Posted in *ooof*, Guy of Gisborne, Guylty, Harry Kennedy, John Bateman, John Porter, Lucas North, Margaret Hale, Maya Lahan, Meg, Mr. Thornton, North & South, Richard Armitage, Robin Hood, Spooks, Strike Back, Vicar of Dibley
Tags: *ooof*, guylty, Richard Armitage
Posted in acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, attempts at bravery, Captain America, career, fear, flow, Gary, gestures, Guy of Gisborne, Heinz Kruger, humility, if I could interview Mr. Armitage, interiority, Into the Storm / Black Sky, John Bateman, John Porter, John Standring, Macbeth, Macduff, me, microexpressions, morality / ethics / norms, Peter Macduff, Richard Armitage, Robin Hood, Shakespeare Retold, ShakespeaRE-Told, Sparkhouse, Strike Back, the energy, The Hobbit, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?
Tags: acting, Richard Armitage, roles
Posted in Armitage as mirror, fanfic, fans, fantasy, fear, forgiveness, gratitude, John Bateman, loss, Lucas North, me, morality / ethics / norms, overwork, redemption, resentment, Richard Armitage, silliness, Spooks, thinking / feeling, why Armitage?
Tags: Richard Armitage
Posted in Armitage as mirror, Armitage as victim, Armitage's body, fantasy, gestures, if I could interview Mr. Armitage, John Bateman, liking food, Lucas North, me, objectification, reality, redemption, Richard Armitage, silliness, Spooks, the arms, the ears, the eyes, the face, the fingers, the forearms, the hair, the hands, the lips, the mouth, the nose, the profile, why Armitage?, Why me?
Posted in acting, anger, Armitage as mirror, Armitage as victim, attempts at bravery, fantasy, fear, flow, forgiveness, gestures, humiliation, John Bateman, loss, Lucas North, me, morality / ethics / norms, overwork, reality, redemption, Richard Armitage, Spooks, the energy, the eyes, the face, the mouth, thinking / feeling, TPTW: Too painful to watch, why Armitage?, Why me?, work
Tags: Lucas North, Richard Armitage, Spooks
Posted in absolute utter unadulterated joy!, acting, action, anger, Armitage on Armitage, Armitage's body, Armitageworld dogmas, capitalism, career, collateral attractions, comedy, dance, fans, fantasy, flow, gestures, gravitas, Guy of Gisborne, humiliation, humility, if I could interview Mr. Armitage, interiority, John Bateman, John Porter, loss, Lucas North, me, morality / ethics / norms, objectification, Peter Jackson, reality, redemption, Richard Armitage, Robin Hood, silliness, Spooks, sprezzatura, status transactions, Strike Back, swords, the beard, the chin, the energy, the eyes, the face, the hands, The Hobbit, the hype, the jaw, the legs, the profile, the voice, thinking / feeling, Thorin Oakenshield, violence, voice work, why Armitage?, Why me?
Posted in action, Armitage as victim, Armitage's body, fans, fantasy, heterosexual utopias, John Bateman, Lucas North, me, morality / ethics / norms, objectification, Richard Armitage, sex, silliness, Spooks, the booty, the clothes, the hips, why Armitage?, Why me?
Posted in acting, action, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, collateral attractions, fan art, fans, fantasy, fear, flow, forgiveness, gratitude, Guy of Gisborne, humiliation, humility, if I could interview Mr. Armitage, interiority, Into the Storm / Black Sky, John Bateman, John Porter, loss, Lucas North, me, medieval, metawriting, morality / ethics / norms, Mr. Thornton, North & South, objectification, order / disorder, Peter Jackson, reality, redemption, Richard Armitage, Robin Hood, sex, silliness, Spooks, sprezzatura, Strike Back, the Armitage morass, the arms, the beard, the competition, the energy, the eyes, the face, the feet, the fingers, the forearms, the hair, the hands, The Hobbit, the hype, the nose, the profile, the real Armitage, the shoes, the smolder, thinking / feeling, Thorin Oakenshield, violence, why Armitage?, Why me?, work
Posted in acting, action, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, collateral attractions, fan art, fans, fantasy, fear, flow, forgiveness, gratitude, gravitas, humiliation, humility, if I could interview Mr. Armitage, John Bateman, John Porter, joy, loss, Lucas North, me, medieval, morality / ethics / norms, Mr. Thornton, North & South, objectification, order / disorder, overwork, reality, redemption, Richard Armitage, Robin Hood, Spooks, Strike Back, the beard, the clothes, the energy, the eyes, the face, the feet, the forearms, the hair, the hands, The Hobbit, the hype, the jaw, the legs, the muscles, the nose, the profile, the shoes, the shoulders, the thumbs, thinking / feeling, Thorin Oakenshield, violence, why Armitage?, Why me?, work
Posted in acting, action, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, collateral attractions, dance, fan art, fans, fantasy, fear, flow, forgiveness, gestures, gratitude, gravitas, humiliation, humility, if I could interview Mr. Armitage, interiority, John Bateman, John Porter, loss, Lucas North, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, order / disorder, overwork, Peter Jackson, reality, redemption, Richard Armitage, Robin Hood, silliness, Spooks, squee, status transactions, Strike Back, the Armitage morass, the arms, the beard, the clothes, the energy, the eyes, the face, the fingers, the hair, the hands, The Hobbit, the hype, the jaw, the nose, the profile, the shoes, the shoulders, the smolder, the stubble, the thumbs, thinking / feeling, Thorin Oakenshield, violence, why Armitage?, Why me?, work