Posted in evil, fear, forgiveness, gratitude, humiliation, humility, loss, me, morality / ethics / norms, off topic, reality, redemption, resentment, swords, thinking / feeling, violence, Why me?
Posted in Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, career, collateral attractions, evil, fans, heterosexual dystopias, if I could interview Mr. Armitage, me, medieval, morality / ethics / norms, order / disorder, reality, Richard Armitage, Richard III, silliness, why Armitage?, Why me?
Posted in Armitage as victim, Armitage on Armitage, Armitageworld dogmas, career, collateral attractions, evil, fans, fantasy, fear, heterosexual dystopias, me, medieval, morality / ethics / norms, redemption, Richard Armitage, Richard III, silliness, the hype, why Armitage?, Why me?
Posted in Armitage as victim, Armitage on Armitage, Armitageworld dogmas, career, collateral attractions, evil, fans, fantasy, heterosexual dystopias, if I could interview Mr. Armitage, joy, loss, me, medieval, morality / ethics / norms, order / disorder, reality, Richard Armitage, Richard III, silliness, status transactions, the competition, the hype, violence, why Armitage?, Why me?
Posted in Armitageworld dogmas, career, evil, fear, flow, heterosexual utopias, humility, loss, me, morality / ethics / norms, off topic, order / disorder, reality, Richard Armitage, sex, silliness, the competition, the real Armitage, thinking / feeling, why Armitage?, Why me?, work
Posted in acting, Armitage as mirror, Armitage on Armitage, Armitage's body, Bobbin Hood, career, evil, fear, gestures, Guy of Gisborne, heterosexual dystopias, humiliation, if I could interview Mr. Armitage, interiority, Jonas Armstrong, Lucy Griffiths, Marian, me, medieval, microexpressions, morality / ethics / norms, objectification, Richard Armitage, Robin Hood, status transactions, the chin, the eyes, the face, the fingers, the hands, thinking / feeling, why Armitage?, Why me?
Posted in anger, Armitage as mirror, Armitage as victim, Armitageworld dogmas, attempts at bravery, evil, fans, fear, Gently Go Man, George Gently, humiliation, if I could interview Mr. Armitage, me, morality / ethics / norms, reality, Richard Armitage, Ricky Deeming, thinking / feeling, why Armitage?
Posted in accents, acting, Armitage as victim, Armitage's body, Armitageworld dogmas, Beth, career, collateral attractions, evil, fans, fantasy, forgiveness, gestures, heterosexual dystopias, humiliation, John Bateman, Lara Pulver, loss, Lucas North, me, morality / ethics / norms, objectification, reality, redemption, Richard Armitage, Robin Hood, silliness, Sophia Myles, Spooks, the hands, the hype, thinking / feeling, violence, why Armitage?, Why me?, work
Posted in acting, Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, attempts at bravery, career, Claude Monet, Daniela Denby-Ashe, evil, fans, forgiveness, Gently Go Man, George Gently, gestures, gravitas, heterosexual dystopias, heterosexual utopias, humility, if I could interview Mr. Armitage, Margaret Hale, Marie Lloyd, me, morality / ethics / norms, Mr. Thornton, North & South, reality, Richard Armitage, Ricky Deeming, silliness, the energy, the face, the hands, The Hobbit, The Impressionists, the lips, the mouth, the nose, the real Armitage, the smolder, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work
Posted in Daniela Denby-Ashe, evil, loss, Margaret Hale, me, morality / ethics / norms, Mr. Bell, North & South, reality, redemption, Richard Armitage, thinking / feeling, why Armitage?, Why me?