Archive for the 'Mrs. Thornton' Category
Third Armitage Thanksgiving
• November 22, 2012 • 41 CommentsPosted in acting, action, Angus, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Black Sky, Brendan Coyle, capitalism, career, Cats, Cleopatra, dance, Daniela Denby-Ashe, Dawn French, dwarves, Epiphanes, fan art, fans, fantasy, fanvids, flow, forgiveness, Geraldine Granger, gratitude, gravitas, Guy of Gisborne, Guylty, Harry Kennedy, heterosexual utopias, Higgins, humility, Ian Macalwain, if I could interview Mr. Armitage, John Porter, John Standring, joy, liking food, Lucas North, Macbeth, Margaret Hale, me, medieval, morality / ethics / norms, Mr. Thornton, Mrs. Thornton, musical theatre, North & South, objectification, reality, redemption, Richard Armitage, Richard III, Robin Hood, silliness, Sinead Cusack, singing, Sparkhouse, Spooks, Strike Back, swords, the Armitage morass, the beard, the booty, the circus, the clothes, the energy, the eyes, the face, the fingers, the forearms, the hair, the hands, The Hobbit, the hype, the kisses, the shoes, the smile, the smolder, the thumbs, theatre theatre, thinking / feeling, Thorin Oakenshield, Ultimate Force, Vicar of Dibley, violence, why Armitage?, Why me?
XLI: Richard Armitage by the numbers
• August 22, 2012 • 61 CommentsPosted in acting, action, anger, Angus, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, audiobooks, Between the Sheets, Black Sky, Captain America, career, Claude Monet, Cold Feet, collateral attractions, comedy, Damerel, Daniela Denby-Ashe, Dawn French, Doctors, fan art, fans, fantasy, fanvids, flow, forgiveness, Geraldine Granger, gestures, gratitude, Guy of Gisborne, Harry Kennedy, Heinz Kruger, Hermione Norris, heterosexual dystopias, heterosexual utopias, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, interiority, John Bateman, John Mulligan, John Porter, John Standring, joy, Lee, Lords of the North, loss, Lucas North, Macbeth, Margaret Hale, Marie Lloyd, me, morality / ethics / norms, Moving On, Mr. Thornton, Mrs. Thornton, musical theatre, North & South, objectification, Paul Andrews, reality, redemption, Richard Armitage, Richard Armitage Central, Richard Armitage Online, Robin Hood, Ros Myers, sex, silliness, Sparkhouse, Spooks, status transactions, Strike Back, Sylvester, The Armitage Army, the Armitage morass, the beard, the clothes, the energy, the eyes, the face, the hands, the hips, The Hobbit, the hype, The Impressionists, the jaw, the legs, the muscles, the real Armitage, the shoes, the smile, the thumbs, the voice, theatre theatre, thinking / feeling, Thorin Oakenshield, Tom Steele, TPTW: Too painful to watch, Uhtred of Bebbanburg, Ultimate Force, Venetia, Vicar of Dibley, violence, why Armitage?, Why me?, work
Chin-down Armitage
• August 2, 2012 • 11 CommentsPosted in acting, Armitage's body, gestures, Guy of Gisborne, humiliation, if I could interview Mr. Armitage, John Bateman, John Porter, Lucas North, Maya Lahan, me, microexpressions, Mr. Thornton, Mrs. Thornton, North & South, Richard Armitage, Robin Hood, Sinead Cusack, Spooks, Strike Back, the chin, the energy, the face, the jaw, why Armitage?, Why me?, work
OT: Recommendations solicited
• June 21, 2012 • 78 CommentsPosted in anger, gratitude, heterosexual utopias, loss, me, morality / ethics / norms, Mrs. Thornton, off topic, order / disorder, reality, redemption, thinking / feeling, violence, Why me?
Why Richard Armitage had to be beautiful
• June 8, 2012 • 53 CommentsPosted in acting, Armitage anatomy, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Brendan Coyle, career, collateral attractions, Daniela Denby-Ashe, fans, fantasy, flow, forgiveness, gestures, gratitude, gravitas, heterosexual dystopias, heterosexual utopias, Higgins, humiliation, humility, if I could interview Mr. Armitage, interiority, John Porter, John Standring, joy, loss, Margaret Hale, me, morality / ethics / norms, Mr. Bell, Mr. Thornton, Mrs. Thornton, North & South, objectification, overwork, reality, redemption, Richard Armitage, sex, Sinead Cusack, the arms, the chin, the clothes, the competition, the ears, the energy, the eyes, the face, the fingers, the forearms, the hair, the hands, The Hobbit, the jaw, the legs, the lips, the mouth, the muscles, the nose, the profile, the shoulders, the skin, the smile, the smolder, the stubble, thinking / feeling, why Armitage?, Why me?, work
me + mr thornton, episode 4(a)5
• June 2, 2012 • 6 CommentsPosted in acting, Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, attempts at bravery, Brendan Coyle, Daniela Denby-Ashe, fans, fantasy, forgiveness, Gaskell, gestures, gravitas, heterosexual dystopias, heterosexual utopias, Higgins, humiliation, loss, Margaret Hale, me, morality / ethics / norms, Mr. Bell, Mr. Thornton, Mrs. Thornton, North & South, osculation, overwork, redemption, Richard Armitage, Sinead Cusack, status transactions, the energy, the eyes, the jaw, thinking / feeling, TPTW: Too painful to watch, why Armitage?, Why me?, work
Richard Armitage: Not just North & South anymore, but also East & West!
• June 1, 2012 • 6 CommentsPosted in Brendan Coyle, Daniela Denby-Ashe, fans, Gaskell, heterosexual dystopias, heterosexual utopias, Higgins, joy, loss, Margaret Hale, me, morality / ethics / norms, Mr. Bell, Mr. Thornton, Mrs. Thornton, North & South, objectification, osculation, overwork, Richard Armitage, Sinead Cusack, teacups, the energy, the eyes, the face, the kisses, the mouth, the nose, the profile, the smolder, the voice, thinking / feeling, why Armitage?, Why me?, work
me and mr thornton, episode 4(a)3
• May 28, 2012 • 4 CommentsPosted in acting, Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, attempts at bravery, Brendan Coyle, fans, fantasy, flow, forgiveness, Gaskell, gestures, gravitas, Higgins, humiliation, humility, loss, Margaret Hale, me, microexpressions, morality / ethics / norms, Mr. Thornton, Mrs. Thornton, North & South, overwork, reality, redemption, Richard Armitage, Sinead Cusack, status transactions, the energy, the eyes, thinking / feeling, why Armitage?, Why me?, work
me + mr thornton, episode 4(a)2
• May 27, 2012 • 37 CommentsPosted in acting, Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, attempts at bravery, fans, fantasy, flow, forgiveness, Gaskell, gestures, gravitas, heterosexual dystopias, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, interiority, loss, Margaret Hale, me, microexpressions, morality / ethics / norms, Mr. Thornton, Mrs. Thornton, North & South, objectification, order / disorder, overwork, reality, redemption, Richard Armitage, Sinead Cusack, the energy, the eyes, the face, thinking / feeling, TPTW: Too painful to watch, why Armitage?, Why me?, work
me + mr thornton, episode 4(a)1
• May 27, 2012 • 14 CommentsPosted in acting, Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, attempts at bravery, Brendan Coyle, fans, fantasy, flow, forgiveness, Gaskell, gestures, gravitas, heterosexual dystopias, heterosexual utopias, Higgins, humiliation, humility, interiority, loss, Margaret Hale, me, microexpressions, morality / ethics / norms, Mr. Thornton, Mrs. Thornton, North & South, objectification, order / disorder, overwork, reality, redemption, Richard Armitage, Sinead Cusack, status transactions, the energy, the eyes, the face, thinking / feeling, TPTW: Too painful to watch, violence, why Armitage?, Why me?, work
