Archive for the 'Richard III' Category

Richard Armitage / Richard III rumble, Week 9!

• December 3, 2012 • 9 Comments

Posted in #ArmitageWatch, acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, career, fans, fanvids, heterosexual dystopias, heterosexual utopias, if I could interview Mr. Armitage, loss, me, medieval, morality / ethics / norms, polls, reality, Richard Armitage, Richard III, sex, The Hobbit, the hype, The Sunne in Splendour, why Armitage?, Why me?


Armitage fan thoughts while staring at a thumb and grading

• November 26, 2012 • 17 Comments

Posted in #ArmitageWatch, absolute utter unadulterated joy!, Armitage as mirror, Armitage as victim, Armitageworld dogmas, attempts at bravery, capitalism, career, collateral attractions, dwarves, fan art, fans, fantasy, gratitude, humility, joy, me, morality / ethics / norms, objectification, reality, redemption, Richard Armitage, Richard III, The Hobbit, the hype, the real Armitage, The Sunne in Splendour, the thumbs, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work


Third Armitage Thanksgiving

• November 22, 2012 • 41 Comments

Posted in acting, action, Angus, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Black Sky, Brendan Coyle, capitalism, career, Cats, Cleopatra, dance, Daniela Denby-Ashe, Dawn French, dwarves, Epiphanes, fan art, fans, fantasy, fanvids, flow, forgiveness, Geraldine Granger, gratitude, gravitas, Guy of Gisborne, Guylty, Harry Kennedy, heterosexual utopias, Higgins, humility, Ian Macalwain, if I could interview Mr. Armitage, John Porter, John Standring, joy, liking food, Lucas North, Macbeth, Margaret Hale, me, medieval, morality / ethics / norms, Mr. Thornton, Mrs. Thornton, musical theatre, North & South, objectification, reality, redemption, Richard Armitage, Richard III, Robin Hood, silliness, Sinead Cusack, singing, Sparkhouse, Spooks, Strike Back, swords, the Armitage morass, the beard, the booty, the circus, the clothes, the energy, the eyes, the face, the fingers, the forearms, the hair, the hands, The Hobbit, the hype, the kisses, the shoes, the smile, the smolder, the thumbs, theatre theatre, thinking / feeling, Thorin Oakenshield, Ultimate Force, Vicar of Dibley, violence, why Armitage?, Why me?


Richard Armitage / Richard III rumble, Week 8!

• November 19, 2012 • 6 Comments

Posted in #ArmitageWatch, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, career, fan art, fans, fantasy, heterosexual utopias, humiliation, if I could interview Mr. Armitage, me, medieval, morality / ethics / norms, reality, resentment, Richard Armitage, Richard III, status transactions, the hype, the real Armitage, The Sunne in Splendour, violence, why Armitage?, Why me?, work


Richard Armitage / Richard III rumble, Week 7!

• November 12, 2012 • 5 Comments

Posted in #ArmitageWatch, acting, action, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, career, collateral attractions, dance, fan art, fans, fantasy, heterosexual dystopias, heterosexual utopias, if I could interview Mr. Armitage, loss, me, medieval, morality / ethics / norms, objectification, osculation, polls, reality, resentment, Richard Armitage, Richard III, sex, silliness, status transactions, swords, the energy, the eyes, the fingers, the hands, The Hobbit, the hype, the kisses, the mouth, The Sunne in Splendour, Thorin Oakenshield, violence, why Armitage?


Protecting Richard [III], part 2: Wand Week continues!

• November 5, 2012 • Leave a Comment

Posted in Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, career, collateral attractions, evil, fans, heterosexual dystopias, if I could interview Mr. Armitage, me, medieval, morality / ethics / norms, order / disorder, reality, Richard Armitage, Richard III, silliness, why Armitage?, Why me?


#RA4R3 rumble, Week Six!

• November 5, 2012 • 2 Comments

Posted in #ArmitageWatch, acting, action, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, career, collateral attractions, dance, fan art, fans, fantasy, fear, forgiveness, heterosexual dystopias, heterosexual utopias, humiliation, if I could interview Mr. Armitage, interiority, Lucas North, me, medieval, morality / ethics / norms, objectification, order / disorder, polls, reality, redemption, resentment, Richard Armitage, Richard III, silliness, Spooks, status transactions, swords, the energy, The Hobbit, The Sunne in Splendour, thinking / feeling, Thorin Oakenshield, violence, why Armitage?, Why me?


Protecting Richard [III]: Wand Week 2012 continues

• November 2, 2012 • Leave a Comment

Posted in Armitage as victim, Armitage on Armitage, Armitageworld dogmas, career, collateral attractions, evil, fans, fantasy, fear, heterosexual dystopias, me, medieval, morality / ethics / norms, redemption, Richard Armitage, Richard III, silliness, the hype, why Armitage?, Why me?


Was Richard III bewitched? Wand Week 2012 continues

• October 30, 2012 • Leave a Comment

Posted in Armitage as victim, Armitage on Armitage, Armitageworld dogmas, career, collateral attractions, evil, fans, fantasy, heterosexual dystopias, if I could interview Mr. Armitage, joy, loss, me, medieval, morality / ethics / norms, order / disorder, reality, Richard Armitage, Richard III, silliness, status transactions, the competition, the hype, violence, why Armitage?, Why me?


The Armitage / Richard III rumble, Week 5!

• October 29, 2012 • 8 Comments

Posted in #ArmitageWatch, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, career, collateral attractions, fans, fantasy, fear, forgiveness, heterosexual dystopias, heterosexual utopias, humiliation, humility, loss, me, medieval, morality / ethics / norms, polls, reality, resentment, Richard Armitage, Richard III, silliness, status transactions, the hype, The Sunne in Splendour, why Armitage?, Why me?, work


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