Archive for the 'Bill Chatford' Category
• November 21, 2012 •
42 Comments
Posted in accents, acting, action, Angus, Annabel Capper, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Between the Sheets, Bill Chatford, capitalism, career, Casualty, Cleopatra, Cold Feet, Craig Porter, dance, Daniela Denby-Ashe, Doctors, Epiphanes, fans, fantasy, fear, flow, Frozen, Gaskell, gestures, gratitude, gravitas, heterosexual dystopias, heterosexual utopias, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, Inspector Lynley Mysteries: In Divine Proportion, interiority, John Standring, joy, Lee, loss, Macbeth, Malice Aforethought, Margaret Hale, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, overwork, Paul Andrews, Philip Turner, pronunciation, reality, redemption, Richard Armitage, silliness, singing, smug man, Sparkhouse, sprezzatura, status transactions, Steven, the accent, the Armitage morass, the clothes, the energy, the eyes, the face, the forehead, the hype, the smile, the smolder, theatre theatre, thinking / feeling, Tom Steele, Ultimate Force, why Armitage?, Why me?, work
• October 12, 2012 •
13 Comments
Posted in acting, Armitage as mirror, Armitage on Armitage, Armitageworld dogmas, Bill Chatford, capitalism, career, Daniela Denby-Ashe, fans, fantasy, flow, Gaskell, gratitude, gravitas, heterosexual dystopias, heterosexual utopias, humiliation, humility, Malice Aforethought, Margaret Hale, morality / ethics / norms, Mr. Thornton, North & South, objectification, reality, redemption, Richard Armitage, Richard Armitage Central, Richard Armitage Online, RichardArmitageNet.com, status transactions, the competition, the hype, the real Armitage, the smolder, thinking / feeling, violence, why Armitage?, Why me?, work
• April 27, 2012 •
23 Comments
Posted in acting, Armitage's body, Bill Chatford, heterosexual dystopias, humiliation, Malice Aforethought, me, microexpressions, morality / ethics / norms, objectification, Richard Armitage, silliness, the energy, the eyes, the face, the jaw, the lips, the mouth, the muscles, the nose, why Armitage?
• June 23, 2011 •
64 Comments
Posted in acting, Armitage as victim, Armitageworld dogmas, attempts at bravery, Bill Chatford, fans, fantasy, gestures, gravitas, joy, Malice Aforethought, me, morality / ethics / norms, objectification, Richard Armitage, self-parody, teacups, the fingers, the hands
• September 24, 2010 •
83 Comments
Posted in Armitage on Armitage, audiobooks, Bill Chatford, Captain America, career, Claude Monet, collateral attractions, Dawn French, evil, fanfic, fans, fantasy, fanvids, Frozen, gratitude, Guy of Gisborne, Harry Kennedy, heterosexual utopias, John Porter, joy, loss, Lucas North, Malice Aforethought, me, North & South, off topic, reality, redemption, Richard Armitage, Robin Hood, Sarah Caulfield, silliness, Spooks, Steven, Symphony of a City, The Convenient Marriage, The Impressionists, the real Armitage, Vicar of Dibley, voice work
• September 13, 2010 •
52 Comments
Posted in Armitage's body, Bill Chatford, Claude Monet, evil, gravitas, humiliation, Malice Aforethought, me, Richard Armitage, silliness, the chin, the clothes, the face, The Impressionists, the jaw, the nose, the smile, the teeth
