Posted in acting, anger, Armitage on Armitage, Armitage's body, career, gestures, Guy of Gisborne, heterosexual dystopias, humiliation, loss, Lucy Griffiths, Marian, medieval, microexpressions, morality / ethics / norms, resentment, Richard Armitage, Robin Hood, status transactions, the energy, the eyes, the face, violence, why Armitage?
Tags: acting, Guy of Gisborne, Richard Armitage, Robin Hood, status, violence
Posted in *ooof*, acting, Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, attempts at bravery, capitalism, career, collateral attractions, fan art, fan showcase, fans, fantasy, Gaskell, gestures, gravitas, Guy of Gisborne, Guylty, heterosexual utopias, if I could interview Mr. Armitage, Jonas Armstrong, joy, Lucas North, Lucy Griffiths, Marian, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, reality, Richard Armitage, Robin Hood, silliness, Spooks, squee, the clothes, the energy, the eyes, the face, the forehead, the hype, the real Armitage, the smile, the stubble, thinking / feeling, why Armitage?, Why me?, work
Tags: fan showcase, Guy of Gisborne, guylty, John Bateman, Lucas North, photography, Richard Armitage, Robin Hood, Spooks
Posted in acting, Armitage as mirror, Armitage on Armitage, Armitage's body, Bobbin Hood, career, evil, fear, gestures, Guy of Gisborne, heterosexual dystopias, humiliation, if I could interview Mr. Armitage, interiority, Jonas Armstrong, Lucy Griffiths, Marian, me, medieval, microexpressions, morality / ethics / norms, objectification, Richard Armitage, Robin Hood, status transactions, the chin, the eyes, the face, the fingers, the hands, thinking / feeling, why Armitage?, Why me?
Posted in acting, anger, Armitage on Armitage, Armitageworld dogmas, gestures, Guy of Gisborne, heterosexual dystopias, humiliation, humility, if I could interview Mr. Armitage, Lucy Griffiths, Marian, me, morality / ethics / norms, Richard Armitage, Robin Hood, silliness, status transactions, the energy, the eyes, the face, the lips, the mouth, the smile, the teeth, thinking / feeling, why Armitage?, Why me?, work
Posted in Armitage anatomy, Armitage as mirror, Armitage as victim, Armitage's body, Armitageworld dogmas, career, fans, gravitas, Guy of Gisborne, heterosexual dystopias, heterosexual utopias, John Mulligan, joy, loss, Lucas North, Lucy Griffiths, Marian, me, morality / ethics / norms, Moving On, objectification, reality, redemption, Richard Armitage, Robin Hood, silliness, Spooks, the beard, the chin, the energy, the eyes, the face, the hair, The Hobbit, the hype, the jaw, the lips, the mouth, the profile, the real Armitage, the smile, the stubble, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work
Posted in acting, Alex Track, Armitage as mirror, Armitage as victim, Captain America, Cleopatra, Cold Feet, Epiphanes, Genevieve O'Reilly, gravitas, Guy of Gisborne, Heinz Kruger, heterosexual dystopias, heterosexual utopias, Ian Macalwain, if I could interview Mr. Armitage, John Bateman, John Porter, John Standring, Laila Rouass, Lee, Lucas North, Lucy Griffiths, Margaret Hale, Marian, Maya Lahan, me, morality / ethics / norms, Mr. Thornton, North & South, Richard Armitage, Robin Hood, Sarah Caulfield, silliness, Sparkhouse, Spooks, Strike Back, The Golden Hour, the kisses, the real Armitage, the smolder, thinking / feeling, TPTW: Too painful to watch, Ultimate Force, why Armitage?, work
Posted in acting, Armitage anatomy, Armitage on Armitage, Armitage's body, Captain America, career, gestures, Guy of Gisborne, John Bateman, John Porter, John Standring, Lucas North, Lucy Griffiths, Margaret Hale, me, microexpressions, Mr. Thornton, North & South, objectification, reality, Richard Armitage, Robin Hood, Sarah Caulfield, Sparkhouse, Spooks, the eyes, the face, The Hobbit, the muscles, the real Armitage, Thorin Oakenshield, why Armitage?, Why me?
Posted in acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, career, Claude Monet, fanfic, fans, fantasy, fanvids, gestures, gravitas, Guy of Gisborne, humiliation, if I could interview Mr. Armitage, interiority, John Bateman, John Porter, Jonas Armstrong, joy, loss, Lucas North, Lucy Griffiths, Marian, me, medieval, microexpressions, morality / ethics / norms, Mr. Thornton, North & South, objectification, Peter Jackson, reality, redemption, Richard Armitage, Richard III, Robin Hood, silliness, Strike Back, the beard, the chin, the energy, the face, the hair, The Hobbit, the hype, The Impressionists, the real Armitage, thinking / feeling, Thorin Oakenshield, violence, why Armitage?, Why me?, work
Posted in acting, Alex Track, Armitage anatomy, Armitage as victim, Armitage's body, Armitageworld dogmas, attempts at bravery, audiobooks, fan art, fan showcase, fanfic, fans, fantasy, fanvids, gestures, Guy of Gisborne, Harry Kennedy, heterosexual utopias, humiliation, if I could interview Mr. Armitage, John Mulligan, John Porter, joy, Lucy Griffiths, Margaret Hale, Marian, me, morality / ethics / norms, Moving On, Mr. Thornton, North & South, objectification, reality, Richard Armitage, Richard III, Robin Hood, sex, silliness, Spooks, squee, Strike Back, the arms, the competition, the energy, the eyes, the face, the forearms, The Golden Hour, the hair, the hips, The Hobbit, the hype, the jaw, the legs, the lips, the mouth, the nose, the profile, the skin, the smolder, the stubble, the voice, thinking / feeling, Thorin Oakenshield, Vicar of Dibley, voice work, why Armitage?
Posted in acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, attempts at bravery, fan art, fan showcase, fanfic, fans, fantasy, forgiveness, gratitude, Guy of Gisborne, heterosexual dystopias, heterosexual utopias, if I could interview Mr. Armitage, joy, Lucy Griffiths, Marian, me, medieval, morality / ethics / norms, objectification, reality, redemption, Richard Armitage, Robin Hood, why Armitage?