Archive for the 'the Armitage morass' Category
Still looking with eyes of wonder at Richard Armitage
• December 3, 2012 • 29 CommentsPosted in absolute utter unadulterated joy!, acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, capitalism, career, dwarves, equilibrium, fans, fantasy, filmmaking, flow, gratitude, gravitas, heterosexual utopias, humility, if I could interview Mr. Armitage, interiority, me, morality / ethics / norms, objectification, Peter Jackson, reality, redemption, Richard Armitage, silliness, sprezzatura, status transactions, swords, the Armitage morass, the arms, the chin, the clothes, the energy, the ethics, the eyes, the face, the hair, the hands, the hips, The Hobbit, the hype, the jaw, the legs, the stubble, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work
Third Armitage Thanksgiving
• November 22, 2012 • 44 CommentsPosted in acting, action, Angus, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Brendan Coyle, capitalism, career, Cats, Cleopatra, dance, Daniela Denby-Ashe, Dawn French, dwarves, Epiphanes, fan art, fans, fantasy, fanvids, flow, forgiveness, Geraldine Granger, gratitude, gravitas, Guy of Gisborne, Guylty, Harry Kennedy, heterosexual utopias, Higgins, humility, Ian Macalwain, if I could interview Mr. Armitage, Into the Storm / Black Sky, John Porter, John Standring, joy, liking food, Lucas North, Macbeth, Margaret Hale, me, medieval, morality / ethics / norms, Mr. Thornton, Mrs. Thornton, musical theatre, North & South, objectification, reality, redemption, Richard Armitage, Richard III, Robin Hood, silliness, Sinead Cusack, singing, Sparkhouse, Spooks, Strike Back, swords, the Armitage morass, the beard, the booty, the circus, the clothes, the energy, the eyes, the face, the fingers, the forearms, the hair, the hands, The Hobbit, the hype, the kisses, the shoes, the smile, the smolder, the thumbs, theatre theatre, thinking / feeling, Thorin Oakenshield, Ultimate Force, Vicar of Dibley, violence, why Armitage?, Why me?
My Richard Armitage: An interpretation. Early career to North & South
• November 21, 2012 • 42 CommentsPosted in accents, acting, action, Angus, Annabel Capper, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Between the Sheets, Bill Chatford, capitalism, career, Casualty, Cleopatra, Cold Feet, Craig Porter, dance, Daniela Denby-Ashe, Doctors, Epiphanes, fans, fantasy, fear, flow, Frozen, Gaskell, gestures, gratitude, gravitas, heterosexual dystopias, heterosexual utopias, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, Inspector Lynley Mysteries: In Divine Proportion, interiority, John Standring, joy, Lee, loss, Macbeth, Malice Aforethought, Margaret Hale, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, overwork, Paul Andrews, Philip Turner, pronunciation, reality, redemption, Richard Armitage, silliness, singing, smug man, Sparkhouse, sprezzatura, status transactions, Steven, the accent, the Armitage morass, the clothes, the energy, the eyes, the face, the forehead, the hype, the smile, the smolder, theatre theatre, thinking / feeling, Tom Steele, Ultimate Force, why Armitage?, Why me?, work
Armitage reacting
• October 17, 2012 • 14 CommentsPosted in acting, anger, Armitage on Armitage, Armitage's body, Armitageworld dogmas, fear, flow, forgiveness, gestures, gravitas, Guy of Gisborne, heterosexual dystopias, heterosexual utopias, humiliation, if I could interview Mr. Armitage, interiority, Lucas North, Marian, me, medieval, microexpressions, morality / ethics / norms, Mr. Thornton, objectification, order / disorder, Richard Armitage, Robin Hood, Stanislavski, status transactions, the Armitage morass, the chin, the energy, the eyes, the face, the hands, the jaw, the lips, the mouth, the nose, the profile, the skin, the stubble, the tongue, the voice, thinking / feeling, violence, why Armitage?, Why me?
Leaked Jackson plan sparks concern among Armitage fangirls, doctors
• September 21, 2012 • 51 CommentsPosted in absolute utter unadulterated joy!, accents, acting, Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, capitalism, career, collateral attractions, fans, fantasy, Gary, gestures, gravitas, heterosexual utopias, humiliation, Into the Storm / Black Sky, me, objectification, Peter Jackson, pronunciation, Richard Armitage, silliness, squee, swords, the accent, the Armitage morass, the beard, the competition, the energy, the eyes, the face, the hair, The Hobbit, the hype, the jaw, Thorin Oakenshield, WETA workshop, why Armitage?, Why me?, work
Finally, an Oakenshield in scale to other figures
• September 18, 2012 • 32 CommentsPosted in absolute utter unadulterated joy!, acting, Armitage's body, gravitas, heterosexual utopias, if I could interview Mr. Armitage, me, objectification, Peter Jackson, reality, Richard Armitage, status transactions, the Armitage morass, the beard, the chin, the energy, the face, the hair, The Hobbit, the hype, the nose, the profile, Thorin Oakenshield, TORn, why Armitage?
And this from TORn, which I just saw now
• September 18, 2012 • 13 CommentsPosted in absolute utter unadulterated joy!, acting, Armitage as mirror, Armitage's body, fantasy, gravitas, if I could interview Mr. Armitage, me, objectification, Peter Jackson, reality, Richard Armitage, the Armitage morass, the beard, the energy, the eyes, the face, the hair, The Hobbit, the hype, Thorin Oakenshield, TORn, why Armitage?
While I was praying
• September 18, 2012 • 34 CommentsPosted in absolute utter unadulterated joy!, acting, Armitage as mirror, Armitage as victim, Armitage's body, career, fans, fantasy, fanvids, gravitas, humility, if I could interview Mr. Armitage, interiority, me, objectification, Peter Jackson, reality, Richard Armitage, the Armitage morass, the beard, the clothes, the energy, the eyes, the face, the fingers, the hair, the hands, The Hobbit, the hype, the legs, the real Armitage, the smile, Thorin Oakenshield, why Armitage?, work
I desire you, Richard Armitage
• September 16, 2012 • 23 CommentsPosted in absolute utter unadulterated joy!, acting, action, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, dance, fans, fantasy, fear, flow, forgiveness, Gary, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, interiority, Into the Storm / Black Sky, loss, Lucas North, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, reality, redemption, Richard Armitage, sex, Spooks, the Armitage morass, the beard, the clothes, the ears, the energy, the eyes, the face, the feet, the fingers, the hair, the hands, the hips, the jaw, the legs, the lips, the mouth, the muscles, the nose, the profile, thinking / feeling, why Armitage?, Why me?, work
Expecto Armitagium!
• September 14, 2012 • 21 CommentsPosted in anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Claude Monet, fantasy, fear, flow, forgiveness, Gently Go Man, George Gently, gratitude, Guy of Gisborne, Holliday Grainger, humiliation, humility, if I could interview Mr. Armitage, John Mulligan, John Porter, John Standring, joy, loss, Lucas North, Marian, me, morality / ethics / norms, Moving On, Mr. Thornton, North & South, objectification, reality, redemption, Richard Armitage, Ricky Deeming, Robin Hood, Sparkhouse, Spooks, Strike Back, the Armitage morass, the beard, the energy, the eyes, the face, the hair, the hands, The Hobbit, The Impressionists, the jaw, the shoulders, Thorin Oakenshield, why Armitage?, Why me?, work
Me + Richard Armitage 