Archive for the 'Claude Monet' Category
Ministry of Richard Armitage Walks, chronological file, incomplete
• October 17, 2013 • 54 CommentsPosted in acting, action, Alex Track, Armitage's body, Claude Monet, Cold Feet, comedy, dance, gestures, gravitas, Guy of Gisborne, Harry Kennedy, John Mulligan, John Porter, John Standring, Lee, Lucas North, Moving On, Mr. Thornton, North & South, Richard Armitage, Robin Hood, Sparkhouse, Spooks, Strike Back, the booty, the energy, The Golden Hour, the hips, The Impressionists, the legs, Vicar of Dibley
Tags: Alex Track, Claude Monet, Cold Feet, Guy of Gisborne, Harry Kennedy, John Mulligan, John Porter, John Standring, Lee Preston, Lucas North, Moving On, Mr. Thornton, North & South, Richard Armitage, Robin Hood, Sparkhouse, Spooks, Strike Back, The Golden Hour, The Impressionists, Vicar of Dibley
Legenda 58: Stuff worth reading
• December 23, 2012 • 18 CommentsPosted in acting, action, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, capitalism, career, Claude Monet, Dawn French, dwarves, fan art, fanfic, fans, fantasy, fear, filmmaking, Gary, gravitas, Guy of Gisborne, Harry Kennedy, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, Into the Storm / Black Sky, joy, Legenda: Stuff worth reading, me, morality / ethics / norms, objectification, Peter Jackson, reality, resentment, Richard Armitage, sex, silliness, squee, the competition, The Hobbit, the hype, The Impressionists, the real Armitage, Thorin Oakenshield, Vicar of Dibley, why Armitage?, Why me?
Tags: Richard Armitage, The Hobbit: An Unexpected Journey
Armitage leads with the feelings, or: How thick is Richard? A beginning.
• December 5, 2012 • 222 CommentsPosted in acting, action, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, attempts at bravery, capitalism, Captain America, career, Claude Monet, collateral attractions, dance, Dawn French, dwarves, evil, fan letters, fans, fantasy, fear, filmmaking, flow, Gary, Geraldine Granger, gravitas, Guy of Gisborne, Harry Kennedy, Heinz Kruger, humiliation, humility, if I could interview Mr. Armitage, interiority, Into the Storm / Black Sky, John Porter, John Standring, joy, liking food, loss, Marian, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, Peter Jackson, reality, redemption, Richard Armitage, Robin Hood, Sparkhouse, sprezzatura, status transactions, Strike Back, the competition, the energy, The Hobbit, the hype, The Impressionists, the real Armitage, theatre theatre, thinking / feeling, Thorin Oakenshield, Vicar of Dibley, violence, why Armitage?, Why me?, work
Armitage, changing
• November 27, 2012 • 19 CommentsPosted in absolute utter unadulterated joy!, acting, Armitage as mirror, Armitage on Armitage, Armitageworld dogmas, capitalism, career, Claude Monet, equilibrium, fan art, fans, flow, gestures, gratitude, gravitas, if I could interview Mr. Armitage, loss, me, microexpressions, morality / ethics / norms, objectification, order / disorder, Peter Jackson, reality, redemption, Richard Armitage, RichardArmitageNet.com, sprezzatura, the clothes, the energy, the eyes, the face, the fingers, The Hobbit, the hype, the real Armitage, the smile, the thumbs, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work
Richard Armitage + Claude Monet retrospective
• November 13, 2012 • 44 CommentsPosted in acting, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, capitalism, Claude Monet, collateral attractions, fans, Guy of Gisborne, humility, if I could interview Mr. Armitage, Marian, me, morality / ethics / norms, Mr. Thornton, North & South, reality, Richard Armitage, Richard Armitage Online, Robin Hood, silliness, singing, status transactions, The Armitage Army, The Hobbit, the hype, The Impressionists, thinking / feeling, why Armitage?, Why me?
Richard Armitage, again and again
• October 9, 2012 • 80 CommentsPosted in anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, attempts at bravery, capitalism, Claude Monet, fans, fantasy, fear, flow, forgiveness, gratitude, Guy of Gisborne, heterosexual dystopias, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, John Standring, joy, loss, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, reality, redemption, Richard Armitage, Robin Hood, Sparkhouse, the energy, the real Armitage, thinking / feeling, why Armitage?, Why me?, work
Expecto Armitagium!
• September 14, 2012 • 21 CommentsPosted in anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Claude Monet, fantasy, fear, flow, forgiveness, Gently Go Man, George Gently, gratitude, Guy of Gisborne, Holliday Grainger, humiliation, humility, if I could interview Mr. Armitage, John Mulligan, John Porter, John Standring, joy, loss, Lucas North, Marian, me, morality / ethics / norms, Moving On, Mr. Thornton, North & South, objectification, reality, redemption, Richard Armitage, Ricky Deeming, Robin Hood, Sparkhouse, Spooks, Strike Back, the Armitage morass, the beard, the energy, the eyes, the face, the hair, the hands, The Hobbit, The Impressionists, the jaw, the shoulders, Thorin Oakenshield, why Armitage?, Why me?, work
