Archive for the 'the profile' Category

Starting to process Armitage’s work as Thorin

• January 6, 2013 • 4 Comments

Posted in acting, anger, Armitage's body, dwarves, fear, gravitas, humiliation, loss, me, microexpressions, morality / ethics / norms, Richard Armitage, status transactions, the chin, the energy, the eyes, the face, the forehead, the hair, The Hobbit, the jaw, the lips, the mouth, the nose, the profile, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?
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Thinking.

• November 16, 2012 • 14 Comments

Posted in acting, anger, Armitage as mirror, attempts at bravery, fans, fantasy, fear, flow, forgiveness, humiliation, if I could interview Mr. Armitage, John Porter, loss, me, morality / ethics / norms, reality, redemption, resentment, Richard Armitage, status transactions, Strike Back, the eyes, the face, the forehead, the hands, the nose, the profile, thinking / feeling, violence, why Armitage?, Why me?, work


Scalloped Armitage

• November 14, 2012 • 42 Comments

Posted in Armitage as mirror, Armitage as victim, Armitage's body, fantasy, heterosexual utopias, loss, Lucas North, me, objectification, redemption, resentment, Richard Armitage, silliness, Spooks, the chin, the eyes, the face, the forehead, the hair, the jaw, the lips, the mouth, the profile, why Armitage?, Why me?


Do not make me have one more thought today or I will kill you

• October 25, 2012 • 15 Comments

Posted in #ArmitageWatch, acting, action, anger, Armitage as mirror, Armitage as victim, Armitage's body, fans, fantasy, heterosexual utopias, John Porter, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, overwork, reality, redemption, resentment, Richard Armitage, silliness, Strike Back, the ears, the energy, the eyes, the face, the forehead, the hair, the jaw, the lips, the mouth, the nose, the profile, the skin, thinking / feeling, why Armitage?, Why me?


Armitage reacting

• October 17, 2012 • 14 Comments

Posted in acting, anger, Armitage on Armitage, Armitage's body, Armitageworld dogmas, fear, flow, forgiveness, gestures, gravitas, Guy of Gisborne, heterosexual dystopias, heterosexual utopias, humiliation, if I could interview Mr. Armitage, interiority, Lucas North, Marian, me, medieval, microexpressions, morality / ethics / norms, Mr. Thornton, objectification, order / disorder, Richard Armitage, Robin Hood, Stanislavski, status transactions, the Armitage morass, the chin, the energy, the eyes, the face, the hands, the jaw, the lips, the mouth, the nose, the profile, the skin, the stubble, the tongue, the voice, thinking / feeling, violence, why Armitage?, Why me?


Fuzzy Forearm Armitage

• October 11, 2012 • 21 Comments

Posted in Armitage as mirror, Armitage as victim, Armitage's body, fantasy, gestures, if I could interview Mr. Armitage, John Bateman, liking food, Lucas North, me, objectification, reality, redemption, Richard Armitage, silliness, Spooks, the arms, the ears, the eyes, the face, the fingers, the forearms, the hair, the hands, the lips, the mouth, the nose, the profile, why Armitage?, Why me?


Capping Guy

• September 28, 2012 • 28 Comments

Posted in acting, action, Armitage's body, gestures, Guy of Gisborne, humiliation, me, objectification, Richard Armitage, Robin Hood, the chin, the energy, the eyes, the face, the hair, the jaw, the lips, the mouth, the muscles, the nose, the profile, the teeth, violence, why Armitage?


And then there was Mr. Armitage

• September 25, 2012 • 12 Comments

Posted in Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, fans, fantasy, flow, forgiveness, Guy of Gisborne, heterosexual dystopias, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, joy, loss, me, morality / ethics / norms, objectification, Richard Armitage, Robin Hood, status transactions, the arms, the energy, the face, the hair, the lips, the mouth, the muscles, the nose, the profile, the shoulders, thinking / feeling, why Armitage?, Why me?


Coming to terms with The Hobbit, trailer 2

• September 22, 2012 • 27 Comments

Posted in absolute utter unadulterated joy!, acting, action, anger, Armitage on Armitage, Armitage's body, Armitageworld dogmas, capitalism, career, collateral attractions, comedy, dance, fans, fantasy, flow, gestures, gravitas, Guy of Gisborne, humiliation, humility, if I could interview Mr. Armitage, interiority, John Bateman, John Porter, loss, Lucas North, me, morality / ethics / norms, objectification, Peter Jackson, reality, redemption, Richard Armitage, Robin Hood, silliness, Spooks, sprezzatura, status transactions, Strike Back, swords, the beard, the chin, the energy, the eyes, the face, the hands, The Hobbit, the hype, the jaw, the legs, the profile, the voice, thinking / feeling, Thorin Oakenshield, violence, voice work, why Armitage?, Why me?


Finally, an Oakenshield in scale to other figures

• September 18, 2012 • 32 Comments

Posted in absolute utter unadulterated joy!, acting, Armitage's body, gravitas, heterosexual utopias, if I could interview Mr. Armitage, me, objectification, Peter Jackson, reality, Richard Armitage, status transactions, the Armitage morass, the beard, the chin, the energy, the face, the hair, The Hobbit, the hype, the nose, the profile, Thorin Oakenshield, TORn, why Armitage?


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