Archive for the 'microexpressions' Category
• June 17, 2014 •
45 Comments
Posted in acting, Armitage as mirror, Armitage as victim, Armitage's body, attempts at bravery, fans, fantasy, flow, gestures, heterosexual dystopias, heterosexual utopias, if I could interview Mr. Armitage, interiority, John Proctor, joy, me, microexpressions, morality / ethics / norms, objectification, reality, Richard Armitage, sprezzatura, squee, the chin, The Crucible, the energy, the eyes, the face, the hype, the jaw, the mouth, the nose, the profile, theatre theatre, thinking / feeling, why Armitage?
Tags: John Proctor, Richard Armitage, The Crucible
• February 15, 2014 •
5 Comments
Posted in acting, anger, Armitage on Armitage, Armitage's body, career, gestures, Guy of Gisborne, heterosexual dystopias, humiliation, loss, Lucy Griffiths, Marian, medieval, microexpressions, morality / ethics / norms, resentment, Richard Armitage, Robin Hood, status transactions, the energy, the eyes, the face, violence, why Armitage?
Tags: acting, Guy of Gisborne, Richard Armitage, Robin Hood, status, violence
• January 13, 2014 •
23 Comments
Posted in acting, Armitage as mirror, Armitage as victim, Armitage's body, fear, gestures, humiliation, interiority, Lucas North, me, microexpressions, morality / ethics / norms, Richard Armitage, Spooks, the eyes, the face, the lips, the mouth, why Armitage?, Why me?
Tags: acting, Lucas North, madeleines, memory, Proust, Richard Armitage, Spooks
• December 1, 2013 •
15 Comments
Posted in acting, action, anger, Armitage's body, forgiveness, gestures, humiliation, John Porter, microexpressions, redemption, Richard Armitage, status transactions, Strike Back, the arms, violence
Tags: acting, action, Andrew Lincoln, John Porter, Richard Armitage, status, Strike Back, Strike Back: Origins
• October 26, 2013 •
69 Comments
Posted in acting, anger, Armitage's body, fear, forgiveness, gestures, humiliation, interiority, John Porter, John Standring, microexpressions, redemption, Richard Armitage, status transactions, Strike Back, the chin, the eyes, the face
Tags: acting, Andrew Lincoln, Jodhi May, John Porter, Richard Armitage, status, Strike Back, Strike Back: Origins
• January 13, 2013 •
23 Comments
Posted in acting, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, attempts at bravery, Captain America, career, fear, flow, Gary, gestures, Guy of Gisborne, Heinz Kruger, humility, if I could interview Mr. Armitage, interiority, Into the Storm / Black Sky, John Bateman, John Porter, John Standring, Macbeth, Macduff, me, microexpressions, morality / ethics / norms, Peter Macduff, Richard Armitage, Robin Hood, Shakespeare Retold, ShakespeaRE-Told, Sparkhouse, Strike Back, the energy, The Hobbit, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?
Tags: acting, Richard Armitage, roles
• January 6, 2013 •
4 Comments
Posted in acting, anger, Armitage's body, dwarves, fear, gravitas, humiliation, loss, me, microexpressions, morality / ethics / norms, Richard Armitage, status transactions, the chin, the energy, the eyes, the face, the forehead, the hair, The Hobbit, the jaw, the lips, the mouth, the nose, the profile, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?
Tags: Richard Armitage, The Hobbit: An Unexpected Journey
• December 24, 2012 •
28 Comments
Posted in acting, Armitage as victim, Armitageworld dogmas, capitalism, Captain America, career, fans, gravitas, Heinz Kruger, humiliation, if I could interview Mr. Armitage, John Porter, Lucas North, me, microexpressions, morality / ethics / norms, objectification, reality, resentment, Richard Armitage, silliness, Spooks, Strike Back, the energy, the ethics, The Hobbit, the hype, the real Armitage, the voice, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work
Tags: Richard Armitage
• November 27, 2012 •
19 Comments
Posted in absolute utter unadulterated joy!, acting, Armitage as mirror, Armitage on Armitage, Armitageworld dogmas, capitalism, career, Claude Monet, equilibrium, fan art, fans, flow, gestures, gratitude, gravitas, if I could interview Mr. Armitage, loss, me, microexpressions, morality / ethics / norms, objectification, order / disorder, Peter Jackson, reality, redemption, Richard Armitage, RichardArmitageNet.com, sprezzatura, the clothes, the energy, the eyes, the face, the fingers, The Hobbit, the hype, the real Armitage, the smile, the thumbs, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?, work
• October 17, 2012 •
14 Comments
Posted in acting, anger, Armitage on Armitage, Armitage's body, Armitageworld dogmas, fear, flow, forgiveness, gestures, gravitas, Guy of Gisborne, heterosexual dystopias, heterosexual utopias, humiliation, if I could interview Mr. Armitage, interiority, Lucas North, Marian, me, medieval, microexpressions, morality / ethics / norms, Mr. Thornton, objectification, order / disorder, Richard Armitage, Robin Hood, Stanislavski, status transactions, the Armitage morass, the chin, the energy, the eyes, the face, the hands, the jaw, the lips, the mouth, the nose, the profile, the skin, the stubble, the tongue, the voice, thinking / feeling, violence, why Armitage?, Why me?
Me + Richard Armitage 