Archive for the 'violence' Category

Richard Armitage resolution, intro

• April 15, 2013 • Leave a Comment

Posted in action, Armitage's body, Lucas North, me, morality / ethics / norms, objectification, reality, resentment, Richard Armitage, silliness, Spooks, the booty, the legs, violence
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Translation of Richard Armitage interview in BRAVO (German to English)

• January 4, 2013 • 42 Comments

Posted in acting, action, Armitage on Armitage, Armitage's body, capitalism, career, dwarves, fans, fantasy, filmmaking, me, Peter Jackson, reality, Richard Armitage, silliness, the competition, The Hobbit, the hype, the muscles, Thorin Oakenshield, violence, why Armitage?, work
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Armitage leads with the feelings, or: How thick is Richard? A beginning.

• December 5, 2012 • 216 Comments

Posted in acting, action, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, attempts at bravery, Black Sky, capitalism, Captain America, career, Claude Monet, collateral attractions, dance, Dawn French, dwarves, evil, fan letters, fans, fantasy, fear, filmmaking, flow, Gary, Geraldine Granger, gravitas, Guy of Gisborne, Harry Kennedy, Heinz Kruger, humiliation, humility, if I could interview Mr. Armitage, interiority, John Porter, John Standring, joy, liking food, loss, Marian, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, Peter Jackson, reality, redemption, Richard Armitage, Robin Hood, Sparkhouse, sprezzatura, status transactions, Strike Back, the competition, the energy, The Hobbit, the hype, The Impressionists, the real Armitage, theatre theatre, thinking / feeling, Thorin Oakenshield, Vicar of Dibley, violence, why Armitage?, Why me?, work


OT: Reflections on slamming into 1st Advent

• December 3, 2012 • 16 Comments

Posted in Armitage as mirror, fans, fear, flow, gratitude, humiliation, humility, if I could interview Mr. Armitage, loss, me, morality / ethics / norms, order / disorder, reality, redemption, resentment, Richard Armitage, sprezzatura, swords, The Hobbit, the hype, thinking / feeling, violence, why Armitage?, Why me?


Translation of Swiss (German) Interview with Richard Armitage

• November 30, 2012 • 24 Comments

Posted in acting, Armitage on Armitage, Armitage's body, capitalism, Captain America, career, collateral attractions, comedy, dwarves, evil, fans, fantasy, filmmaking, humility, if I could interview Mr. Armitage, joy, liking food, me, morality / ethics / norms, Peter Jackson, Richard Armitage, swords, the beard, the hair, The Hobbit, the hype, Thorin Oakenshield, violence, work


Poll: Which Hobbit TV spot do you like best?

• November 29, 2012 • 24 Comments

Posted in acting, capitalism, career, collateral attractions, dwarves, evil, fans, fantasy, filmmaking, joy, loss, me, Peter Jackson, polls, reality, Richard Armitage, silliness, singing, swords, the beard, the competition, the energy, The Hobbit, the hype, thinking / feeling, Thorin Oakenshield, violence, why Armitage?


Admits to “intense-off” with Thorin / Richard Armitage: Graham McTavish

• November 28, 2012 • 3 Comments

Posted in action, anger, Armitage as mirror, Armitageworld dogmas, career, collateral attractions, dwarves, fans, fantasy, gravitas, me, morality / ethics / norms, reality, Richard Armitage, the competition, The Hobbit, the hype, Thorin Oakenshield, violence, why Armitage?


In which I defend some aspects of PETA: or, sub-addendum to Legenda 54

• November 25, 2012 • Leave a Comment

Posted in anger, Armitage as victim, attempts at bravery, capitalism, career, Cats, collateral attractions, disgust, fans, filmmaking, humiliation, humility, liking food, loss, me, morality / ethics / norms, overwork, Peter Jackson, reality, resentment, Richard Armitage, The Hobbit, the hype, the real Armitage, thinking / feeling, violence


Here’s most of p. 2

• November 24, 2012 • 10 Comments

Posted in acting, action, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, collateral attractions, comedy, disgust, dwarves, fans, fantasy, filmmaking, flow, gestures, gravitas, humiliation, humility, interiority, joy, loss, me, morality / ethics / norms, Peter Jackson, reality, redemption, resentment, Richard Armitage, RichardArmitageNet.com, silliness, sprezzatura, status transactions, swords, the beard, the clothes, the ears, the energy, The Hobbit, the hype, thinking / feeling, Thorin Oakenshield, violence, voice work, WETA workshop, why Armitage?, Why me?, work


Translation of French piece

• November 24, 2012 • 26 Comments

Posted in acting, action, anger, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Captain America, career, collateral attractions, dwarves, fans, fantasy, fear, filmmaking, flow, gravitas, Heinz Kruger, humiliation, if I could interview Mr. Armitage, interiority, joy, me, morality / ethics / norms, overwork, Peter Jackson, reality, redemption, resentment, Richard Armitage, RichardArmitageNet.com, silliness, Spooks, sprezzatura, status transactions, swords, The Hobbit, the hype, thinking / feeling, Thorin Oakenshield, violence


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