Archive for the 'theatre theatre' Category

“we will burn, we will burn together” or: Re-reading The Crucible now — John Proctor, cruelty and betrayals

• June 20, 2014 • 32 Comments

Posted in Armitage as mirror, attempts at bravery, evil, fear, forgiveness, heterosexual dystopias, humiliation, if I could interview Mr. Armitage, John Proctor, me, morality / ethics / norms, redemption, resentment, Richard Armitage, status transactions, The Crucible, the hype, theatre theatre, thinking / feeling, Why me?
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Armitage, sorcerer?

• June 17, 2014 • 45 Comments

Posted in acting, Armitage as mirror, Armitage as victim, Armitage's body, attempts at bravery, fans, fantasy, flow, gestures, heterosexual dystopias, heterosexual utopias, if I could interview Mr. Armitage, interiority, John Proctor, joy, me, microexpressions, morality / ethics / norms, objectification, reality, Richard Armitage, sprezzatura, squee, the chin, The Crucible, the energy, the eyes, the face, the hype, the jaw, the mouth, the nose, the profile, theatre theatre, thinking / feeling, why Armitage?
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More Richard Armitage in rehearsal for The Crucible

• June 16, 2014 • 33 Comments

Posted in career, John Proctor, Richard Armitage, the arms, the beard, The Crucible, the energy, the eyes, the face, the hair, the hype, the jaw, the muscles, the nose, the shoulders, theatre theatre
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Richard Armitage in The Crucible rehearsal pictures

• June 16, 2014 • 42 Comments

Posted in career, John Proctor, Richard Armitage, the arms, the beard, The Crucible, the energy, the eyes, the face, the hair, the hype, the jaw, the muscles, the nose, the shoulders, theatre theatre
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Totally oblivious to the power of the face, or: Doing my bit for Richard Armitage’s box office

• June 15, 2014 • 57 Comments

Posted in Armitage's body, capitalism, career, fans, John Proctor, me, Richard Armitage, silliness, The Crucible, the hype, theatre theatre
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“we will burn, we will burn together” or: Re-reading The Crucible now — reading Arthur Miller through Hannah Arendt

• June 15, 2014 • 10 Comments

Posted in capitalism, evil, heterosexual dystopias, humiliation, if I could interview Mr. Armitage, John Proctor, me, morality / ethics / norms, order / disorder, reality, redemption, Richard Armitage, status transactions, The Crucible, the hype, theatre theatre, thinking / feeling, violence, Why me?
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Richard Armitage projects get a twofer in the London Times today: Outstandingly versatile narrator

• June 14, 2014 • 2 Comments

Posted in audiobooks, capitalism, career, Hamlet, John Proctor, reality, Richard Armitage, The Crucible, the voice, theatre theatre, voice work
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That picture in back of Richard Armitage? It’s Laurence Olivier

• June 14, 2014 • Leave a Comment

Posted in career, fans, John Proctor, Richard Armitage, The Crucible, the hype, theatre theatre
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Richard Armitage and theater audiences: What made him want to go into the theater

• June 10, 2014 • 12 Comments

Posted in acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, attempts at bravery, fans, if I could interview Mr. Armitage, John Proctor, joy, me, morality / ethics / norms, reality, Richard Armitage, Richard Armitage Online, status transactions, The Crucible, the ethics, the real Armitage, theatre theatre, why Armitage?, Why me?, work
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Super duper big hi res Richard Armitage as John Proctor

• June 9, 2014 • 3 Comments

Posted in humiliation, humility, John Proctor, Richard Armitage, the beard, the chin, The Crucible, the eyes, the face, the forehead, the hair, the hype, the jaw, the lips, the mouth, theatre theatre
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