Archive for the 'Armitage anatomy' Category
Armitage says “f”
• November 6, 2012 • 15 CommentsPosted in accents, acting, Armitage anatomy, Armitage's body, career, gestures, if I could interview Mr. Armitage, John Porter, me, objectification, pronunciation, Richard Armitage, silliness, Strike Back, the accent, the energy, the lips, the mouth, the teeth, the voice, theatre theatre, voice work, why Armitage?, Why me?
Richard Armitage to outsource cuticle nibbling
• September 27, 2012 • 36 CommentsPosted in Armitage anatomy, Armitage as mirror, Armitage as victim, Armitage's body, capitalism, career, Daniela Denby-Ashe, fans, fantasy, heterosexual dystopias, heterosexual utopias, Into the Storm / Black Sky, me, Mr. Thornton, North & South, objectification, Richard Armitage, Robin Hood, self-parody, silliness, Spooks, Strike Back, the beard, the fingers, the hands, The Hobbit, the hype, the skin, the stubble, the thumbs, Thorin Oakenshield, why Armitage?, Why me?
In your eyes
• September 10, 2012 • 31 CommentsPosted in acting, action, anger, Armitage anatomy, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, Between the Sheets, fanfic, fans, fantasy, flow, gestures, Guy of Gisborne, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, John Porter, John Standring, joy, Lucas North, Margaret Hale, me, microexpressions, morality / ethics / norms, Mr. Thornton, North & South, objectification, order / disorder, Paul Andrews, reality, redemption, Richard Armitage, Robin Hood, sex, silliness, Sparkhouse, Spooks, sprezzatura, status transactions, Strike Back, the energy, the eyes, the face, The Hobbit, the muscles, the real Armitage, the smolder, thinking / feeling, Thorin Oakenshield, violence, why Armitage?, Why me?
Richard III thumbshot
• August 26, 2012 • 22 CommentsPosted in acting, Armitage anatomy, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, career, collateral attractions, fan art, fans, fantasy, gravitas, heterosexual dystopias, heterosexual utopias, if I could interview Mr. Armitage, John Porter, John Standring, joy, me, medieval, objectification, redemption, Richard Armitage, Richard III, self-parody, silliness, the beard, the energy, the fingers, the hands, The Hobbit, the hype, the real Armitage, the thumbs, Thorin Oakenshield, why Armitage?, Why me?, work
More proof I love you and want you to be happy — Thorin edition
• August 25, 2012 • 24 CommentsPosted in acting, Armitage anatomy, Armitage as mirror, Armitage as victim, Armitage's body, capitalism, collateral attractions, fans, fantasy, flow, gestures, gravitas, interiority, joy, Lucas North, me, morality / ethics / norms, objectification, Richard Armitage, Spooks, squee, the beard, the chin, the energy, the eyes, the face, the fingers, the hair, The Hobbit, the hype, the jaw, the legs, the lips, the mouth, the muscles, the nose, the profile, the smile, the teeth, Thorin Oakenshield, violence, why Armitage?, Why me?
Armitage beard aesthetics
• July 11, 2012 • 26 CommentsPosted in Armitage anatomy, Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, career, fans, gravitas, Guy of Gisborne, heterosexual dystopias, heterosexual utopias, John Mulligan, joy, loss, Lucas North, Lucy Griffiths, Marian, me, morality / ethics / norms, Moving On, objectification, reality, redemption, Richard Armitage, Robin Hood, silliness, Spooks, the beard, the chin, the energy, the eyes, the face, the hair, The Hobbit, the hype, the jaw, the lips, the mouth, the profile, the real Armitage, the smile, the stubble, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work
When are big files are too big? Richard Armitage and the long-haired co-star
• June 12, 2012 • 31 CommentsPosted in acting, Armitage anatomy, Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, fans, fantasy, heterosexual dystopias, heterosexual utopias, humiliation, humility, John Bateman, joy, Laila Rouass, Lucas North, Maya Lahan, me, morality / ethics / norms, objectification, reality, Richard Armitage, silliness, Spooks, the arms, the chin, the clothes, the ears, the eyes, the face, the hair, the jaw, the lips, the mouth, the nose, the profile, the shoulders, the skin, the stubble, the teeth, thinking / feeling, why Armitage?, Why me?
Why Richard Armitage had to be beautiful
• June 8, 2012 • 75 CommentsPosted in acting, Armitage anatomy, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Brendan Coyle, career, collateral attractions, Daniela Denby-Ashe, fans, fantasy, flow, forgiveness, gestures, gratitude, gravitas, heterosexual dystopias, heterosexual utopias, Higgins, humiliation, humility, if I could interview Mr. Armitage, interiority, John Porter, John Standring, joy, loss, Margaret Hale, me, morality / ethics / norms, Mr. Bell, Mr. Thornton, Mrs. Thornton, North & South, objectification, overwork, reality, redemption, Richard Armitage, sex, Sinead Cusack, the arms, the chin, the clothes, the competition, the ears, the energy, the eyes, the face, the fingers, the forearms, the hair, the hands, The Hobbit, the jaw, the legs, the lips, the mouth, the muscles, the nose, the profile, the shoulders, the skin, the smile, the smolder, the stubble, thinking / feeling, why Armitage?, Why me?, work
Interlude: Servetus on blogging
• May 14, 2012 • 46 CommentsPosted in Armitage anatomy, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, audiobooks, Between the Sheets, Captain America, career, Clarissa, Damerel, fan showcase, fanfic, fans, fantasy, fanvids, flow, Genevieve O'Reilly, Georgette Heyer, Geraldine Granger, gratitude, Guy of Gisborne, Harry Kennedy, Heinz Kruger, heterosexual dystopias, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, interiority, John Bateman, John Porter, John Standring, joy, liking food, loss, Lovelace, Lucas North, Malice Aforethought, Maya Lahan, me, medieval, microexpressions, morality / ethics / norms, Mr. Thornton, North & South, objectification, pronunciation, reality, redemption, Richard Armitage, Richard III, Robin Hood, Sarah Caulfield, sex, silliness, Sparkhouse, Spooks, sprezzatura, status transactions, Strike Back, Symphony of a City, the accent, the Armitage morass, the beard, the clothes, the energy, the eyes, the face, The Hobbit, the hype, the kisses, the lips, the mouth, the muscles, the real Armitage, thinking / feeling, Thorin Oakenshield, TPTW: Too painful to watch, Venetia, Vicar of Dibley, violence, voice work, why Armitage?, Why me?, work
Atlas Armitage
• May 11, 2012 • 35 CommentsPosted in acting, Armitage anatomy, Armitage's body, Dawn French, fantasy, Geraldine Granger, gestures, Guy of Gisborne, Harry Kennedy, heterosexual dystopias, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, John Porter, John Standring, loss, Lucas North, me, Mr. Thornton, North & South, objectification, Richard Armitage, Robin Hood, Sparkhouse, Spooks, Strike Back, the arms, the energy, the shoulders, thinking / feeling, why Armitage?
Me + Richard Armitage 