Archive for the 'Annabel Capper' Category
• November 21, 2012 •
42 Comments
Posted in accents, acting, action, Angus, Annabel Capper, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Between the Sheets, Bill Chatford, capitalism, career, Casualty, Cleopatra, Cold Feet, Craig Porter, dance, Daniela Denby-Ashe, Doctors, Epiphanes, fans, fantasy, fear, flow, Frozen, Gaskell, gestures, gratitude, gravitas, heterosexual dystopias, heterosexual utopias, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, Inspector Lynley Mysteries: In Divine Proportion, interiority, John Standring, joy, Lee, loss, Macbeth, Malice Aforethought, Margaret Hale, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, overwork, Paul Andrews, Philip Turner, pronunciation, reality, redemption, Richard Armitage, silliness, singing, smug man, Sparkhouse, sprezzatura, status transactions, Steven, the accent, the Armitage morass, the clothes, the energy, the eyes, the face, the forehead, the hype, the smile, the smolder, theatre theatre, thinking / feeling, Tom Steele, Ultimate Force, why Armitage?, Why me?, work
• April 17, 2012 •
21 Comments
Posted in acting, Annabel Capper, Armitageworld dogmas, fans, gratitude, joy, me, morality / ethics / norms, objectification, reality, redemption, Richard Armitage, silliness, theatre theatre, thinking / feeling, Why me?
• April 5, 2011 •
13 Comments
Posted in accents, acting, Annabel Capper, collateral attractions, comedy, gratitude, heterosexual utopias, humiliation, loss, me, morality / ethics / norms, off topic, reality, redemption, Richard Armitage, Robin Hood, status transactions, The Impressionists
Tags: Annabel Capper, collateral attractions, Sensitive Skin
• March 26, 2011 •
19 Comments
Posted in acting, Annabel Capper, collateral attractions, Macbeth, me, Richard Armitage, theatre theatre
Tags: acting, Annabel Capper, collateral attractions, Macbeth, Macbeth No More
• December 20, 2010 •
4 Comments
Posted in acting, Annabel Capper, fantasy, gravitas, heterosexual utopias, joy, me, off topic, reality, Richard Armitage, the voice, theatre theatre
• December 18, 2010 •
35 Comments
Posted in acting, Annabel Capper, career, collateral attractions, heterosexual utopias, loss, me, morality / ethics / norms, off topic, reality, redemption, silliness
• December 15, 2010 •
22 Comments
Posted in acting, Annabel Capper, career, collateral attractions, fantasy, gravitas, heterosexual utopias, loss, me, morality / ethics / norms, off topic, reality, silliness
• December 1, 2010 •
188 Comments
Posted in accents, acting, Annabel Capper, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, career, collateral attractions, equilibrium, fans, fantasy, gratitude, gravitas, Hermione Norris, heterosexual utopias, humiliation, if I could interview Mr. Armitage, interiority, John Bateman, joy, loss, Lucas North, Malice Aforethought, Maya Lahan, me, morality / ethics / norms, objectification, order / disorder, reality, redemption, Richard Armitage, silliness, Spooks, squee, The Armitage Army, the real Armitage, The Rovers, theatre theatre, why Armitage?, Why me?