
Posted in acting, action, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, Black Sky, capitalism, career, Claude Monet, Dawn French, dwarves, fan art, fanfic, fans, fantasy, fear, filmmaking, Gary, gravitas, Guy of Gisborne, Harry Kennedy, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, joy, Legenda: Stuff worth reading, me, morality / ethics / norms, objectification, Peter Jackson, reality, resentment, Richard Armitage, sex, silliness, squee, the competition, The Hobbit, the hype, The Impressionists, the real Armitage, Thorin Oakenshield, Vicar of Dibley, why Armitage?, Why me?
Tags: richard armitage, The Hobbit: An Unexpected Journey
Posted in acting, collateral attractions, dwarves, fan art, fan showcase, fans, fantasy, gratitude, humility, if I could interview Mr. Armitage, joy, me, morality / ethics / norms, objectification, Peter Jackson, reality, Richard Armitage, silliness, squee, The Armitage Army, the competition, The Hobbit, the hype, Thorin Oakenshield, TORn, WETA workshop
Posted in absolute utter unadulterated joy!, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, capitalism, career, fans, gratitude, gravitas, heterosexual utopias, humility, if I could interview Mr. Armitage, me, morality / ethics / norms, objectification, reality, Richard Armitage, silliness, sprezzatura, squee, the arms, the clothes, the fingers, the hands, The Hobbit, the hype, the thumbs, why Armitage?, Why me?
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Posted in Armitage as victim, Armitage's body, career, fans, fantasy, heterosexual utopias, joy, me, objectification, reality, Richard Armitage, silliness, squee, the eyes, the face, The Hobbit, the hype, thinking / feeling, why Armitage?, Why me?
Posted in absolute utter unadulterated joy!, Armitage's body, capitalism, career, fans, gratitude, gravitas, heterosexual utopias, if I could interview Mr. Armitage, me, objectification, reality, redemption, Richard Armitage, silliness, sprezzatura, squee, the arms, the clothes, the ears, the energy, the eyes, the face, the fingers, the hands, The Hobbit, the hype, the nose, the smile, the stubble, why Armitage?
Posted in absolute utter unadulterated joy!, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, career, fans, flow, gratitude, gravitas, humility, if I could interview Mr. Armitage, loss, me, morality / ethics / norms, reality, redemption, Richard Armitage, Richard Armitage Online, squee, the ethics, The Hobbit, the hype, thinking / feeling, Thorin Oakenshield, why Armitage?
Posted in absolute utter unadulterated joy!, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, dwarves, equilibrium, fans, fear, flow, gratitude, gravitas, humility, if I could interview Mr. Armitage, me, morality / ethics / norms, objectification, order / disorder, Peter Jackson, reality, redemption, Richard Armitage, silliness, sprezzatura, squee, status transactions, the clothes, the competition, the energy, The Hobbit, the hype, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?
Posted in absolute utter unadulterated joy!, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, capitalism, career, dwarves, fans, fantasy, filmmaking, gratitude, gravitas, heterosexual utopias, humility, me, Peter Jackson, reality, Richard Armitage, Richard Armitage Central, sprezzatura, squee, the clothes, The Hobbit, the hype, Thorin Oakenshield, why Armitage?
Posted in absolute utter unadulterated joy!, acting, Armitage on Armitage, capitalism, career, collateral attractions, dwarves, fans, filmmaking, heterosexual utopias, me, objectification, Peter Jackson, reality, Richard Armitage, silliness, squee, the competition, the energy, the eyes, the face, The Hobbit, the hype, Thorin Oakenshield, why Armitage?


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