Archive for the 'medieval' Category
• June 17, 2014 •
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Posted in career, collateral attractions, fantasy, John Proctor, me, medieval, reality, Richard Armitage, Richard III, The Crucible
Tags: John Proctor, Richard Armitage, Richard III, The Crucible
• June 2, 2014 •
13 Comments
Posted in acting, action, audiobooks, comedy, disgust, evil, forgiveness, Hamlet, heterosexual dystopias, humiliation, interiority, loss, me, medieval, morality / ethics / norms, order / disorder, reality, Richard Armitage, sprezzatura, status transactions, the voice, thinking / feeling, voice work, Why me?
Tags: A.J. Hartley, audiobooks, David Hewson, Hamlet, Richard Armitage
• February 15, 2014 •
5 Comments
Posted in acting, anger, Armitage on Armitage, Armitage's body, career, gestures, Guy of Gisborne, heterosexual dystopias, humiliation, loss, Lucy Griffiths, Marian, medieval, microexpressions, morality / ethics / norms, resentment, Richard Armitage, Robin Hood, status transactions, the energy, the eyes, the face, violence, why Armitage?
Tags: acting, Guy of Gisborne, Richard Armitage, Robin Hood, status, violence
• December 3, 2012 •
10 Comments
Posted in #ArmitageWatch, acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, career, fans, fanvids, heterosexual dystopias, heterosexual utopias, if I could interview Mr. Armitage, loss, me, medieval, morality / ethics / norms, polls, reality, Richard Armitage, Richard III, sex, The Hobbit, the hype, The Sunne in Splendour, why Armitage?, Why me?
• November 22, 2012 •
44 Comments
Posted in acting, action, Angus, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Brendan Coyle, capitalism, career, Cats, Cleopatra, dance, Daniela Denby-Ashe, Dawn French, dwarves, Epiphanes, fan art, fans, fantasy, fanvids, flow, forgiveness, Geraldine Granger, gratitude, gravitas, Guy of Gisborne, Guylty, Harry Kennedy, heterosexual utopias, Higgins, humility, Ian Macalwain, if I could interview Mr. Armitage, Into the Storm / Black Sky, John Porter, John Standring, joy, liking food, Lucas North, Macbeth, Margaret Hale, me, medieval, morality / ethics / norms, Mr. Thornton, Mrs. Thornton, musical theatre, North & South, objectification, reality, redemption, Richard Armitage, Richard III, Robin Hood, silliness, Sinead Cusack, singing, Sparkhouse, Spooks, Strike Back, swords, the Armitage morass, the beard, the booty, the circus, the clothes, the energy, the eyes, the face, the fingers, the forearms, the hair, the hands, The Hobbit, the hype, the kisses, the shoes, the smile, the smolder, the thumbs, theatre theatre, thinking / feeling, Thorin Oakenshield, Ultimate Force, Vicar of Dibley, violence, why Armitage?, Why me?
• November 19, 2012 •
6 Comments
Posted in #ArmitageWatch, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, career, fan art, fans, fantasy, heterosexual utopias, humiliation, if I could interview Mr. Armitage, me, medieval, morality / ethics / norms, reality, resentment, Richard Armitage, Richard III, status transactions, the hype, the real Armitage, The Sunne in Splendour, violence, why Armitage?, Why me?, work
