Archive for the 'accents' Category
• October 24, 2013 •
8 Comments
Posted in accents, acting, audiobooks, career, Lords of the North, pronunciation, Richard Armitage, The Hobbit, the voice
Tags: Lords of the North, Richard Armitage, The Hobbit: An Unexpected Journey, Thorin Oakenshield
• November 21, 2012 •
42 Comments
Posted in accents, acting, action, Angus, Annabel Capper, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Between the Sheets, Bill Chatford, capitalism, career, Casualty, Cleopatra, Cold Feet, Craig Porter, dance, Daniela Denby-Ashe, Doctors, Epiphanes, fans, fantasy, fear, flow, Frozen, Gaskell, gestures, gratitude, gravitas, heterosexual dystopias, heterosexual utopias, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, Inspector Lynley Mysteries: In Divine Proportion, interiority, John Standring, joy, Lee, loss, Macbeth, Malice Aforethought, Margaret Hale, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, overwork, Paul Andrews, Philip Turner, pronunciation, reality, redemption, Richard Armitage, silliness, singing, smug man, Sparkhouse, sprezzatura, status transactions, Steven, the accent, the Armitage morass, the clothes, the energy, the eyes, the face, the forehead, the hype, the smile, the smolder, theatre theatre, thinking / feeling, Tom Steele, Ultimate Force, why Armitage?, Why me?, work
• November 6, 2012 •
15 Comments
Posted in accents, acting, Armitage anatomy, Armitage's body, career, gestures, if I could interview Mr. Armitage, John Porter, me, objectification, pronunciation, Richard Armitage, silliness, Strike Back, the accent, the energy, the lips, the mouth, the teeth, the voice, theatre theatre, voice work, why Armitage?, Why me?
• November 4, 2012 •
30 Comments
Posted in accents, Armitage as mirror, Armitage as victim, Armitage on Armitage, dwarves, Guy of Gisborne, if I could interview Mr. Armitage, me, morality / ethics / norms, objectification, reality, Richard Armitage, Robin Hood, silliness, the accent, The Hobbit, the hype, the mouth, the teeth, the tongue, the voice, thinking / feeling, Thorin Oakenshield, why Armitage?
• October 22, 2012 •
3 Comments
Posted in #ArmitageWatch, accents, acting, anger, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, career, fans, fantasy, fear, heterosexual dystopias, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, loss, me, medieval, morality / ethics / norms, polls, reality, Richard Armitage, Richard III, sex, silliness, status transactions, the hype, the kisses, The Sunne in Splendour, why Armitage?, Why me?
• September 21, 2012 •
51 Comments
Posted in absolute utter unadulterated joy!, accents, acting, Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, capitalism, career, collateral attractions, fans, fantasy, Gary, gestures, gravitas, heterosexual utopias, humiliation, Into the Storm / Black Sky, me, objectification, Peter Jackson, pronunciation, Richard Armitage, silliness, squee, swords, the accent, the Armitage morass, the beard, the competition, the energy, the eyes, the face, the hair, The Hobbit, the hype, the jaw, Thorin Oakenshield, WETA workshop, why Armitage?, Why me?, work
• September 9, 2012 •
11 Comments
Posted in accents, acting, action, Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, capitalism, Cold Feet, collateral attractions, comedy, fan art, fanfic, fans, fantasy, Guy of Gisborne, Harry Kennedy, heterosexual dystopias, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, Into the Storm / Black Sky, John Porter, John Standring, Lee, Legenda: Stuff worth reading, liking food, Lucas North, Marian, me, medieval, objectification, Peter Jackson, reality, Richard Armitage, Richard III, Robin Hood, Ros Myers, silliness, Sparkhouse, Spooks, Strike Back, the accent, the competition, the eyes, The Hobbit, the hype, Thorin Oakenshield, Vicar of Dibley, why Armitage?, work
• September 1, 2012 •
45 Comments
Posted in accents, acting, Alex Track, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, audiobooks, capitalism, career, collateral attractions, Dawn French, fan art, fanfic, fans, fantasy, fear, flow, Gaskell, Guy of Gisborne, Harry Kennedy, heterosexual dystopias, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, Into the Storm / Black Sky, John Porter, John Standring, Lee, Legenda: Stuff worth reading, liking food, Lords of the North, Lucas North, Margaret Hale, Marian, me, medieval, morality / ethics / norms, Mr. Thornton, North & South, objectification, overwork, Peter Jackson, pronunciation, reality, redemption, Richard Armitage, Richard III, Robin Hood, sex, silliness, Strike Back, the accent, the competition, The Golden Hour, The Hobbit, the hype, the muscles, the voice, thinking / feeling, Thorin Oakenshield, Uhtred of Bebbanburg, why Armitage?, Why me?, work
• August 26, 2012 •
3 Comments
Posted in accents, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, attempts at bravery, career, collateral attractions, fans, fantasy, if I could interview Mr. Armitage, me, medieval, objectification, reality, Richard Armitage, Richard III, the thumbs, why Armitage?, Why me?, work
• August 16, 2012 •
42 Comments
Posted in accents, acting, audiobooks, collateral attractions, Damerel, fans, fantasy, flow, Georgette Heyer, gravitas, heterosexual dystopias, heterosexual utopias, if I could interview Mr. Armitage, joy, loss, me, redemption, Richard Armitage, the energy, the voice, thinking / feeling, Venetia, voice work, why Armitage?, Why me?, work
Me + Richard Armitage 