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Posted in acting, Armitage as mirror, Armitage on Armitage, Armitageworld dogmas, Bill Chatford, capitalism, career, Daniela Denby-Ashe, fans, fantasy, flow, Gaskell, gratitude, gravitas, heterosexual dystopias, heterosexual utopias, humiliation, humility, Malice Aforethought, Margaret Hale, morality / ethics / norms, Mr. Thornton, North & South, objectification, reality, redemption, Richard Armitage, Richard Armitage Central, Richard Armitage Online, RichardArmitageNet.com, status transactions, the competition, the hype, the real Armitage, the smolder, thinking / feeling, violence, why Armitage?, Why me?, work
Posted in acting, Armitage's body, Bill Chatford, heterosexual dystopias, humiliation, Malice Aforethought, me, microexpressions, morality / ethics / norms, objectification, Richard Armitage, silliness, the energy, the eyes, the face, the jaw, the lips, the mouth, the muscles, the nose, why Armitage?
Posted in acting, Armitage as victim, Armitageworld dogmas, attempts at bravery, Bill Chatford, fans, fantasy, gestures, gravitas, joy, Malice Aforethought, me, morality / ethics / norms, objectification, Richard Armitage, self-parody, teacups, the fingers, the hands
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Posted in Armitage's body, Bill Chatford, Claude Monet, evil, gravitas, humiliation, Malice Aforethought, me, Richard Armitage, silliness, the chin, the clothes, the face, The Impressionists, the jaw, the nose, the smile, the teeth