Archive for the 'Laila Rouass' Category
• June 12, 2012 •
31 Comments
Posted in acting, Armitage anatomy, Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, fans, fantasy, heterosexual dystopias, heterosexual utopias, humiliation, humility, John Bateman, joy, Laila Rouass, Lucas North, Maya Lahan, me, morality / ethics / norms, objectification, reality, Richard Armitage, silliness, Spooks, the arms, the chin, the clothes, the ears, the eyes, the face, the hair, the jaw, the lips, the mouth, the nose, the profile, the shoulders, the skin, the stubble, the teeth, thinking / feeling, why Armitage?, Why me?
• June 3, 2012 •
42 Comments
Posted in acting, Alex Track, Armitage as mirror, Armitage as victim, Captain America, Cleopatra, Cold Feet, Epiphanes, Genevieve O'Reilly, gravitas, Guy of Gisborne, Heinz Kruger, heterosexual dystopias, heterosexual utopias, Ian Macalwain, if I could interview Mr. Armitage, John Bateman, John Porter, John Standring, Laila Rouass, Lee, Lucas North, Lucy Griffiths, Margaret Hale, Marian, Maya Lahan, me, morality / ethics / norms, Mr. Thornton, North & South, Richard Armitage, Robin Hood, Sarah Caulfield, silliness, Sparkhouse, Spooks, Strike Back, The Golden Hour, the kisses, the real Armitage, the smolder, thinking / feeling, TPTW: Too painful to watch, Ultimate Force, why Armitage?, work
• May 9, 2012 •
19 Comments
Posted in acting, Armitage as mirror, Armitage's body, attempts at bravery, audiobooks, collateral attractions, fans, fantasy, flow, gratitude, heterosexual dystopias, humility, interiority, John Bateman, Laila Rouass, Lucas North, Maya Lahan, me, microexpressions, morality / ethics / norms, overwork, reality, redemption, Richard Armitage, Richard III, Spooks, the energy, the eyes, the face, the lips, the mouth, thinking / feeling, why Armitage?, Why me?, work
• March 30, 2012 •
31 Comments
Posted in acting, Armitage as mirror, Armitage as victim, Armitageworld dogmas, attempts at bravery, dreams, fans, fantasy, flow, Genevieve O'Reilly, gestures, Guy of Gisborne, heterosexual dystopias, heterosexual utopias, humiliation, if I could interview Mr. Armitage, interiority, John Bateman, John Porter, Laila Rouass, loss, Lucas North, Maya Lahan, me, microexpressions, morality / ethics / norms, objectification, overwork, reality, redemption, Richard Armitage, Robin Hood, Sarah Caulfield, sex, Spooks, Strike Back, the Armitage morass, the energy, the eyes, the lips, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work
• February 12, 2012 •
72 Comments
Posted in absolute utter unadulterated joy!, Armitage as mirror, Armitage on Armitage, Armitageworld dogmas, attempts at bravery, career, dreams, fans, fantasy, gratitude, gravitas, heterosexual utopias, humility, if I could interview Mr. Armitage, John Bateman, Laila Rouass, loss, Lucas North, Maya Lahan, me, morality / ethics / norms, objectification, reality, redemption, Richard Armitage, Spooks, sprezzatura, the beard, the eyes, the face, The Hobbit, the hype, the jaw, the mouth, the nose, the profile, the smile, the teeth, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?
• January 18, 2012 •
149 Comments
Posted in acting, Angus, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, audiobooks, career, Clarissa, fan showcase, fans, gravitas, Guy of Gisborne, heterosexual dystopias, heterosexual utopias, humiliation, if I could interview Mr. Armitage, John Bateman, joy, Laila Rouass, loss, Lovelace, Lucas North, Macbeth, Margaret Hale, Marian, Maya Lahan, me, microexpressions, morality / ethics / norms, Mr. Thornton, North & South, objectification, osculation, Peter Jackson, polls, reality, Richard Armitage, Richard III, Robin Hood, Sarah Caulfield, Spooks, Strike Back, the beard, the competition, The Hobbit, the hype, the kisses, the real Armitage, theatre theatre, Thorin Oakenshield, voice work, why Armitage?
Tags: acting, Angus, audiobooks, fans, Guy of Gisborne, John Bateman, kisses, Lucas North, Macbeth, microexpressions, Mr. Thornton, North & South, Richard Armitage, Richard III, Robin Hood, Spooks, Strike Back, the competition, the hobbit, Thorin Oakenshield
• January 12, 2012 •
21 Comments
Posted in acting, Armitage anatomy, Armitage on Armitage, Armitage's body, Armitageworld dogmas, career, gestures, gravitas, Hermione Norris, heterosexual dystopias, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, interiority, John Bateman, John Porter, John Standring, Laila Rouass, Lucas North, Maya Lahan, me, microexpressions, objectification, Richard Armitage, Ros Myers, Sparkhouse, Spooks, Strike Back, the chin, the face, The Hobbit, the jaw, the mouth, the muscles, Thorin Oakenshield, why Armitage?
Tags: acting, John Bateman, John Porter, John Standring, Lucas North, microexpressions, Richard Armitage, Sparkhouse, Spooks, Strike Back, the hobbit, the jaw, Thorin Oakenshield
• December 5, 2011 •
122 Comments
Posted in accents, acting, Armitage anatomy, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, career, dreams, fans, fantasy, Genevieve O'Reilly, gestures, gravitas, Guy of Gisborne, heterosexual dystopias, heterosexual utopias, humiliation, if I could interview Mr. Armitage, John Bateman, John Porter, Jonas Armstrong, joy, Laila Rouass, Lucas North, Maya Lahan, me, microexpressions, morality / ethics / norms, objectification, osculation, Peter Jackson, reality, Richard Armitage, Robin Hood, Sarah Caulfield, silliness, Spooks, Strike Back, the face, the hands, The Hobbit, the kisses, the lips, the mouth, the nose, the profile, the skin, Thorin Oakenshield, why Armitage?, Why me?
• November 24, 2011 •
27 Comments
Posted in acting, Between the Sheets, Claude Monet, fans, fantasy, fanvids, gratitude, Guy of Gisborne, Harry Kennedy, heterosexual utopias, humiliation, humility, John Bateman, John Porter, John Standring, joy, Laila Rouass, loss, Lucas North, Margaret Hale, Marian, Maya Lahan, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, osculation, Paul Andrews, reality, redemption, Richard Armitage, Robin Hood, silliness, Sparkhouse, Spooks, Strike Back, The Impressionists, the kisses, Vicar of Dibley, why Armitage?
• November 12, 2011 •
13 Comments
Posted in Armitage as victim, Beth, career, evil, heterosexual dystopias, humiliation, John Bateman, Laila Rouass, Lucas North, Maya Lahan, me, morality / ethics / norms, objectification, Richard Armitage, Sophia Myles, Spooks, the fingers, the hands, the mouth, the teeth, why Armitage?
