Archive for the 'dance' Category
• April 2, 2014 •
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Posted in collateral attractions, dance, dwarves, Graham McTavish, me, morality / ethics / norms, Richard Armitage, The Battle of the Five Armies, The Hobbit, the hype
Tags: Graham McTavish, Richard Armitage
• October 17, 2013 •
54 Comments
Posted in acting, action, Alex Track, Armitage's body, Claude Monet, Cold Feet, comedy, dance, gestures, gravitas, Guy of Gisborne, Harry Kennedy, John Mulligan, John Porter, John Standring, Lee, Lucas North, Moving On, Mr. Thornton, North & South, Richard Armitage, Robin Hood, Sparkhouse, Spooks, Strike Back, the booty, the energy, The Golden Hour, the hips, The Impressionists, the legs, Vicar of Dibley
Tags: Alex Track, Claude Monet, Cold Feet, Guy of Gisborne, Harry Kennedy, John Mulligan, John Porter, John Standring, Lee Preston, Lucas North, Moving On, Mr. Thornton, North & South, Richard Armitage, Robin Hood, Sparkhouse, Spooks, Strike Back, The Golden Hour, The Impressionists, Vicar of Dibley
• July 2, 2013 •
26 Comments
Posted in acting, action, Armitage as mirror, Armitage's body, attempts at bravery, career, collateral attractions, dance, dwarves, fear, filmmaking, flow, joy, me, Richard Armitage, the energy, The Hobbit, the shoes, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work
Tags: Erik Erikson, Jed Brophy, Peter Jackson, Richard Armitage, The Hobbit: The Desolation of Smaug
• December 30, 2012 •
55 Comments
Posted in *ooof*, acting, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, Cats, Cold Feet, dance, Daniela Denby-Ashe, fans, fantasy, gratitude, Guy of Gisborne, Guylty, heterosexual dystopias, heterosexual utopias, humility, if I could interview Mr. Armitage, Lee, loss, Margaret Hale, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, reality, Richard Armitage, sex, silliness, the clothes, the competition, the energy, the ethics, the eyes, the face, The Golden Hour, the hair, the hype, the real Armitage, the smolder, the teeth, theatre theatre, why Armitage?, Why me?, work
Tags: Richard Armitage
• December 5, 2012 •
224 Comments
Posted in acting, action, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, attempts at bravery, capitalism, Captain America, career, Claude Monet, collateral attractions, dance, Dawn French, dwarves, evil, fan letters, fans, fantasy, fear, filmmaking, flow, Gary, Geraldine Granger, gravitas, Guy of Gisborne, Harry Kennedy, Heinz Kruger, humiliation, humility, if I could interview Mr. Armitage, interiority, Into the Storm / Black Sky, John Porter, John Standring, joy, liking food, loss, Marian, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, Peter Jackson, reality, redemption, Richard Armitage, Robin Hood, Sparkhouse, sprezzatura, status transactions, Strike Back, the competition, the energy, The Hobbit, the hype, The Impressionists, the real Armitage, theatre theatre, thinking / feeling, Thorin Oakenshield, Vicar of Dibley, violence, why Armitage?, Why me?, work
• November 22, 2012 •
44 Comments
Posted in acting, action, Angus, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Brendan Coyle, capitalism, career, Cats, Cleopatra, dance, Daniela Denby-Ashe, Dawn French, dwarves, Epiphanes, fan art, fans, fantasy, fanvids, flow, forgiveness, Geraldine Granger, gratitude, gravitas, Guy of Gisborne, Guylty, Harry Kennedy, heterosexual utopias, Higgins, humility, Ian Macalwain, if I could interview Mr. Armitage, Into the Storm / Black Sky, John Porter, John Standring, joy, liking food, Lucas North, Macbeth, Margaret Hale, me, medieval, morality / ethics / norms, Mr. Thornton, Mrs. Thornton, musical theatre, North & South, objectification, reality, redemption, Richard Armitage, Richard III, Robin Hood, silliness, Sinead Cusack, singing, Sparkhouse, Spooks, Strike Back, swords, the Armitage morass, the beard, the booty, the circus, the clothes, the energy, the eyes, the face, the fingers, the forearms, the hair, the hands, The Hobbit, the hype, the kisses, the shoes, the smile, the smolder, the thumbs, theatre theatre, thinking / feeling, Thorin Oakenshield, Ultimate Force, Vicar of Dibley, violence, why Armitage?, Why me?
• November 21, 2012 •
42 Comments
Posted in accents, acting, action, Angus, Annabel Capper, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Between the Sheets, Bill Chatford, capitalism, career, Casualty, Cleopatra, Cold Feet, Craig Porter, dance, Daniela Denby-Ashe, Doctors, Epiphanes, fans, fantasy, fear, flow, Frozen, Gaskell, gestures, gratitude, gravitas, heterosexual dystopias, heterosexual utopias, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, Inspector Lynley Mysteries: In Divine Proportion, interiority, John Standring, joy, Lee, loss, Macbeth, Malice Aforethought, Margaret Hale, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, overwork, Paul Andrews, Philip Turner, pronunciation, reality, redemption, Richard Armitage, silliness, singing, smug man, Sparkhouse, sprezzatura, status transactions, Steven, the accent, the Armitage morass, the clothes, the energy, the eyes, the face, the forehead, the hype, the smile, the smolder, theatre theatre, thinking / feeling, Tom Steele, Ultimate Force, why Armitage?, Why me?, work
• November 17, 2012 •
94 Comments
Posted in acting, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Boon, capitalism, career, Cats, dance, fans, fantasy, fear, flow, gravitas, humiliation, humility, if I could interview Mr. Armitage, loss, Macbeth, me, morality / ethics / norms, musical theatre, objectification, reality, resentment, Richard Armitage, singing, sprezzatura, the circus, the competition, the energy, the real Armitage, theatre theatre, thinking / feeling, why Armitage?, Why me?, work
• November 12, 2012 •
5 Comments
Posted in #ArmitageWatch, acting, action, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, career, collateral attractions, dance, fan art, fans, fantasy, heterosexual dystopias, heterosexual utopias, if I could interview Mr. Armitage, loss, me, medieval, morality / ethics / norms, objectification, osculation, polls, reality, resentment, Richard Armitage, Richard III, sex, silliness, status transactions, swords, the energy, the eyes, the fingers, the hands, The Hobbit, the hype, the kisses, the mouth, The Sunne in Splendour, Thorin Oakenshield, violence, why Armitage?
• November 5, 2012 •
2 Comments
Posted in #ArmitageWatch, acting, action, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, career, collateral attractions, dance, fan art, fans, fantasy, fear, forgiveness, heterosexual dystopias, heterosexual utopias, humiliation, if I could interview Mr. Armitage, interiority, Lucas North, me, medieval, morality / ethics / norms, objectification, order / disorder, polls, reality, redemption, resentment, Richard Armitage, Richard III, silliness, Spooks, status transactions, swords, the energy, The Hobbit, The Sunne in Splendour, thinking / feeling, Thorin Oakenshield, violence, why Armitage?, Why me?
Me + Richard Armitage 