Archive for the 'Armitage's body' Category
• August 20, 2014 •
1 Comment
Posted in action, Armitage on Armitage, Armitage's body, Armitage's friends and colleagues, dwarves, filmmaking, Gary, Into the Storm / Black Sky, objectification, reality, Richard Armitage, swords, The Battle of the Five Armies, The Hobbit, the hype, Thorin Oakenshield
Tags: Gary Fuller, Into the Storm, Max Deacon, Richard Armitage, the hobbit, the hype, Thorin Oakenshield
• August 20, 2014 •
11 Comments
Posted in action, Armitage on Armitage, Armitage's body, Armitage's friends and colleagues, career, dwarves, Gary, Into the Storm / Black Sky, objectification, Peter Jackson, reality, Richard Armitage, swords, The Battle of the Five Armies, The Hobbit, the hype, Thorin Oakenshield
Tags: Into the Storm, Richard Armitage, the hype
• August 20, 2014 •
27 Comments
Posted in action, Armitage as victim, Armitage on Armitage, Armitage's body, career, dwarves, filmmaking, Gary, Into the Storm / Black Sky, objectification, Richard Armitage, swords, The Battle of the Five Armies, The Hobbit, the hype, Thorin Oakenshield
Tags: Into the Storm, Richard Armitage, Thorin Oakenshield, tornadoes
• August 17, 2014 •
Leave a Comment
Posted in Armitage as victim, Armitage's body, fan candids, fans, fantasy, heterosexual dystopias, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, John Proctor, meeting Richard Armitage, morality / ethics / norms, objectification, overwork, reality, Richard Armitage, selfies, stage door, the clothes, why Armitage?
Tags: fans, Richard Armitage, stage door, The Crucible
• June 20, 2014 •
19 Comments
Posted in Armitage's body, heterosexual utopias, John Proctor, Richard Armitage, silliness, The Crucible, the hair, the hype
Tags: John Proctor, nape curls, Richard Armitage, Samantha Colley, The Crucible
• June 17, 2014 •
45 Comments
Posted in acting, Armitage as mirror, Armitage as victim, Armitage's body, attempts at bravery, fans, fantasy, flow, gestures, heterosexual dystopias, heterosexual utopias, if I could interview Mr. Armitage, interiority, John Proctor, joy, me, microexpressions, morality / ethics / norms, objectification, reality, Richard Armitage, sprezzatura, squee, the chin, The Crucible, the energy, the eyes, the face, the hype, the jaw, the mouth, the nose, the profile, theatre theatre, thinking / feeling, why Armitage?
Tags: John Proctor, Richard Armitage, The Crucible
• June 17, 2014 •
Leave a Comment
Posted in Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, capitalism, career, fanfic, fans, fantasy, John Proctor, morality / ethics / norms, Richard Armitage, silliness, The Crucible, the hype
Tags: fanfic, fans, John Proctor, Richard Armitage, spoofs, The Crucible
• June 15, 2014 •
57 Comments
Posted in Armitage's body, capitalism, career, fans, John Proctor, me, Richard Armitage, silliness, The Crucible, the hype, theatre theatre
Tags: John Proctor, Richard Armitage, The Crucible
• June 13, 2014 •
10 Comments
Posted in Armitage as victim, Armitage's body, career, Guy of Gisborne, heterosexual utopias, John Proctor, objectification, Richard Armitage, Robin Hood, The Crucible, the shoulders, why Armitage?
Tags: Guy of Gisborne, John Proctor, Richard Armitage, Robin Hood, shoulder, The Crucible
• June 10, 2014 •
27 Comments
Posted in Armitage's body, fans, heterosexual utopias, humility, John Proctor, joy, me, objectification, Richard Armitage, squee, The Crucible, the eyes, why Armitage?
Tags: eyelashes, John Proctor, Richard Armitage, The Crucible