Archive for the 'Annabel Capper' Category

My Richard Armitage: An interpretation. Early career to North & South

• November 21, 2012 • 42 Comments

Posted in accents, acting, action, Angus, Annabel Capper, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Between the Sheets, Bill Chatford, capitalism, career, Casualty, Cleopatra, Cold Feet, Craig Porter, dance, Daniela Denby-Ashe, Doctors, Epiphanes, fans, fantasy, fear, flow, Frozen, Gaskell, gestures, gratitude, gravitas, heterosexual dystopias, heterosexual utopias, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, Inspector Lynley Mysteries: In Divine Proportion, interiority, John Standring, joy, Lee, loss, Macbeth, Malice Aforethought, Margaret Hale, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, overwork, Paul Andrews, Philip Turner, pronunciation, reality, redemption, Richard Armitage, silliness, singing, smug man, Sparkhouse, sprezzatura, status transactions, Steven, the accent, the Armitage morass, the clothes, the energy, the eyes, the face, the forehead, the hype, the smile, the smolder, theatre theatre, thinking / feeling, Tom Steele, Ultimate Force, why Armitage?, Why me?, work


Still grading, but trying to be hopeful

• April 17, 2012 • 21 Comments

Posted in acting, Annabel Capper, Armitageworld dogmas, fans, gratitude, joy, me, morality / ethics / norms, objectification, reality, redemption, Richard Armitage, silliness, theatre theatre, thinking / feeling, Why me?


OT: Annabel Capper in “Sensitive Skin”

• April 5, 2011 • 13 Comments

Posted in accents, acting, Annabel Capper, collateral attractions, comedy, gratitude, heterosexual utopias, humiliation, loss, me, morality / ethics / norms, off topic, reality, redemption, Richard Armitage, Robin Hood, status transactions, The Impressionists
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Pile up of stuff and OT: Annabel Capper in EastEnders

• March 31, 2011 • 13 Comments

Posted in accents, acting, Annabel Capper, collateral attractions, fans, grapefruit, me, North & South


OT: Annabel Capper in “Macbeth No More”

• March 26, 2011 • 19 Comments

Posted in acting, Annabel Capper, collateral attractions, Macbeth, me, Richard Armitage, theatre theatre
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Annabel Capper in “Operation Mincemeat”

• December 22, 2010 • 22 Comments

Posted in acting, Annabel Capper, career, collateral attractions, me, objectification, off topic, Richard Armitage, silliness


Full of fair words

• December 20, 2010 • 4 Comments

Posted in acting, Annabel Capper, fantasy, gravitas, heterosexual utopias, joy, me, off topic, reality, Richard Armitage, the voice, theatre theatre


The genius’ big sister (Chopin, not Armitage)

• December 18, 2010 • 35 Comments

Posted in acting, Annabel Capper, career, collateral attractions, heterosexual utopias, loss, me, morality / ethics / norms, off topic, reality, redemption, silliness


Playing one of Brahms’ muses

• December 15, 2010 • 22 Comments

Posted in acting, Annabel Capper, career, collateral attractions, fantasy, gravitas, heterosexual utopias, loss, me, morality / ethics / norms, off topic, reality, silliness


me + annabel capper: or, the limits of Armitage fangrrling, almost a year in

• December 1, 2010 • 188 Comments

Posted in accents, acting, Annabel Capper, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, career, collateral attractions, equilibrium, fans, fantasy, gratitude, gravitas, Hermione Norris, heterosexual utopias, humiliation, if I could interview Mr. Armitage, interiority, John Bateman, joy, loss, Lucas North, Malice Aforethought, Maya Lahan, me, morality / ethics / norms, objectification, order / disorder, reality, redemption, Richard Armitage, silliness, Spooks, squee, The Armitage Army, the real Armitage, The Rovers, theatre theatre, why Armitage?, Why me?