Archive for the 'Bobbin Hood' Category

Armitage ambiguity, Gisborne subtlety

• August 20, 2012 • 40 Comments

Posted in acting, Armitage as mirror, Armitage on Armitage, Armitage's body, Bobbin Hood, career, evil, fear, gestures, Guy of Gisborne, heterosexual dystopias, humiliation, if I could interview Mr. Armitage, interiority, Jonas Armstrong, Lucy Griffiths, Marian, me, medieval, microexpressions, morality / ethics / norms, objectification, Richard Armitage, Robin Hood, status transactions, the chin, the eyes, the face, the fingers, the hands, thinking / feeling, why Armitage?, Why me?


Being medieval

• March 29, 2010 • 41 Comments

Posted in Armitage on Armitage, Armitage's body, Bobbin Hood, evil, fantasy, gravitas, Guy of Gisborne, humiliation, Jonas Armstrong, me, medieval, morality / ethics / norms, Mr. Thornton, North & South, redemption, Richard Armitage, Robin Hood
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Armitage’s microexpressions, Guy’s insecurities

• March 14, 2010 • 8 Comments

Posted in acting, Armitage's body, Bobbin Hood, gravitas, Guy of Gisborne, humiliation, Jonas Armstrong, me, medieval, microexpressions, morality / ethics / norms, Richard Armitage, Robin Hood, The Armitage Army, the eyes, the nose, the smile, the voice


Best Robin Hood Look

• March 4, 2010 • Leave a Comment

Posted in Armitage's body, Bobbin Hood, Jonas Armstrong, me, Richard Armitage, Robin Hood, squee