Archive for the 'anger' Category
• August 21, 2014 •
33 Comments
Posted in anger, fear, forgiveness, me, morality / ethics / norms, reality, redemption, resentment, thinking / feeling, Why me?
Tags: dad, grief, me, mourning
• February 15, 2014 •
5 Comments
Posted in acting, anger, Armitage on Armitage, Armitage's body, career, gestures, Guy of Gisborne, heterosexual dystopias, humiliation, loss, Lucy Griffiths, Marian, medieval, microexpressions, morality / ethics / norms, resentment, Richard Armitage, Robin Hood, status transactions, the energy, the eyes, the face, violence, why Armitage?
Tags: acting, Guy of Gisborne, Richard Armitage, Robin Hood, status, violence
• December 1, 2013 •
15 Comments
Posted in acting, action, anger, Armitage's body, forgiveness, gestures, humiliation, John Porter, microexpressions, redemption, Richard Armitage, status transactions, Strike Back, the arms, violence
Tags: acting, action, Andrew Lincoln, John Porter, Richard Armitage, status, Strike Back, Strike Back: Origins
• November 25, 2013 •
8 Comments
Posted in acting, action, anger, Armitage's body, humiliation, John Porter, Richard Armitage, Strike Back
Tags: acting, Andrew Lincoln, Hugh Collinson, John Porter, Richard Armitage, status, Strike Back, Strike Back: Origins
• November 10, 2013 •
31 Comments
Posted in acting, action, anger, Armitage on Armitage, Armitage's body, Armitageworld dogmas, capitalism, career, fans, fantasy, gestures, gravitas, heterosexual dystopias, heterosexual utopias, if I could interview Mr. Armitage, John Porter, me, reality, Richard Armitage, sex, silliness, Strike Back, the eyes, the face, the hair, The Hobbit, the hype, Thorin Oakenshield
Tags: fans, Richard Armitage, Strike Back, Strike Back: Origins, the hobbit, Thorin Oakenshield
• November 9, 2013 •
10 Comments
Posted in acting, anger, Armitage's body, gestures, humiliation, interiority, John Porter, morality / ethics / norms, redemption, resentment, Richard Armitage, Strike Back, the energy, the face, thinking / feeling, violence
Tags: acting, Andrew Lincoln, John Porter, Richard Armitage, status, Strike Back, Strike Back: Origins, timing
• October 26, 2013 •
69 Comments
Posted in acting, anger, Armitage's body, fear, forgiveness, gestures, humiliation, interiority, John Porter, John Standring, microexpressions, redemption, Richard Armitage, status transactions, Strike Back, the chin, the eyes, the face
Tags: acting, Andrew Lincoln, Jodhi May, John Porter, Richard Armitage, status, Strike Back, Strike Back: Origins
• October 24, 2013 •
31 Comments
Posted in absolute utter unadulterated joy!, acting, action, anger, Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, attempts at bravery, Captain America, career, Clarissa, gravitas, humiliation, John Porter, joy, me, morality / ethics / norms, redemption, Richard Armitage, status transactions, Strike Back, the chin, the energy, the eyes, the face, the jaw, the kisses, thinking / feeling, TPTW: Too painful to watch, violence, why Armitage?, Why me?
Tags: John Porter, Richard Armitage, Strike Back, Strike Back: Origins
• October 24, 2013 •
46 Comments
Posted in absolute utter unadulterated joy!, acting, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, attempts at bravery, career, dwarves, fear, filmmaking, flow, gestures, gravitas, humiliation, if I could interview Mr. Armitage, loss, Lucas North, me, morality / ethics / norms, Peter Jackson, reality, redemption, resentment, Richard Armitage, Spooks, sprezzatura, the chin, the energy, the eyes, the face, The Hobbit, the jaw, thinking / feeling, Thorin Oakenshield, TPTW: Too painful to watch, why Armitage?, Why me?, work
Tags: Richard Armitage, The Hobbit: An Unexpected Journey, Thorin Oakenshield
Me + Richard Armitage 