Posted in acting, audiobooks, career, Chop, fans, Gary, Guy of Gisborne, Hamlet, Into the Storm / Black Sky, John Porter, John Proctor, joy, loss, me, reality, Richard Armitage, Robin Hood, selfies, status transactions, Strike Back, The Desolation of Smaug, The Hobbit, Thorin Oakenshield, Urban and the Shed Crew
Tags: fan selfies, Guy of Gisborne, Hamlet, me, Richard Armitage, Strike Back, The Crucible, writing
Posted in fanfic, fans, fantasy, Guy of Gisborne, heterosexual dystopias, heterosexual utopias, John Porter, Margaret Hale, me, Mr. Thornton, North & South, Richard Armitage, Robin Hood, Strike Back
Tags: fanfiction, Guy of Gisborne, John Porter, Mr. Thornton, North & South, Richard Armitage, Robin Hood, Strike Back
Posted in acting, action, anger, Armitage's body, forgiveness, gestures, humiliation, John Porter, microexpressions, redemption, Richard Armitage, status transactions, Strike Back, the arms, violence
Tags: acting, action, Andrew Lincoln, John Porter, Richard Armitage, status, Strike Back, Strike Back: Origins
Posted in acting, action, anger, Armitage's body, humiliation, John Porter, Richard Armitage, Strike Back
Tags: acting, Andrew Lincoln, Hugh Collinson, John Porter, Richard Armitage, status, Strike Back, Strike Back: Origins
Posted in acting, action, anger, Armitage on Armitage, Armitage's body, Armitageworld dogmas, capitalism, career, fans, fantasy, gestures, gravitas, heterosexual dystopias, heterosexual utopias, if I could interview Mr. Armitage, John Porter, me, reality, Richard Armitage, sex, silliness, Strike Back, the eyes, the face, the hair, The Hobbit, the hype, Thorin Oakenshield
Tags: fans, Richard Armitage, Strike Back, Strike Back: Origins, the hobbit, Thorin Oakenshield
Posted in acting, anger, Armitage's body, gestures, humiliation, interiority, John Porter, morality / ethics / norms, redemption, resentment, Richard Armitage, Strike Back, the energy, the face, thinking / feeling, violence
Tags: acting, Andrew Lincoln, John Porter, Richard Armitage, status, Strike Back, Strike Back: Origins, timing
Posted in acting, anger, Armitage's body, fear, forgiveness, gestures, humiliation, interiority, John Porter, John Standring, microexpressions, redemption, Richard Armitage, status transactions, Strike Back, the chin, the eyes, the face
Tags: acting, Andrew Lincoln, Jodhi May, John Porter, Richard Armitage, status, Strike Back, Strike Back: Origins
Posted in absolute utter unadulterated joy!, acting, action, anger, Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, attempts at bravery, Captain America, career, Clarissa, gravitas, humiliation, John Porter, joy, me, morality / ethics / norms, redemption, Richard Armitage, status transactions, Strike Back, the chin, the energy, the eyes, the face, the jaw, the kisses, thinking / feeling, TPTW: Too painful to watch, violence, why Armitage?, Why me?
Tags: John Porter, Richard Armitage, Strike Back, Strike Back: Origins
Posted in acting, action, Alex Track, Armitage's body, Claude Monet, Cold Feet, comedy, dance, gestures, gravitas, Guy of Gisborne, Harry Kennedy, John Mulligan, John Porter, John Standring, Lee, Lucas North, Moving On, Mr. Thornton, North & South, Richard Armitage, Robin Hood, Sparkhouse, Spooks, Strike Back, the booty, the energy, The Golden Hour, the hips, The Impressionists, the legs, Vicar of Dibley
Tags: Alex Track, Claude Monet, Cold Feet, Guy of Gisborne, Harry Kennedy, John Mulligan, John Porter, John Standring, Lee Preston, Lucas North, Moving On, Mr. Thornton, North & South, Richard Armitage, Robin Hood, Sparkhouse, Spooks, Strike Back, The Golden Hour, The Impressionists, Vicar of Dibley
Posted in *ooof*, Guy of Gisborne, Guylty, Harry Kennedy, John Bateman, John Porter, Lucas North, Margaret Hale, Maya Lahan, Meg, Mr. Thornton, North & South, Richard Armitage, Robin Hood, Spooks, Strike Back, Vicar of Dibley
Tags: *ooof*, guylty, Richard Armitage