Archive for the 'Cats' Category
• December 30, 2012 •
55 Comments
Posted in *ooof*, acting, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, Cats, Cold Feet, dance, Daniela Denby-Ashe, fans, fantasy, gratitude, Guy of Gisborne, Guylty, heterosexual dystopias, heterosexual utopias, humility, if I could interview Mr. Armitage, Lee, loss, Margaret Hale, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, reality, Richard Armitage, sex, silliness, the clothes, the competition, the energy, the ethics, the eyes, the face, The Golden Hour, the hair, the hype, the real Armitage, the smolder, the teeth, theatre theatre, why Armitage?, Why me?, work
Tags: Richard Armitage
• November 25, 2012 •
3 Comments
Posted in anger, Armitage as victim, attempts at bravery, capitalism, career, Cats, collateral attractions, disgust, fans, filmmaking, humiliation, humility, liking food, loss, me, morality / ethics / norms, overwork, Peter Jackson, reality, resentment, Richard Armitage, The Hobbit, the hype, the real Armitage, thinking / feeling, violence
• November 22, 2012 •
44 Comments
Posted in acting, action, Angus, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Brendan Coyle, capitalism, career, Cats, Cleopatra, dance, Daniela Denby-Ashe, Dawn French, dwarves, Epiphanes, fan art, fans, fantasy, fanvids, flow, forgiveness, Geraldine Granger, gratitude, gravitas, Guy of Gisborne, Guylty, Harry Kennedy, heterosexual utopias, Higgins, humility, Ian Macalwain, if I could interview Mr. Armitage, Into the Storm / Black Sky, John Porter, John Standring, joy, liking food, Lucas North, Macbeth, Margaret Hale, me, medieval, morality / ethics / norms, Mr. Thornton, Mrs. Thornton, musical theatre, North & South, objectification, reality, redemption, Richard Armitage, Richard III, Robin Hood, silliness, Sinead Cusack, singing, Sparkhouse, Spooks, Strike Back, swords, the Armitage morass, the beard, the booty, the circus, the clothes, the energy, the eyes, the face, the fingers, the forearms, the hair, the hands, The Hobbit, the hype, the kisses, the shoes, the smile, the smolder, the thumbs, theatre theatre, thinking / feeling, Thorin Oakenshield, Ultimate Force, Vicar of Dibley, violence, why Armitage?, Why me?
• November 17, 2012 •
94 Comments
Posted in acting, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Boon, capitalism, career, Cats, dance, fans, fantasy, fear, flow, gravitas, humiliation, humility, if I could interview Mr. Armitage, loss, Macbeth, me, morality / ethics / norms, musical theatre, objectification, reality, resentment, Richard Armitage, singing, sprezzatura, the circus, the competition, the energy, the real Armitage, theatre theatre, thinking / feeling, why Armitage?, Why me?, work
• November 3, 2012 •
29 Comments
Posted in anger, Armitage as mirror, Armitage as victim, Armitage's body, capitalism, career, Cats, collateral attractions, dance, disgust, dwarves, fan art, fanfic, fans, fantasy, Guy of Gisborne, heterosexual utopias, humility, John Porter, John Standring, Legenda: Stuff worth reading, loss, Marian, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, pronunciation, reality, resentment, Richard Armitage, Robin Hood, silliness, status transactions, Strike Back, the energy, the eyes, the face, the forearms, The Hobbit, the hype, the lips, the mouth, the teeth, thinking / feeling, Thorin Oakenshield, Uncategorized, why Armitage?, Why me?
• August 8, 2012 •
11 Comments
Posted in acting, action, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, career, Cats, collateral attractions, dance, fans, fear, flow, gratitude, heterosexual dystopias, humiliation, humility, if I could interview Mr. Armitage, John Porter, Lucas North, me, morality / ethics / norms, musical theatre, objectification, reality, Richard Armitage, Richard Armitage Central, Richard Armitage Online, silliness, Spooks, Strike Back, The Armitage Army, the competition, the hype, the real Armitage, theatre theatre, thinking / feeling, why Armitage?, Why me?, work
• June 28, 2012 •
70 Comments
Posted in acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Captain America, career, Cats, collateral attractions, dance, fan art, fans, fantasy, fear, flow, forgiveness, gratitude, gravitas, Heinz Kruger, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, interiority, John Standring, joy, loss, Lucas North, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, order / disorder, overwork, Peter Jackson, polls, reality, redemption, Richard Armitage, silliness, Sparkhouse, Spooks, the Armitage morass, the circus, the competition, the energy, the eyes, the face, The Hobbit, the hype, the real Armitage, theatre theatre, thinking / feeling, Thorin Oakenshield, Ultimate Force, why Armitage?, Why me?, work
• May 21, 2012 •
12 Comments
Posted in Armitage as mirror, Armitage as victim, Armitageworld dogmas, attempts at bravery, Cats, dreams, fan art, fanfic, fans, fantasy, Gaskell, Guy of Gisborne, heterosexual dystopias, heterosexual utopias, John Porter, Legenda: Stuff worth reading, Lucas North, Margaret Hale, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, reality, redemption, Richard Armitage, Robin Hood, Sarah Caulfield, sex, silliness, Spooks, Strike Back, the competition, the energy, the face, The Hobbit, the real Armitage, Thorin Oakenshield, why Armitage?
Me + Richard Armitage 