Archive for the 'the eyes' Category

Starting to process Armitage’s work as Thorin

• January 6, 2013 • 4 Comments

Posted in acting, anger, Armitage's body, dwarves, fear, gravitas, humiliation, loss, me, microexpressions, morality / ethics / norms, Richard Armitage, status transactions, the chin, the energy, the eyes, the face, the forehead, the hair, The Hobbit, the jaw, the lips, the mouth, the nose, the profile, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?
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My Richard Armitage: An interpretation. Armitage meets “the media,” round one

• December 30, 2012 • 48 Comments

Posted in *ooof*, acting, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, Cats, Cold Feet, dance, Daniela Denby-Ashe, fans, fantasy, gratitude, Guy of Gisborne, Guylty, heterosexual dystopias, heterosexual utopias, humility, if I could interview Mr. Armitage, Lee, loss, Margaret Hale, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, reality, Richard Armitage, sex, silliness, the clothes, the competition, the energy, the ethics, the eyes, the face, The Golden Hour, the hair, the hype, the real Armitage, the smolder, the teeth, theatre theatre, why Armitage?, Why me?, work
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Still looking with eyes of wonder at Richard Armitage

• December 3, 2012 • 29 Comments

Posted in absolute utter unadulterated joy!, acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, capitalism, career, dwarves, equilibrium, fans, fantasy, filmmaking, flow, gratitude, gravitas, heterosexual utopias, humility, if I could interview Mr. Armitage, interiority, me, morality / ethics / norms, objectification, Peter Jackson, reality, redemption, Richard Armitage, silliness, sprezzatura, status transactions, swords, the Armitage morass, the arms, the chin, the clothes, the energy, the ethics, the eyes, the face, the hair, the hands, the hips, The Hobbit, the hype, the jaw, the legs, the stubble, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work


Thorin does hug Bilbo in Hobbit TV Spot #9

• November 30, 2012 • 9 Comments

Posted in Armitage's body, career, collateral attractions, dwarves, fans, fantasy, forgiveness, gestures, joy, loss, me, morality / ethics / norms, reality, redemption, resentment, Richard Armitage, the beard, the chin, the energy, the eyes, the hair, The Hobbit, the hype, the jaw, the mouth, Thorin Oakenshield, why Armitage?


Richard Armitage and the trouser break: A brief overview with examples

• November 30, 2012 • 32 Comments

Posted in absolute utter unadulterated joy!, Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, capitalism, career, fans, gratitude, gravitas, heterosexual utopias, John Porter, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, reality, Richard Armitage, RichardArmitageNet.com, sprezzatura, squee, status transactions, Strike Back, the arms, the booty, the clothes, the competition, the energy, the eyes, the face, the feet, the hips, The Hobbit, the hype, the muscles, the shoulders, the smile, the stubble, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?


Gulp. Mr. Thornton disappears from Category Cloud

• November 29, 2012 • 50 Comments

Posted in capitalism, career, fans, fantasy, fear, flow, forgiveness, if I could interview Mr. Armitage, loss, Margaret Hale, me, morality / ethics / norms, Mr. Thornton, North & South, reality, redemption, Richard Armitage, silliness, the eyes, the face, The Hobbit, the hype, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work


Armitage eyelashes

• November 29, 2012 • 22 Comments

Posted in Armitage as victim, Armitage's body, career, fans, fantasy, heterosexual utopias, joy, me, objectification, reality, Richard Armitage, silliness, squee, the eyes, the face, The Hobbit, the hype, thinking / feeling, why Armitage?, Why me?


Oh, to the be the pen in Richard Armitage’s hands

• November 28, 2012 • 22 Comments

Posted in Armitage as victim, Armitage's body, career, fans, gratitude, heterosexual utopias, joy, loss, me, objectification, redemption, Richard Armitage, silliness, sprezzatura, the arms, the clothes, the energy, the eyes, the face, the fingers, the hands, The Hobbit, the hype, the mouth, the smile, the stubble, why Armitage?, Why me?


Suited and shod Armitage and thumb

• November 28, 2012 • 28 Comments

Posted in absolute utter unadulterated joy!, Armitage's body, capitalism, career, fans, gratitude, gravitas, heterosexual utopias, if I could interview Mr. Armitage, me, objectification, reality, redemption, Richard Armitage, silliness, sprezzatura, squee, the arms, the clothes, the ears, the energy, the eyes, the face, the fingers, the hands, The Hobbit, the hype, the nose, the smile, the stubble, why Armitage?


RACentral uploads NowLive vid of Richard Armitage, Aidan Turner, Dean O’Gorman

• November 28, 2012 • 10 Comments

Posted in absolute utter unadulterated joy!, acting, Armitage on Armitage, capitalism, career, collateral attractions, dwarves, fans, filmmaking, heterosexual utopias, me, objectification, Peter Jackson, reality, Richard Armitage, silliness, squee, the competition, the energy, the eyes, the face, The Hobbit, the hype, Thorin Oakenshield, why Armitage?


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