Archive for the 'objectification' Category
• April 15, 2013 •
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Posted in action, Armitage's body, Lucas North, me, morality / ethics / norms, objectification, reality, resentment, Richard Armitage, silliness, Spooks, the booty, the legs, violence
Tags: richard armitage
• December 30, 2012 •
45 Comments
Posted in *ooof*, acting, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, Cats, Cold Feet, dance, Daniela Denby-Ashe, fans, fantasy, gratitude, Guy of Gisborne, Guylty, heterosexual dystopias, heterosexual utopias, humility, if I could interview Mr. Armitage, Lee, loss, Margaret Hale, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, reality, Richard Armitage, sex, silliness, the clothes, the competition, the energy, the ethics, the eyes, the face, The Golden Hour, the hair, the hype, the real Armitage, the smolder, the teeth, theatre theatre, why Armitage?, Why me?, work
Tags: richard armitage
• December 24, 2012 •
21 Comments
Posted in acting, Armitage as victim, Armitageworld dogmas, capitalism, Captain America, career, fans, gravitas, Heinz Kruger, humiliation, if I could interview Mr. Armitage, John Porter, Lucas North, me, microexpressions, morality / ethics / norms, objectification, reality, resentment, Richard Armitage, silliness, Spooks, Strike Back, the energy, the ethics, The Hobbit, the hype, the real Armitage, the voice, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work
Tags: richard armitage
• December 23, 2012 •
18 Comments
Posted in acting, action, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, Black Sky, capitalism, career, Claude Monet, Dawn French, dwarves, fan art, fanfic, fans, fantasy, fear, filmmaking, Gary, gravitas, Guy of Gisborne, Harry Kennedy, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, joy, Legenda: Stuff worth reading, me, morality / ethics / norms, objectification, Peter Jackson, reality, resentment, Richard Armitage, sex, silliness, squee, the competition, The Hobbit, the hype, The Impressionists, the real Armitage, Thorin Oakenshield, Vicar of Dibley, why Armitage?, Why me?
Tags: richard armitage, The Hobbit: An Unexpected Journey
• December 22, 2012 •
23 Comments
Posted in acting, action, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, Cold Feet, fans, fear, flow, gratitude, gravitas, heterosexual dystopias, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, interiority, loss, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, reality, resentment, Richard Armitage, silliness, sprezzatura, the competition, the energy, the ethics, The Hobbit, the hype, the real Armitage, theatre theatre, thinking / feeling, why Armitage?, Why me?, work
Tags: richard armitage
• December 14, 2012 •
52 Comments
Posted in absolute utter unadulterated joy!, acting, action, anger, Armitage's body, Armitageworld dogmas, capitalism, career, collateral attractions, comedy, dwarves, evil, fans, fantasy, fear, filmmaking, flow, gratitude, gravitas, humiliation, if I could interview Mr. Armitage, interiority, me, morality / ethics / norms, objectification, Peter Jackson, reality, redemption, Richard Armitage
Tags: richard armitage, The Hobbit: An Unexpected Journey
• December 5, 2012 •
216 Comments
Posted in acting, action, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, attempts at bravery, Black Sky, capitalism, Captain America, career, Claude Monet, collateral attractions, dance, Dawn French, dwarves, evil, fan letters, fans, fantasy, fear, filmmaking, flow, Gary, Geraldine Granger, gravitas, Guy of Gisborne, Harry Kennedy, Heinz Kruger, humiliation, humility, if I could interview Mr. Armitage, interiority, John Porter, John Standring, joy, liking food, loss, Marian, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, Peter Jackson, reality, redemption, Richard Armitage, Robin Hood, Sparkhouse, sprezzatura, status transactions, Strike Back, the competition, the energy, The Hobbit, the hype, The Impressionists, the real Armitage, theatre theatre, thinking / feeling, Thorin Oakenshield, Vicar of Dibley, violence, why Armitage?, Why me?, work
• December 3, 2012 •
29 Comments
Posted in absolute utter unadulterated joy!, acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, capitalism, career, dwarves, equilibrium, fans, fantasy, filmmaking, flow, gratitude, gravitas, heterosexual utopias, humility, if I could interview Mr. Armitage, interiority, me, morality / ethics / norms, objectification, Peter Jackson, reality, redemption, Richard Armitage, silliness, sprezzatura, status transactions, swords, the Armitage morass, the arms, the chin, the clothes, the energy, the ethics, the eyes, the face, the hair, the hands, the hips, The Hobbit, the hype, the jaw, the legs, the stubble, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work
• December 2, 2012 •
13 Comments
Posted in acting, collateral attractions, dwarves, fan art, fan showcase, fans, fantasy, gratitude, humility, if I could interview Mr. Armitage, joy, me, morality / ethics / norms, objectification, Peter Jackson, reality, Richard Armitage, silliness, squee, The Armitage Army, the competition, The Hobbit, the hype, Thorin Oakenshield, TORn, WETA workshop
• November 30, 2012 •
48 Comments
Posted in absolute utter unadulterated joy!, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, capitalism, career, fans, gratitude, gravitas, heterosexual utopias, humility, if I could interview Mr. Armitage, me, morality / ethics / norms, objectification, reality, Richard Armitage, silliness, sprezzatura, squee, the arms, the clothes, the fingers, the hands, The Hobbit, the hype, the thumbs, why Armitage?, Why me?
