Archive for the 'humiliation' Category
• August 17, 2014 •
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Posted in Armitage as victim, Armitage's body, fan candids, fans, fantasy, heterosexual dystopias, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, John Proctor, meeting Richard Armitage, morality / ethics / norms, objectification, overwork, reality, Richard Armitage, selfies, stage door, the clothes, why Armitage?
Tags: fans, Richard Armitage, stage door, The Crucible
• June 20, 2014 •
32 Comments
Posted in Armitage as mirror, attempts at bravery, evil, fear, forgiveness, heterosexual dystopias, humiliation, if I could interview Mr. Armitage, John Proctor, me, morality / ethics / norms, redemption, resentment, Richard Armitage, status transactions, The Crucible, the hype, theatre theatre, thinking / feeling, Why me?
Tags: Bay Psalm Book, cruelty, John Proctor, Richard Armitage, The Crucible
• June 15, 2014 •
10 Comments
Posted in capitalism, evil, heterosexual dystopias, humiliation, if I could interview Mr. Armitage, John Proctor, me, morality / ethics / norms, order / disorder, reality, redemption, Richard Armitage, status transactions, The Crucible, the hype, theatre theatre, thinking / feeling, violence, Why me?
Tags: Arthur Miller, genocide, Hannah Arendt, John Proctor, Richard Armitage, The Crucible, totalitarianism, Yael Farber
• June 9, 2014 •
3 Comments
Posted in humiliation, humility, John Proctor, Richard Armitage, the beard, the chin, The Crucible, the eyes, the face, the forehead, the hair, the hype, the jaw, the lips, the mouth, theatre theatre
Tags: John Proctor, Richard Armitage, The Crucible
• June 9, 2014 •
32 Comments
Posted in humiliation, humility, John Proctor, Richard Armitage, the beard, the chin, The Crucible, the eyes, the face, the forehead, the hair, the hype, the jaw, the lips, the mouth, theatre theatre
Tags: John Proctor, Richard Armitage, The Crucible
• June 2, 2014 •
13 Comments
Posted in acting, action, audiobooks, comedy, disgust, evil, forgiveness, Hamlet, heterosexual dystopias, humiliation, interiority, loss, me, medieval, morality / ethics / norms, order / disorder, reality, Richard Armitage, sprezzatura, status transactions, the voice, thinking / feeling, voice work, Why me?
Tags: A.J. Hartley, audiobooks, David Hewson, Hamlet, Richard Armitage
• May 27, 2014 •
25 Comments
Posted in Armitage as mirror, attempts at bravery, fear, flow, forgiveness, gratitude, humiliation, humility, loss, me, morality / ethics / norms, overwork, reality, redemption, Why me?, work
Tags: change, creativity, me
• February 15, 2014 •
5 Comments
Posted in acting, anger, Armitage on Armitage, Armitage's body, career, gestures, Guy of Gisborne, heterosexual dystopias, humiliation, loss, Lucy Griffiths, Marian, medieval, microexpressions, morality / ethics / norms, resentment, Richard Armitage, Robin Hood, status transactions, the energy, the eyes, the face, violence, why Armitage?
Tags: acting, Guy of Gisborne, Richard Armitage, Robin Hood, status, violence
• January 13, 2014 •
23 Comments
Posted in acting, Armitage as mirror, Armitage as victim, Armitage's body, fear, gestures, humiliation, interiority, Lucas North, me, microexpressions, morality / ethics / norms, Richard Armitage, Spooks, the eyes, the face, the lips, the mouth, why Armitage?, Why me?
Tags: acting, Lucas North, madeleines, memory, Proust, Richard Armitage, Spooks
• December 1, 2013 •
15 Comments
Posted in acting, action, anger, Armitage's body, forgiveness, gestures, humiliation, John Porter, microexpressions, redemption, Richard Armitage, status transactions, Strike Back, the arms, violence
Tags: acting, action, Andrew Lincoln, John Porter, Richard Armitage, status, Strike Back, Strike Back: Origins
Me + Richard Armitage 