Archive for the 'the fingers' Category

Richard Armitage and the “missing button”

• November 30, 2012 • 48 Comments

Posted in absolute utter unadulterated joy!, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, capitalism, career, fans, gratitude, gravitas, heterosexual utopias, humility, if I could interview Mr. Armitage, me, morality / ethics / norms, objectification, reality, Richard Armitage, silliness, sprezzatura, squee, the arms, the clothes, the fingers, the hands, The Hobbit, the hype, the thumbs, why Armitage?, Why me?


Oh, to the be the pen in Richard Armitage’s hands

• November 28, 2012 • 22 Comments

Posted in Armitage as victim, Armitage's body, career, fans, gratitude, heterosexual utopias, joy, loss, me, objectification, redemption, Richard Armitage, silliness, sprezzatura, the arms, the clothes, the energy, the eyes, the face, the fingers, the hands, The Hobbit, the hype, the mouth, the smile, the stubble, why Armitage?, Why me?


Suited and shod Armitage and thumb

• November 28, 2012 • 28 Comments

Posted in absolute utter unadulterated joy!, Armitage's body, capitalism, career, fans, gratitude, gravitas, heterosexual utopias, if I could interview Mr. Armitage, me, objectification, reality, redemption, Richard Armitage, silliness, sprezzatura, squee, the arms, the clothes, the ears, the energy, the eyes, the face, the fingers, the hands, The Hobbit, the hype, the nose, the smile, the stubble, why Armitage?


Armitage, changing

• November 27, 2012 • 18 Comments

Posted in absolute utter unadulterated joy!, acting, Armitage as mirror, Armitage on Armitage, Armitageworld dogmas, capitalism, career, Claude Monet, equilibrium, fan art, fans, flow, gestures, gratitude, gravitas, if I could interview Mr. Armitage, loss, me, microexpressions, morality / ethics / norms, objectification, order / disorder, Peter Jackson, reality, redemption, Richard Armitage, RichardArmitageNet.com, sprezzatura, the clothes, the energy, the eyes, the face, the fingers, The Hobbit, the hype, the real Armitage, the smile, the thumbs, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work


This looks like [not a ] candid [but a press photo] from Wellington

• November 25, 2012 • 116 Comments

Posted in absolute utter unadulterated joy!, Armitage as victim, Armitage's body, Armitageworld dogmas, capitalism, career, fans, heterosexual utopias, me, objectification, reality, Richard Armitage, silliness, squee, the beard, the chin, the clothes, the energy, the eyes, the face, the fingers, the hands, The Hobbit, the hype, the legs, the shoes, the stubble, why Armitage?


Third Armitage Thanksgiving

• November 22, 2012 • 41 Comments

Posted in acting, action, Angus, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Black Sky, Brendan Coyle, capitalism, career, Cats, Cleopatra, dance, Daniela Denby-Ashe, Dawn French, dwarves, Epiphanes, fan art, fans, fantasy, fanvids, flow, forgiveness, Geraldine Granger, gratitude, gravitas, Guy of Gisborne, Guylty, Harry Kennedy, heterosexual utopias, Higgins, humility, Ian Macalwain, if I could interview Mr. Armitage, John Porter, John Standring, joy, liking food, Lucas North, Macbeth, Margaret Hale, me, medieval, morality / ethics / norms, Mr. Thornton, Mrs. Thornton, musical theatre, North & South, objectification, reality, redemption, Richard Armitage, Richard III, Robin Hood, silliness, Sinead Cusack, singing, Sparkhouse, Spooks, Strike Back, swords, the Armitage morass, the beard, the booty, the circus, the clothes, the energy, the eyes, the face, the fingers, the forearms, the hair, the hands, The Hobbit, the hype, the kisses, the shoes, the smile, the smolder, the thumbs, theatre theatre, thinking / feeling, Thorin Oakenshield, Ultimate Force, Vicar of Dibley, violence, why Armitage?, Why me?


Richard Armitage / Richard III rumble, Week 7!

• November 12, 2012 • 5 Comments

Posted in #ArmitageWatch, acting, action, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, career, collateral attractions, dance, fan art, fans, fantasy, heterosexual dystopias, heterosexual utopias, if I could interview Mr. Armitage, loss, me, medieval, morality / ethics / norms, objectification, osculation, polls, reality, resentment, Richard Armitage, Richard III, sex, silliness, status transactions, swords, the energy, the eyes, the fingers, the hands, The Hobbit, the hype, the kisses, the mouth, The Sunne in Splendour, Thorin Oakenshield, violence, why Armitage?


Whew.

• October 30, 2012 • 14 Comments

Posted in anger, attempts at bravery, disgust, fear, humiliation, loss, me, morality / ethics / norms, reality, resentment, Richard Armitage, silliness, status transactions, the energy, the eyes, the face, the fingers, the forearms, the forehead, the lips, the mouth, the nose, the smile, thinking / feeling, violence, why Armitage?, Why me?, work


Take the weakest thing in you and then beat the b*****ds with it

• October 30, 2012 • 10 Comments

Posted in acting, action, anger, Armitage as mirror, Armitage's body, attempts at bravery, fantasy, fear, flow, forgiveness, gestures, humiliation, if I could interview Mr. Armitage, interiority, John Porter, loss, me, morality / ethics / norms, objectification, reality, redemption, resentment, Richard Armitage, status transactions, Strike Back, the energy, the face, the fingers, the forearms, the hands, the jaw, the lips, the mouth, thinking / feeling, violence, why Armitage?, Why me?, work


Wristy Richard

• October 15, 2012 • 15 Comments

Posted in action, Armitage as victim, Armitage's body, fantasy, gestures, heterosexual utopias, John Porter, me, objectification, Richard Armitage, silliness, Strike Back, the arms, the fingers, the hair, the hands, the muscles, the thumbs, why Armitage?


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