Archive for the 'status transactions' Category
• January 6, 2013 •
4 Comments
Posted in acting, anger, Armitage's body, dwarves, fear, gravitas, humiliation, loss, me, microexpressions, morality / ethics / norms, Richard Armitage, status transactions, the chin, the energy, the eyes, the face, the forehead, the hair, The Hobbit, the jaw, the lips, the mouth, the nose, the profile, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?
Tags: richard armitage, The Hobbit: An Unexpected Journey
• December 5, 2012 •
216 Comments
Posted in acting, action, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, attempts at bravery, Black Sky, capitalism, Captain America, career, Claude Monet, collateral attractions, dance, Dawn French, dwarves, evil, fan letters, fans, fantasy, fear, filmmaking, flow, Gary, Geraldine Granger, gravitas, Guy of Gisborne, Harry Kennedy, Heinz Kruger, humiliation, humility, if I could interview Mr. Armitage, interiority, John Porter, John Standring, joy, liking food, loss, Marian, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, Peter Jackson, reality, redemption, Richard Armitage, Robin Hood, Sparkhouse, sprezzatura, status transactions, Strike Back, the competition, the energy, The Hobbit, the hype, The Impressionists, the real Armitage, theatre theatre, thinking / feeling, Thorin Oakenshield, Vicar of Dibley, violence, why Armitage?, Why me?, work
• December 3, 2012 •
29 Comments
Posted in absolute utter unadulterated joy!, acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, capitalism, career, dwarves, equilibrium, fans, fantasy, filmmaking, flow, gratitude, gravitas, heterosexual utopias, humility, if I could interview Mr. Armitage, interiority, me, morality / ethics / norms, objectification, Peter Jackson, reality, redemption, Richard Armitage, silliness, sprezzatura, status transactions, swords, the Armitage morass, the arms, the chin, the clothes, the energy, the ethics, the eyes, the face, the hair, the hands, the hips, The Hobbit, the hype, the jaw, the legs, the stubble, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work
• November 30, 2012 •
32 Comments
Posted in absolute utter unadulterated joy!, Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, capitalism, career, fans, gratitude, gravitas, heterosexual utopias, John Porter, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, reality, Richard Armitage, RichardArmitageNet.com, sprezzatura, squee, status transactions, Strike Back, the arms, the booty, the clothes, the competition, the energy, the eyes, the face, the feet, the hips, The Hobbit, the hype, the muscles, the shoulders, the smile, the stubble, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?
• November 28, 2012 •
15 Comments
Posted in absolute utter unadulterated joy!, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, dwarves, equilibrium, fans, fear, flow, gratitude, gravitas, humility, if I could interview Mr. Armitage, me, morality / ethics / norms, objectification, order / disorder, Peter Jackson, reality, redemption, Richard Armitage, silliness, sprezzatura, squee, status transactions, the clothes, the competition, the energy, The Hobbit, the hype, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?
• November 24, 2012 •
10 Comments
Posted in acting, action, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, collateral attractions, comedy, disgust, dwarves, fans, fantasy, filmmaking, flow, gestures, gravitas, humiliation, humility, interiority, joy, loss, me, morality / ethics / norms, Peter Jackson, reality, redemption, resentment, Richard Armitage, RichardArmitageNet.com, silliness, sprezzatura, status transactions, swords, the beard, the clothes, the ears, the energy, The Hobbit, the hype, thinking / feeling, Thorin Oakenshield, violence, voice work, WETA workshop, why Armitage?, Why me?, work
• November 24, 2012 •
26 Comments
Posted in acting, action, anger, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Captain America, career, collateral attractions, dwarves, fans, fantasy, fear, filmmaking, flow, gravitas, Heinz Kruger, humiliation, if I could interview Mr. Armitage, interiority, joy, me, morality / ethics / norms, overwork, Peter Jackson, reality, redemption, resentment, Richard Armitage, RichardArmitageNet.com, silliness, Spooks, sprezzatura, status transactions, swords, The Hobbit, the hype, thinking / feeling, Thorin Oakenshield, violence
• November 21, 2012 •
39 Comments
Posted in accents, acting, action, Angus, Annabel Capper, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Between the Sheets, Bill Chatford, capitalism, career, Casualty, Cleopatra, Cold Feet, Craig Porter, dance, Daniela Denby-Ashe, Doctors, Epiphanes, fans, fantasy, fear, flow, Frozen, Gaskell, gestures, gratitude, gravitas, heterosexual dystopias, heterosexual utopias, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, Inspector Lynley Mysteries: In Divine Proportion, interiority, John Standring, joy, Lee, loss, Macbeth, Malice Aforethought, Margaret Hale, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, overwork, Paul Andrews, Philip Turner, pronunciation, reality, redemption, Richard Armitage, silliness, singing, smug man, Sparkhouse, sprezzatura, status transactions, Steven, the accent, the Armitage morass, the clothes, the energy, the eyes, the face, the forehead, the hype, the smile, the smolder, theatre theatre, thinking / feeling, Tom Steele, Ultimate Force, why Armitage?, Why me?, work
• November 19, 2012 •
6 Comments
Posted in #ArmitageWatch, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, career, fan art, fans, fantasy, heterosexual utopias, humiliation, if I could interview Mr. Armitage, me, medieval, morality / ethics / norms, reality, resentment, Richard Armitage, Richard III, status transactions, the hype, the real Armitage, The Sunne in Splendour, violence, why Armitage?, Why me?, work
• November 16, 2012 •
14 Comments
Posted in acting, anger, Armitage as mirror, attempts at bravery, fans, fantasy, fear, flow, forgiveness, humiliation, if I could interview Mr. Armitage, John Porter, loss, me, morality / ethics / norms, reality, redemption, resentment, Richard Armitage, status transactions, Strike Back, the eyes, the face, the forehead, the hands, the nose, the profile, thinking / feeling, violence, why Armitage?, Why me?, work
