
Posted in acting, anger, Armitage's body, dwarves, fear, gravitas, humiliation, loss, me, microexpressions, morality / ethics / norms, Richard Armitage, status transactions, the chin, the energy, the eyes, the face, the forehead, the hair, The Hobbit, the jaw, the lips, the mouth, the nose, the profile, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?
Tags: richard armitage, The Hobbit: An Unexpected Journey
Posted in acting, action, Armitage on Armitage, Armitage's body, capitalism, career, dwarves, fans, fantasy, filmmaking, me, Peter Jackson, reality, Richard Armitage, silliness, the competition, The Hobbit, the hype, the muscles, Thorin Oakenshield, violence, why Armitage?, work
Tags: richard armitage, The Hobbit: An Unexpected Journey
Posted in *ooof*, acting, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, Cats, Cold Feet, dance, Daniela Denby-Ashe, fans, fantasy, gratitude, Guy of Gisborne, Guylty, heterosexual dystopias, heterosexual utopias, humility, if I could interview Mr. Armitage, Lee, loss, Margaret Hale, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, reality, Richard Armitage, sex, silliness, the clothes, the competition, the energy, the ethics, the eyes, the face, The Golden Hour, the hair, the hype, the real Armitage, the smolder, the teeth, theatre theatre, why Armitage?, Why me?, work
Tags: richard armitage
Posted in Richard Armitage, me, Lucas North, fanfic, morality / ethics / norms, redemption, fantasy, Spooks, loss, silliness, fans, gratitude, why Armitage?, John Bateman, thinking / feeling, overwork, forgiveness, Armitage as mirror, fear, resentment
Tags: richard armitage
Posted in acting, Armitage as victim, Armitageworld dogmas, capitalism, Captain America, career, fans, gravitas, Heinz Kruger, humiliation, if I could interview Mr. Armitage, John Porter, Lucas North, me, microexpressions, morality / ethics / norms, objectification, reality, resentment, Richard Armitage, silliness, Spooks, Strike Back, the energy, the ethics, The Hobbit, the hype, the real Armitage, the voice, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work
Tags: richard armitage
Posted in acting, action, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, Black Sky, capitalism, career, Claude Monet, Dawn French, dwarves, fan art, fanfic, fans, fantasy, fear, filmmaking, Gary, gravitas, Guy of Gisborne, Harry Kennedy, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, joy, Legenda: Stuff worth reading, me, morality / ethics / norms, objectification, Peter Jackson, reality, resentment, Richard Armitage, sex, silliness, squee, the competition, The Hobbit, the hype, The Impressionists, the real Armitage, Thorin Oakenshield, Vicar of Dibley, why Armitage?, Why me?
Tags: richard armitage, The Hobbit: An Unexpected Journey
Posted in acting, action, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, Cold Feet, fans, fear, flow, gratitude, gravitas, heterosexual dystopias, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, interiority, loss, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, reality, resentment, Richard Armitage, silliness, sprezzatura, the competition, the energy, the ethics, The Hobbit, the hype, the real Armitage, theatre theatre, thinking / feeling, why Armitage?, Why me?, work
Tags: richard armitage
Posted in anger, evil, fear, flow, gratitude, humility, joy, loss, me, morality / ethics / norms, reality, redemption, resentment, Richard Armitage, thinking / feeling, why Armitage?, Why me?
Posted in Richard Armitage, North & South, me, Mr. Thornton, Robin Hood, Guy of Gisborne, Armitage on Armitage, acting, evil, morality / ethics / norms, redemption, gravitas, fantasy, Vicar of Dibley, Harry Kennedy, fan letters, interiority, loss, Claude Monet, The Impressionists, joy, Sparkhouse, reality, the real Armitage, Geraldine Granger, John Standring, career, if I could interview Mr. Armitage, humiliation, Strike Back, John Porter, fans, collateral attractions, Marian, why Armitage?, objectification, Why me?, dance, Armitage as victim, Dawn French, Captain America, Heinz Kruger, Armitageworld dogmas, Thorin Oakenshield, The Hobbit, theatre theatre, status transactions, thinking / feeling, attempts at bravery, humility, sprezzatura, liking food, violence, Peter Jackson, the competition, the hype, Armitage as mirror, work, the energy, flow, anger, fear, action, Black Sky, capitalism, Gary, dwarves, filmmaking
Posted in absolute utter unadulterated joy!, acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, capitalism, career, dwarves, equilibrium, fans, fantasy, filmmaking, flow, gratitude, gravitas, heterosexual utopias, humility, if I could interview Mr. Armitage, interiority, me, morality / ethics / norms, objectification, Peter Jackson, reality, redemption, Richard Armitage, silliness, sprezzatura, status transactions, swords, the Armitage morass, the arms, the chin, the clothes, the energy, the ethics, the eyes, the face, the hair, the hands, the hips, The Hobbit, the hype, the jaw, the legs, the stubble, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work


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