Archive for the 'gestures' Category
• August 20, 2014 •
4 Comments
Posted in Gary, gestures, gravitas, heterosexual utopias, Into the Storm / Black Sky, joy, Richard Armitage, squee, the eyes, the face, the smile
Tags: Gary Fuller, Into the Storm, Max Deacon, Nathan Kress, Richard Armitage
• June 17, 2014 •
45 Comments
Posted in acting, Armitage as mirror, Armitage as victim, Armitage's body, attempts at bravery, fans, fantasy, flow, gestures, heterosexual dystopias, heterosexual utopias, if I could interview Mr. Armitage, interiority, John Proctor, joy, me, microexpressions, morality / ethics / norms, objectification, reality, Richard Armitage, sprezzatura, squee, the chin, The Crucible, the energy, the eyes, the face, the hype, the jaw, the mouth, the nose, the profile, theatre theatre, thinking / feeling, why Armitage?
Tags: John Proctor, Richard Armitage, The Crucible
• June 9, 2014 •
26 Comments
Posted in acting, collateral attractions, gestures, Lee Pace, morality / ethics / norms, Richard Armitage, sprezzatura, status transactions
Tags: Halt and Catch Fire, Joe MacMillan, Lee Pace
• May 26, 2014 •
87 Comments
Posted in Armitage as mirror, Armitage's body, Armitageworld dogmas, Chop, fantasy, Gary, gestures, Into the Storm / Black Sky, me, Richard Armitage, the clothes, the energy, the forearms, the legs, the shoes, Urban and the Shed Crew, why Armitage?, Why me?
Tags: Chop, Gary Fuller, Into the Storm, Richard Armitage, Urban and the Shed Crew
• February 15, 2014 •
5 Comments
Posted in acting, anger, Armitage on Armitage, Armitage's body, career, gestures, Guy of Gisborne, heterosexual dystopias, humiliation, loss, Lucy Griffiths, Marian, medieval, microexpressions, morality / ethics / norms, resentment, Richard Armitage, Robin Hood, status transactions, the energy, the eyes, the face, violence, why Armitage?
Tags: acting, Guy of Gisborne, Richard Armitage, Robin Hood, status, violence
• January 13, 2014 •
23 Comments
Posted in acting, Armitage as mirror, Armitage as victim, Armitage's body, fear, gestures, humiliation, interiority, Lucas North, me, microexpressions, morality / ethics / norms, Richard Armitage, Spooks, the eyes, the face, the lips, the mouth, why Armitage?, Why me?
Tags: acting, Lucas North, madeleines, memory, Proust, Richard Armitage, Spooks
• December 1, 2013 •
15 Comments
Posted in acting, action, anger, Armitage's body, forgiveness, gestures, humiliation, John Porter, microexpressions, redemption, Richard Armitage, status transactions, Strike Back, the arms, violence
Tags: acting, action, Andrew Lincoln, John Porter, Richard Armitage, status, Strike Back, Strike Back: Origins
• November 10, 2013 •
31 Comments
Posted in acting, action, anger, Armitage on Armitage, Armitage's body, Armitageworld dogmas, capitalism, career, fans, fantasy, gestures, gravitas, heterosexual dystopias, heterosexual utopias, if I could interview Mr. Armitage, John Porter, me, reality, Richard Armitage, sex, silliness, Strike Back, the eyes, the face, the hair, The Hobbit, the hype, Thorin Oakenshield
Tags: fans, Richard Armitage, Strike Back, Strike Back: Origins, the hobbit, Thorin Oakenshield
• November 9, 2013 •
10 Comments
Posted in acting, anger, Armitage's body, gestures, humiliation, interiority, John Porter, morality / ethics / norms, redemption, resentment, Richard Armitage, Strike Back, the energy, the face, thinking / feeling, violence
Tags: acting, Andrew Lincoln, John Porter, Richard Armitage, status, Strike Back, Strike Back: Origins, timing
• October 26, 2013 •
69 Comments
Posted in acting, anger, Armitage's body, fear, forgiveness, gestures, humiliation, interiority, John Porter, John Standring, microexpressions, redemption, Richard Armitage, status transactions, Strike Back, the chin, the eyes, the face
Tags: acting, Andrew Lincoln, Jodhi May, John Porter, Richard Armitage, status, Strike Back, Strike Back: Origins
Me + Richard Armitage 