, why Armitage?, Why me?


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