Archive for the 'flow' Category
• June 17, 2014 •
45 Comments
Posted in acting, Armitage as mirror, Armitage as victim, Armitage's body, attempts at bravery, fans, fantasy, flow, gestures, heterosexual dystopias, heterosexual utopias, if I could interview Mr. Armitage, interiority, John Proctor, joy, me, microexpressions, morality / ethics / norms, objectification, reality, Richard Armitage, sprezzatura, squee, the chin, The Crucible, the energy, the eyes, the face, the hype, the jaw, the mouth, the nose, the profile, theatre theatre, thinking / feeling, why Armitage?
Tags: John Proctor, Richard Armitage, The Crucible
• May 27, 2014 •
10 Comments
Posted in acting, career, fanfic, flow, if I could interview Mr. Armitage, John Proctor, joy, reality, Richard Armitage, The Crucible, theatre theatre, work
Tags: John Proctor, rehearsals, Richard Armitage, The Crucible
• May 27, 2014 •
25 Comments
Posted in Armitage as mirror, attempts at bravery, fear, flow, forgiveness, gratitude, humiliation, humility, loss, me, morality / ethics / norms, overwork, reality, redemption, Why me?, work
Tags: change, creativity, me
• October 24, 2013 •
50 Comments
Posted in absolute utter unadulterated joy!, acting, Armitage as mirror, Armitage on Armitage, Armitageworld dogmas, attempts at bravery, career, fear, flow, forgiveness, gratitude, humiliation, humility, if I could interview Mr. Armitage, joy, loss, Lucas North, me, morality / ethics / norms, reality, redemption, Richard Armitage, Spooks, the energy, The Hobbit, the real Armitage, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work
Tags: audition, Lucas North, Richard Armitage, The Hobbit: An Unexpected Journey, Thorin Oakenshield
• October 24, 2013 •
46 Comments
Posted in absolute utter unadulterated joy!, acting, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, attempts at bravery, career, dwarves, fear, filmmaking, flow, gestures, gravitas, humiliation, if I could interview Mr. Armitage, loss, Lucas North, me, morality / ethics / norms, Peter Jackson, reality, redemption, resentment, Richard Armitage, Spooks, sprezzatura, the chin, the energy, the eyes, the face, The Hobbit, the jaw, thinking / feeling, Thorin Oakenshield, TPTW: Too painful to watch, why Armitage?, Why me?, work
Tags: Richard Armitage, The Hobbit: An Unexpected Journey, Thorin Oakenshield
• October 23, 2013 •
20 Comments
Posted in acting, Armitage as mirror, Armitage on Armitage, Armitageworld dogmas, career, filmmaking, flow, gestures, gratitude, gravitas, humility, if I could interview Mr. Armitage, joy, me, morality / ethics / norms, Peter Jackson, reality, Richard Armitage, silliness, the energy, the ethics, The Hobbit, the real Armitage, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work
Tags: me, Richard Armitage, The Hobbit: An Unexpected Journey, Thorin Oakenshield, work
• July 2, 2013 •
26 Comments
Posted in acting, action, Armitage as mirror, Armitage's body, attempts at bravery, career, collateral attractions, dance, dwarves, fear, filmmaking, flow, joy, me, Richard Armitage, the energy, The Hobbit, the shoes, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work
Tags: Erik Erikson, Jed Brophy, Peter Jackson, Richard Armitage, The Hobbit: The Desolation of Smaug
• April 1, 2013 •
27 Comments
Posted in anger, Armitage as mirror, Armitage as victim, attempts at bravery, fear, flow, forgiveness, gratitude, humiliation, loss, Lucas North, me, order / disorder, reality, redemption, resentment, Richard Armitage, Spooks, status transactions, The Hobbit, Thorin Oakenshield, why Armitage?, Why me?, work
Tags: Passover, Richard Armitage, The Hobbit: An Unexpected Journey
• January 13, 2013 •
23 Comments
Posted in acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, attempts at bravery, Captain America, career, fear, flow, Gary, gestures, Guy of Gisborne, Heinz Kruger, humility, if I could interview Mr. Armitage, interiority, Into the Storm / Black Sky, John Bateman, John Porter, John Standring, Macbeth, Macduff, me, microexpressions, morality / ethics / norms, Peter Macduff, Richard Armitage, Robin Hood, Shakespeare Retold, ShakespeaRE-Told, Sparkhouse, Strike Back, the energy, The Hobbit, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?
Tags: acting, Richard Armitage, roles
• December 22, 2012 •
29 Comments
Posted in acting, action, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, Cold Feet, fans, fear, flow, gratitude, gravitas, heterosexual dystopias, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, interiority, loss, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, reality, resentment, Richard Armitage, silliness, sprezzatura, the competition, the energy, the ethics, The Hobbit, the hype, the real Armitage, theatre theatre, thinking / feeling, why Armitage?, Why me?, work
Tags: Richard Armitage
Me + Richard Armitage 