Archive for the 'Macbeth' Category
Armitage leads with the feelings: Career implications?
• January 13, 2013 • 23 CommentsPosted in acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, attempts at bravery, Captain America, career, fear, flow, Gary, gestures, Guy of Gisborne, Heinz Kruger, humility, if I could interview Mr. Armitage, interiority, Into the Storm / Black Sky, John Bateman, John Porter, John Standring, Macbeth, Macduff, me, microexpressions, morality / ethics / norms, Peter Macduff, Richard Armitage, Robin Hood, Shakespeare Retold, ShakespeaRE-Told, Sparkhouse, Strike Back, the energy, The Hobbit, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?
Tags: acting, Richard Armitage, roles
Third Armitage Thanksgiving
• November 22, 2012 • 44 CommentsPosted in acting, action, Angus, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Brendan Coyle, capitalism, career, Cats, Cleopatra, dance, Daniela Denby-Ashe, Dawn French, dwarves, Epiphanes, fan art, fans, fantasy, fanvids, flow, forgiveness, Geraldine Granger, gratitude, gravitas, Guy of Gisborne, Guylty, Harry Kennedy, heterosexual utopias, Higgins, humility, Ian Macalwain, if I could interview Mr. Armitage, Into the Storm / Black Sky, John Porter, John Standring, joy, liking food, Lucas North, Macbeth, Margaret Hale, me, medieval, morality / ethics / norms, Mr. Thornton, Mrs. Thornton, musical theatre, North & South, objectification, reality, redemption, Richard Armitage, Richard III, Robin Hood, silliness, Sinead Cusack, singing, Sparkhouse, Spooks, Strike Back, swords, the Armitage morass, the beard, the booty, the circus, the clothes, the energy, the eyes, the face, the fingers, the forearms, the hair, the hands, The Hobbit, the hype, the kisses, the shoes, the smile, the smolder, the thumbs, theatre theatre, thinking / feeling, Thorin Oakenshield, Ultimate Force, Vicar of Dibley, violence, why Armitage?, Why me?
My Richard Armitage: An interpretation. Early career to North & South
• November 21, 2012 • 42 CommentsPosted in accents, acting, action, Angus, Annabel Capper, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Between the Sheets, Bill Chatford, capitalism, career, Casualty, Cleopatra, Cold Feet, Craig Porter, dance, Daniela Denby-Ashe, Doctors, Epiphanes, fans, fantasy, fear, flow, Frozen, Gaskell, gestures, gratitude, gravitas, heterosexual dystopias, heterosexual utopias, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, Inspector Lynley Mysteries: In Divine Proportion, interiority, John Standring, joy, Lee, loss, Macbeth, Malice Aforethought, Margaret Hale, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, overwork, Paul Andrews, Philip Turner, pronunciation, reality, redemption, Richard Armitage, silliness, singing, smug man, Sparkhouse, sprezzatura, status transactions, Steven, the accent, the Armitage morass, the clothes, the energy, the eyes, the face, the forehead, the hype, the smile, the smolder, theatre theatre, thinking / feeling, Tom Steele, Ultimate Force, why Armitage?, Why me?, work
My Richard Armitage: An interpretation. Background, childhood, adolescence, professional preparation, young adulthood
• November 17, 2012 • 94 CommentsPosted in acting, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Boon, capitalism, career, Cats, dance, fans, fantasy, fear, flow, gravitas, humiliation, humility, if I could interview Mr. Armitage, loss, Macbeth, me, morality / ethics / norms, musical theatre, objectification, reality, resentment, Richard Armitage, singing, sprezzatura, the circus, the competition, the energy, the real Armitage, theatre theatre, thinking / feeling, why Armitage?, Why me?, work
XLI: Richard Armitage by the numbers
• August 22, 2012 • 63 CommentsPosted in acting, action, anger, Angus, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, audiobooks, Between the Sheets, Captain America, career, Claude Monet, Cold Feet, collateral attractions, comedy, Damerel, Daniela Denby-Ashe, Dawn French, Doctors, fan art, fans, fantasy, fanvids, flow, forgiveness, Geraldine Granger, gestures, gratitude, Guy of Gisborne, Harry Kennedy, Heinz Kruger, Hermione Norris, heterosexual dystopias, heterosexual utopias, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, interiority, Into the Storm / Black Sky, John Bateman, John Mulligan, John Porter, John Standring, joy, Lee, Lords of the North, loss, Lucas North, Macbeth, Margaret Hale, Marie Lloyd, me, morality / ethics / norms, Moving On, Mr. Thornton, Mrs. Thornton, musical theatre, North & South, objectification, Paul Andrews, reality, redemption, Richard Armitage, Richard Armitage Central, Richard Armitage Online, Robin Hood, Ros Myers, sex, silliness, Sparkhouse, Spooks, status transactions, Strike Back, Sylvester, The Armitage Army, the Armitage morass, the beard, the clothes, the energy, the eyes, the face, the hands, the hips, The Hobbit, the hype, The Impressionists, the jaw, the legs, the muscles, the real Armitage, the shoes, the smile, the thumbs, the voice, theatre theatre, thinking / feeling, Thorin Oakenshield, Tom Steele, TPTW: Too painful to watch, Uhtred of Bebbanburg, Ultimate Force, Venetia, Vicar of Dibley, violence, why Armitage?, Why me?, work
Tags: acting, Between the Sheets, birthday, Captain America, career, Claude Monet, Cold Feet, Damerel, Doctors, fans, Guy of Gisborne, Harry Kennedy, Heinz Kruger, Ian Macalwain, Into the Storm, John Mulligan, John Porter, John Standring, Lee, Lords of the North, Lucas North, Macbeth, Marie Lloyd, Moving On, Mr. Thornton, North & South, Paul Andrews, Richard Armitage, Robin Hood, Sparkhouse, Spooks, Strike Back, the hobbit, Thorin Oakenshield, Uhtred of Bebbanburg, Venetia, Vicar of Dibley
Stay away from Armitage! The “C” reading and conclusion
• August 8, 2012 • 74 CommentsPosted in acting, action, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Captain America, career, collateral attractions, fans, fear, flow, gratitude, Heinz Kruger, heterosexual dystopias, humiliation, humility, if I could interview Mr. Armitage, John Porter, joy, Legenda: Stuff worth reading, Lucas North, Macbeth, me, morality / ethics / norms, musical theatre, objectification, reality, redemption, Richard Armitage, Richard Armitage Central, Richard Armitage Online, silliness, squee, status transactions, Strike Back, The Armitage Army, the competition, The Hobbit, the hype, the real Armitage, The Rovers, theatre theatre, thinking / feeling, Thorin Oakenshield, Use Me as Your Cardigan, why Armitage?, Why me?, work
Artist Armitage vs. Armitage’s art: A developmental thought on art, communication and fandom
• June 5, 2012 • 23 CommentsPosted in acting, Angus, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, career, collateral attractions, dance, fanfic, fans, flow, Guy of Gisborne, humility, if I could interview Mr. Armitage, joy, Macbeth, me, medieval, morality / ethics / norms, North & South, objectification, reality, redemption, Richard Armitage, Richard III, Robin Hood, silliness, the Armitage morass, the clothes, the competition, the energy, the hype, the real Armitage, theatre theatre, thinking / feeling, violence, why Armitage?, Why me?, work
Fan showcase (Jane, part 3)
• January 18, 2012 • 149 CommentsPosted in acting, Angus, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, audiobooks, career, Clarissa, fan showcase, fans, gravitas, Guy of Gisborne, heterosexual dystopias, heterosexual utopias, humiliation, if I could interview Mr. Armitage, John Bateman, joy, Laila Rouass, loss, Lovelace, Lucas North, Macbeth, Margaret Hale, Marian, Maya Lahan, me, microexpressions, morality / ethics / norms, Mr. Thornton, North & South, objectification, osculation, Peter Jackson, polls, reality, Richard Armitage, Richard III, Robin Hood, Sarah Caulfield, Spooks, Strike Back, the beard, the competition, The Hobbit, the hype, the kisses, the real Armitage, theatre theatre, Thorin Oakenshield, voice work, why Armitage?
Tags: acting, Angus, audiobooks, fans, Guy of Gisborne, John Bateman, kisses, Lucas North, Macbeth, microexpressions, Mr. Thornton, North & South, Richard Armitage, Richard III, Robin Hood, Spooks, Strike Back, the competition, the hobbit, Thorin Oakenshield
If Richard Armitage played every role at a Friday faculty research seminar
• November 18, 2011 • 63 CommentsPosted in Alex Track, Captain America, Casualty, CBeebies, Claude Monet, Craig Porter, Dawn French, fantasy, George Gently, Geraldine Granger, Guy of Gisborne, Harry Kennedy, Heinz Kruger, humiliation, Ian Macalwain, John Porter, Lucas North, Macbeth, Macduff, me, morality / ethics / norms, Mr. Thornton, North & South, overwork, Peter Macduff, reality, Richard Armitage, Ricky Deeming, Robin Hood, Ros Myers, Shakespeare Retold, silliness, Spooks, Strike Back, The Golden Hour, The Impressionists, thinking / feeling, Vicar of Dibley, why Armitage?, Why me?
“Armigerous” Armitage: a career overview
• November 7, 2011 • 41 CommentsPosted in acting, Alex Track, Angus, Armitage on Armitage, Armitageworld dogmas, Captain America, career, Cleopatra, Epiphanes, fans, fantasy, George Gently, Guy of Gisborne, Heinz Kruger, heterosexual dystopias, heterosexual utopias, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, Inspector Lynley Mysteries: In Divine Proportion, John Porter, John Standring, loss, Lucas North, Macbeth, Macduff, Marian, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, Peter Macduff, Philip Turner, Richard Armitage, Ricky Deeming, Robin Hood, Sarah Caulfield, Shakespeare Retold, silliness, Sparkhouse, Spooks, squee, Strike Back, the arms, the eyes, the face, the fingers, the hands, The Hobbit, the thumbs, Thorin Oakenshield, Ultimate Force, why Armitage?, Why me?
Me + Richard Armitage 