Archive for the 'Casualty' Category
• November 21, 2012 •
42 Comments
Posted in accents, acting, action, Angus, Annabel Capper, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Between the Sheets, Bill Chatford, capitalism, career, Casualty, Cleopatra, Cold Feet, Craig Porter, dance, Daniela Denby-Ashe, Doctors, Epiphanes, fans, fantasy, fear, flow, Frozen, Gaskell, gestures, gratitude, gravitas, heterosexual dystopias, heterosexual utopias, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, Inspector Lynley Mysteries: In Divine Proportion, interiority, John Standring, joy, Lee, loss, Macbeth, Malice Aforethought, Margaret Hale, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, overwork, Paul Andrews, Philip Turner, pronunciation, reality, redemption, Richard Armitage, silliness, singing, smug man, Sparkhouse, sprezzatura, status transactions, Steven, the accent, the Armitage morass, the clothes, the energy, the eyes, the face, the forehead, the hype, the smile, the smolder, theatre theatre, thinking / feeling, Tom Steele, Ultimate Force, why Armitage?, Why me?, work
• March 16, 2012 •
44 Comments
Posted in acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, audiobooks, Between the Sheets, Captain America, career, Casualty, collateral attractions, Craig Porter, dance, Doctors, fan art, fan letters, fan showcase, fanfic, fans, gratitude, gravitas, Harry Kennedy, Heinz Kruger, heterosexual dystopias, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, John Standring, joy, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, Paul Andrews, Peter Jackson, reality, Richard Armitage, Richard Armitage Online, Richard III, silliness, Sophia Myles, Sparkhouse, the clothes, The Hobbit, the voice, theatre theatre, thinking / feeling, Thorin Oakenshield, Tom Steele, Vicar of Dibley, voice work, why Armitage?, Why me?, work
• December 9, 2011 •
15 Comments
Posted in Armitage's body, Casualty, Craig Porter, fans, fantasy, gratitude, heterosexual dystopias, heterosexual utopias, joy, loss, me, morality / ethics / norms, objectification, osculation, reality, redemption, Richard Armitage, silliness, the fingers, the hands, the thumbs, thinking / feeling, why Armitage?, Why me?
• November 18, 2011 •
63 Comments
Posted in Alex Track, Captain America, Casualty, CBeebies, Claude Monet, Craig Porter, Dawn French, fantasy, George Gently, Geraldine Granger, Guy of Gisborne, Harry Kennedy, Heinz Kruger, humiliation, Ian Macalwain, John Porter, Lucas North, Macbeth, Macduff, me, morality / ethics / norms, Mr. Thornton, North & South, overwork, Peter Macduff, reality, Richard Armitage, Ricky Deeming, Robin Hood, Ros Myers, Shakespeare Retold, silliness, Spooks, Strike Back, The Golden Hour, The Impressionists, thinking / feeling, Vicar of Dibley, why Armitage?, Why me?
Me + Richard Armitage 