Archive for the 'Between the Sheets' Category
My Richard Armitage: An interpretation. Early career to North & South
• November 21, 2012 • 42 CommentsPosted in accents, acting, action, Angus, Annabel Capper, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Between the Sheets, Bill Chatford, capitalism, career, Casualty, Cleopatra, Cold Feet, Craig Porter, dance, Daniela Denby-Ashe, Doctors, Epiphanes, fans, fantasy, fear, flow, Frozen, Gaskell, gestures, gratitude, gravitas, heterosexual dystopias, heterosexual utopias, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, Inspector Lynley Mysteries: In Divine Proportion, interiority, John Standring, joy, Lee, loss, Macbeth, Malice Aforethought, Margaret Hale, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, overwork, Paul Andrews, Philip Turner, pronunciation, reality, redemption, Richard Armitage, silliness, singing, smug man, Sparkhouse, sprezzatura, status transactions, Steven, the accent, the Armitage morass, the clothes, the energy, the eyes, the face, the forehead, the hype, the smile, the smolder, theatre theatre, thinking / feeling, Tom Steele, Ultimate Force, why Armitage?, Why me?, work
Legenda 44: Stuff worth reading
• September 14, 2012 • 13 CommentsPosted in acting, Armitage as mirror, Armitage as victim, Armitage's body, Between the Sheets, capitalism, career, fan art, fanfic, fans, fantasy, fear, Gary, Guy of Gisborne, heterosexual utopias, Into the Storm / Black Sky, John Porter, John Standring, Legenda: Stuff worth reading, liking food, Lucas North, Marian, me, medieval, morality / ethics / norms, Paul Andrews, reality, Richard Armitage, Richard III, sex, silliness, Sparkhouse, Spooks, squee, Strike Back, the beard, the clothes, the competition, the face, the fingers, the hair, the hands, the hype, the stubble, why Armitage?, work
In your eyes
• September 10, 2012 • 31 CommentsPosted in acting, action, anger, Armitage anatomy, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, Between the Sheets, fanfic, fans, fantasy, flow, gestures, Guy of Gisborne, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, John Porter, John Standring, joy, Lucas North, Margaret Hale, me, microexpressions, morality / ethics / norms, Mr. Thornton, North & South, objectification, order / disorder, Paul Andrews, reality, redemption, Richard Armitage, Robin Hood, sex, silliness, Sparkhouse, Spooks, sprezzatura, status transactions, Strike Back, the energy, the eyes, the face, The Hobbit, the muscles, the real Armitage, the smolder, thinking / feeling, Thorin Oakenshield, violence, why Armitage?, Why me?
XLI: Richard Armitage by the numbers
• August 22, 2012 • 63 CommentsPosted in acting, action, anger, Angus, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, audiobooks, Between the Sheets, Captain America, career, Claude Monet, Cold Feet, collateral attractions, comedy, Damerel, Daniela Denby-Ashe, Dawn French, Doctors, fan art, fans, fantasy, fanvids, flow, forgiveness, Geraldine Granger, gestures, gratitude, Guy of Gisborne, Harry Kennedy, Heinz Kruger, Hermione Norris, heterosexual dystopias, heterosexual utopias, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, interiority, Into the Storm / Black Sky, John Bateman, John Mulligan, John Porter, John Standring, joy, Lee, Lords of the North, loss, Lucas North, Macbeth, Margaret Hale, Marie Lloyd, me, morality / ethics / norms, Moving On, Mr. Thornton, Mrs. Thornton, musical theatre, North & South, objectification, Paul Andrews, reality, redemption, Richard Armitage, Richard Armitage Central, Richard Armitage Online, Robin Hood, Ros Myers, sex, silliness, Sparkhouse, Spooks, status transactions, Strike Back, Sylvester, The Armitage Army, the Armitage morass, the beard, the clothes, the energy, the eyes, the face, the hands, the hips, The Hobbit, the hype, The Impressionists, the jaw, the legs, the muscles, the real Armitage, the shoes, the smile, the thumbs, the voice, theatre theatre, thinking / feeling, Thorin Oakenshield, Tom Steele, TPTW: Too painful to watch, Uhtred of Bebbanburg, Ultimate Force, Venetia, Vicar of Dibley, violence, why Armitage?, Why me?, work
Tags: acting, Between the Sheets, birthday, Captain America, career, Claude Monet, Cold Feet, Damerel, Doctors, fans, Guy of Gisborne, Harry Kennedy, Heinz Kruger, Ian Macalwain, Into the Storm, John Mulligan, John Porter, John Standring, Lee, Lords of the North, Lucas North, Macbeth, Marie Lloyd, Moving On, Mr. Thornton, North & South, Paul Andrews, Richard Armitage, Robin Hood, Sparkhouse, Spooks, Strike Back, the hobbit, Thorin Oakenshield, Uhtred of Bebbanburg, Venetia, Vicar of Dibley
Brown-haired boy-next-door Armitage
• June 21, 2012 • 35 CommentsPosted in acting, anger, Armitage as mirror, Armitage's body, Armitageworld dogmas, Between the Sheets, career, fan art, fans, fantasy, flow, gratitude, heterosexual dystopias, heterosexual utopias, John Standring, loss, me, morality / ethics / norms, objectification, Paul Andrews, reality, redemption, Richard Armitage, Sparkhouse, the Armitage morass, the beard, the chin, the ears, the eyes, the face, the hair, The Hobbit, the jaw, the mouth, the nose, the profile, the real Armitage, the skin, thinking / feeling, why Armitage?, Why me?
Two beautiful Armitage hand shots
• May 22, 2012 • 9 CommentsPosted in Armitage's body, Between the Sheets, fantasy, gestures, heterosexual dystopias, heterosexual utopias, Lucas North, me, objectification, Paul Andrews, Richard Armitage, silliness, Spooks, the fingers, the hands, the thumbs, why Armitage?
Who taught you to kiss?
• May 19, 2012 • 44 CommentsPosted in acting, Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, attempts at bravery, Between the Sheets, career, fans, fantasy, flow, Genevieve O'Reilly, gestures, grapefruit, heterosexual dystopias, heterosexual utopias, interiority, John Porter, Lucas North, me, morality / ethics / norms, objectification, osculation, reality, redemption, Richard Armitage, Sarah Caulfield, Spooks, the beard, the energy, the eyes, the face, the kisses, the lips, the mouth, the real Armitage, thinking / feeling, why Armitage?, Why me?, work
Interlude: Servetus on blogging
• May 14, 2012 • 46 CommentsPosted in Armitage anatomy, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, audiobooks, Between the Sheets, Captain America, career, Clarissa, Damerel, fan showcase, fanfic, fans, fantasy, fanvids, flow, Genevieve O'Reilly, Georgette Heyer, Geraldine Granger, gratitude, Guy of Gisborne, Harry Kennedy, Heinz Kruger, heterosexual dystopias, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, interiority, John Bateman, John Porter, John Standring, joy, liking food, loss, Lovelace, Lucas North, Malice Aforethought, Maya Lahan, me, medieval, microexpressions, morality / ethics / norms, Mr. Thornton, North & South, objectification, pronunciation, reality, redemption, Richard Armitage, Richard III, Robin Hood, Sarah Caulfield, sex, silliness, Sparkhouse, Spooks, sprezzatura, status transactions, Strike Back, Symphony of a City, the accent, the Armitage morass, the beard, the clothes, the energy, the eyes, the face, The Hobbit, the hype, the kisses, the lips, the mouth, the muscles, the real Armitage, thinking / feeling, Thorin Oakenshield, TPTW: Too painful to watch, Venetia, Vicar of Dibley, violence, voice work, why Armitage?, Why me?, work
Data: Richard Armitage “I” statements, part 1 (2002-03)
• March 26, 2012 • 16 CommentsPosted in acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Between the Sheets, career, Cleopatra, Cold Feet, Epiphanes, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, Lee, me, morality / ethics / norms, objectification, Paul Andrews, reality, redemption, Richard Armitage, Richard Armitage Central, Richard Armitage Online, sex, the circus, the clothes, the ears, the mouth, the muscles, the shoes, Ultimate Force, why Armitage?, Why me?, work
F3, Day Five! One voice to thrill them all, and Armitage to bind them!
• March 16, 2012 • 44 CommentsPosted in acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, audiobooks, Between the Sheets, Captain America, career, Casualty, collateral attractions, Craig Porter, dance, Doctors, fan art, fan letters, fan showcase, fanfic, fans, gratitude, gravitas, Harry Kennedy, Heinz Kruger, heterosexual dystopias, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, John Standring, joy, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, Paul Andrews, Peter Jackson, reality, Richard Armitage, Richard Armitage Online, Richard III, silliness, Sophia Myles, Sparkhouse, the clothes, The Hobbit, the voice, theatre theatre, thinking / feeling, Thorin Oakenshield, Tom Steele, Vicar of Dibley, voice work, why Armitage?, Why me?, work
Me + Richard Armitage 