Archive for the 'Malice Aforethought' Category
• November 21, 2012 •
42 Comments
Posted in accents, acting, action, Angus, Annabel Capper, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Between the Sheets, Bill Chatford, capitalism, career, Casualty, Cleopatra, Cold Feet, Craig Porter, dance, Daniela Denby-Ashe, Doctors, Epiphanes, fans, fantasy, fear, flow, Frozen, Gaskell, gestures, gratitude, gravitas, heterosexual dystopias, heterosexual utopias, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, Inspector Lynley Mysteries: In Divine Proportion, interiority, John Standring, joy, Lee, loss, Macbeth, Malice Aforethought, Margaret Hale, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, overwork, Paul Andrews, Philip Turner, pronunciation, reality, redemption, Richard Armitage, silliness, singing, smug man, Sparkhouse, sprezzatura, status transactions, Steven, the accent, the Armitage morass, the clothes, the energy, the eyes, the face, the forehead, the hype, the smile, the smolder, theatre theatre, thinking / feeling, Tom Steele, Ultimate Force, why Armitage?, Why me?, work
• October 12, 2012 •
13 Comments
Posted in acting, Armitage as mirror, Armitage on Armitage, Armitageworld dogmas, Bill Chatford, capitalism, career, Daniela Denby-Ashe, fans, fantasy, flow, Gaskell, gratitude, gravitas, heterosexual dystopias, heterosexual utopias, humiliation, humility, Malice Aforethought, Margaret Hale, morality / ethics / norms, Mr. Thornton, North & South, objectification, reality, redemption, Richard Armitage, Richard Armitage Central, Richard Armitage Online, RichardArmitageNet.com, status transactions, the competition, the hype, the real Armitage, the smolder, thinking / feeling, violence, why Armitage?, Why me?, work
• May 14, 2012 •
46 Comments
Posted in Armitage anatomy, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, audiobooks, Between the Sheets, Captain America, career, Clarissa, Damerel, fan showcase, fanfic, fans, fantasy, fanvids, flow, Genevieve O'Reilly, Georgette Heyer, Geraldine Granger, gratitude, Guy of Gisborne, Harry Kennedy, Heinz Kruger, heterosexual dystopias, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, interiority, John Bateman, John Porter, John Standring, joy, liking food, loss, Lovelace, Lucas North, Malice Aforethought, Maya Lahan, me, medieval, microexpressions, morality / ethics / norms, Mr. Thornton, North & South, objectification, pronunciation, reality, redemption, Richard Armitage, Richard III, Robin Hood, Sarah Caulfield, sex, silliness, Sparkhouse, Spooks, sprezzatura, status transactions, Strike Back, Symphony of a City, the accent, the Armitage morass, the beard, the clothes, the energy, the eyes, the face, The Hobbit, the hype, the kisses, the lips, the mouth, the muscles, the real Armitage, thinking / feeling, Thorin Oakenshield, TPTW: Too painful to watch, Venetia, Vicar of Dibley, violence, voice work, why Armitage?, Why me?, work
• April 27, 2012 •
23 Comments
Posted in acting, Armitage's body, Bill Chatford, heterosexual dystopias, humiliation, Malice Aforethought, me, microexpressions, morality / ethics / norms, objectification, Richard Armitage, silliness, the energy, the eyes, the face, the jaw, the lips, the mouth, the muscles, the nose, why Armitage?
• July 2, 2011 •
35 Comments
Posted in audiobooks, career, fans, Gaskell, Georgette Heyer, joy, Malice Aforethought, Miss Marple: Ordeal by Innocence, North & South, reality, Richard Armitage, Robin Hood, Shakespeare Retold, Spooks, Strike Back, Sylvester, The Convenient Marriage, The Hobbit, The Impressionists, Venetia, Vicar of Dibley
• June 23, 2011 •
64 Comments
Posted in acting, Armitage as victim, Armitageworld dogmas, attempts at bravery, Bill Chatford, fans, fantasy, gestures, gravitas, joy, Malice Aforethought, me, morality / ethics / norms, objectification, Richard Armitage, self-parody, teacups, the fingers, the hands
• December 1, 2010 •
188 Comments
Posted in accents, acting, Annabel Capper, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, career, collateral attractions, equilibrium, fans, fantasy, gratitude, gravitas, Hermione Norris, heterosexual utopias, humiliation, if I could interview Mr. Armitage, interiority, John Bateman, joy, loss, Lucas North, Malice Aforethought, Maya Lahan, me, morality / ethics / norms, objectification, order / disorder, reality, redemption, Richard Armitage, silliness, Spooks, squee, The Armitage Army, the real Armitage, The Rovers, theatre theatre, why Armitage?, Why me?
• September 24, 2010 •
83 Comments
Posted in Armitage on Armitage, audiobooks, Bill Chatford, Captain America, career, Claude Monet, collateral attractions, Dawn French, evil, fanfic, fans, fantasy, fanvids, Frozen, gratitude, Guy of Gisborne, Harry Kennedy, heterosexual utopias, John Porter, joy, loss, Lucas North, Malice Aforethought, me, North & South, off topic, reality, redemption, Richard Armitage, Robin Hood, Sarah Caulfield, silliness, Spooks, Steven, Symphony of a City, The Convenient Marriage, The Impressionists, the real Armitage, Vicar of Dibley, voice work
• September 13, 2010 •
52 Comments
Posted in Armitage's body, Bill Chatford, Claude Monet, evil, gravitas, humiliation, Malice Aforethought, me, Richard Armitage, silliness, the chin, the clothes, the face, The Impressionists, the jaw, the nose, the smile, the teeth
• August 25, 2010 •
77 Comments
Posted in Armitage as victim, Armitage's body, audiobooks, Cold Feet, collateral attractions, Damerel, fanfic, fanvids, Frozen, Georgette Heyer, Hermione Norris, humiliation, joy, Lee, Lords of the North, Malice Aforethought, Margaret Hale, Marie Lloyd, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, order / disorder, reality, redemption, Richard Armitage, Robin Hood, Sparkhouse, Spooks, Strike Back, Uhtred of Bebbanburg, Venetia
Me + Richard Armitage 