Archive for the 'the hair' Category
• January 6, 2013 •
4 Comments
Posted in acting, anger, Armitage's body, dwarves, fear, gravitas, humiliation, loss, me, microexpressions, morality / ethics / norms, Richard Armitage, status transactions, the chin, the energy, the eyes, the face, the forehead, the hair, The Hobbit, the jaw, the lips, the mouth, the nose, the profile, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?
Tags: richard armitage, The Hobbit: An Unexpected Journey
• December 30, 2012 •
45 Comments
Posted in *ooof*, acting, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, Cats, Cold Feet, dance, Daniela Denby-Ashe, fans, fantasy, gratitude, Guy of Gisborne, Guylty, heterosexual dystopias, heterosexual utopias, humility, if I could interview Mr. Armitage, Lee, loss, Margaret Hale, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, reality, Richard Armitage, sex, silliness, the clothes, the competition, the energy, the ethics, the eyes, the face, The Golden Hour, the hair, the hype, the real Armitage, the smolder, the teeth, theatre theatre, why Armitage?, Why me?, work
Tags: richard armitage
• December 3, 2012 •
29 Comments
Posted in absolute utter unadulterated joy!, acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, capitalism, career, dwarves, equilibrium, fans, fantasy, filmmaking, flow, gratitude, gravitas, heterosexual utopias, humility, if I could interview Mr. Armitage, interiority, me, morality / ethics / norms, objectification, Peter Jackson, reality, redemption, Richard Armitage, silliness, sprezzatura, status transactions, swords, the Armitage morass, the arms, the chin, the clothes, the energy, the ethics, the eyes, the face, the hair, the hands, the hips, The Hobbit, the hype, the jaw, the legs, the stubble, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work
• November 30, 2012 •
9 Comments
Posted in Armitage's body, career, collateral attractions, dwarves, fans, fantasy, forgiveness, gestures, joy, loss, me, morality / ethics / norms, reality, redemption, resentment, Richard Armitage, the beard, the chin, the energy, the eyes, the hair, The Hobbit, the hype, the jaw, the mouth, Thorin Oakenshield, why Armitage?
• November 30, 2012 •
24 Comments
Posted in acting, Armitage on Armitage, Armitage's body, capitalism, Captain America, career, collateral attractions, comedy, dwarves, evil, fans, fantasy, filmmaking, humility, if I could interview Mr. Armitage, joy, liking food, me, morality / ethics / norms, Peter Jackson, Richard Armitage, swords, the beard, the hair, The Hobbit, the hype, Thorin Oakenshield, violence, work
• November 25, 2012 •
25 Comments
Posted in absolute utter unadulterated joy!, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, fans, fantasy, gratitude, me, morality / ethics / norms, objectification, reality, redemption, Richard Armitage, Richard Armitage Online, RichardArmitageNet.com, silliness, the clothes, the energy, the eyes, the face, the hair, The Hobbit, the hype, the jaw, the lips, the mouth, the stubble, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?
• November 25, 2012 •
21 Comments
Posted in *ooof*, acting, action, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, collateral attractions, dwarves, fan art, fanfic, fans, fantasy, fanvids, Gaskell, Guy of Gisborne, Guylty, heterosexual dystopias, heterosexual utopias, John Porter, John Standring, joy, Legenda: Stuff worth reading, loss, Marian, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, order / disorder, Peter Jackson, reality, redemption, Richard Armitage, Richard Armitage Online, Robin Hood, sex, silliness, Sparkhouse, squee, Strike Back, swords, the beard, the clothes, the hair, The Hobbit, the hype, Thorin Oakenshield, TORn, why Armitage?
• November 22, 2012 •
41 Comments
Posted in acting, action, Angus, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Black Sky, Brendan Coyle, capitalism, career, Cats, Cleopatra, dance, Daniela Denby-Ashe, Dawn French, dwarves, Epiphanes, fan art, fans, fantasy, fanvids, flow, forgiveness, Geraldine Granger, gratitude, gravitas, Guy of Gisborne, Guylty, Harry Kennedy, heterosexual utopias, Higgins, humility, Ian Macalwain, if I could interview Mr. Armitage, John Porter, John Standring, joy, liking food, Lucas North, Macbeth, Margaret Hale, me, medieval, morality / ethics / norms, Mr. Thornton, Mrs. Thornton, musical theatre, North & South, objectification, reality, redemption, Richard Armitage, Richard III, Robin Hood, silliness, Sinead Cusack, singing, Sparkhouse, Spooks, Strike Back, swords, the Armitage morass, the beard, the booty, the circus, the clothes, the energy, the eyes, the face, the fingers, the forearms, the hair, the hands, The Hobbit, the hype, the kisses, the shoes, the smile, the smolder, the thumbs, theatre theatre, thinking / feeling, Thorin Oakenshield, Ultimate Force, Vicar of Dibley, violence, why Armitage?, Why me?
• November 14, 2012 •
42 Comments
Posted in Armitage as mirror, Armitage as victim, Armitage's body, fantasy, heterosexual utopias, loss, Lucas North, me, objectification, redemption, resentment, Richard Armitage, silliness, Spooks, the chin, the eyes, the face, the forehead, the hair, the jaw, the lips, the mouth, the profile, why Armitage?, Why me?
• November 6, 2012 •
12 Comments
Posted in absolute utter unadulterated joy!, Armitageworld dogmas, capitalism, career, dwarves, fans, gravitas, me, reality, Richard Armitage, Richard Armitage Central, squee, swords, the energy, the eyes, the face, the hair, The Hobbit, the hype, the jaw, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?
