Archive for the 'overwork' Category
• August 17, 2014 •
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Posted in Armitage as victim, Armitage's body, fan candids, fans, fantasy, heterosexual dystopias, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, John Proctor, meeting Richard Armitage, morality / ethics / norms, objectification, overwork, reality, Richard Armitage, selfies, stage door, the clothes, why Armitage?
Tags: fans, Richard Armitage, stage door, The Crucible
• May 27, 2014 •
25 Comments
Posted in Armitage as mirror, attempts at bravery, fear, flow, forgiveness, gratitude, humiliation, humility, loss, me, morality / ethics / norms, overwork, reality, redemption, Why me?, work
Tags: change, creativity, me
• October 13, 2013 •
61 Comments
Posted in absolute utter unadulterated joy!, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, capitalism, career, dwarves, fans, filmmaking, gravitas, overwork, Peter Jackson, reality, Richard Armitage, RichardArmitageNet.com, the clothes, the energy, The Hobbit, the hype, the real Armitage, Thorin Oakenshield, work
Tags: publicity, Richard Armitage, The Hobbit: An Unexpected Journey, Thorin Oakenshield
• December 26, 2012 •
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Posted in Armitage as mirror, fanfic, fans, fantasy, fear, forgiveness, gratitude, John Bateman, loss, Lucas North, me, morality / ethics / norms, overwork, redemption, resentment, Richard Armitage, silliness, Spooks, thinking / feeling, why Armitage?
Tags: Richard Armitage
• November 25, 2012 •
3 Comments
Posted in anger, Armitage as victim, attempts at bravery, capitalism, career, Cats, collateral attractions, disgust, fans, filmmaking, humiliation, humility, liking food, loss, me, morality / ethics / norms, overwork, Peter Jackson, reality, resentment, Richard Armitage, The Hobbit, the hype, the real Armitage, thinking / feeling, violence
• November 24, 2012 •
26 Comments
Posted in acting, action, anger, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Captain America, career, collateral attractions, dwarves, fans, fantasy, fear, filmmaking, flow, gravitas, Heinz Kruger, humiliation, if I could interview Mr. Armitage, interiority, joy, me, morality / ethics / norms, overwork, Peter Jackson, reality, redemption, resentment, Richard Armitage, RichardArmitageNet.com, silliness, Spooks, sprezzatura, status transactions, swords, The Hobbit, the hype, thinking / feeling, Thorin Oakenshield, violence
• November 21, 2012 •
42 Comments
Posted in accents, acting, action, Angus, Annabel Capper, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Between the Sheets, Bill Chatford, capitalism, career, Casualty, Cleopatra, Cold Feet, Craig Porter, dance, Daniela Denby-Ashe, Doctors, Epiphanes, fans, fantasy, fear, flow, Frozen, Gaskell, gestures, gratitude, gravitas, heterosexual dystopias, heterosexual utopias, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, Inspector Lynley Mysteries: In Divine Proportion, interiority, John Standring, joy, Lee, loss, Macbeth, Malice Aforethought, Margaret Hale, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, overwork, Paul Andrews, Philip Turner, pronunciation, reality, redemption, Richard Armitage, silliness, singing, smug man, Sparkhouse, sprezzatura, status transactions, Steven, the accent, the Armitage morass, the clothes, the energy, the eyes, the face, the forehead, the hype, the smile, the smolder, theatre theatre, thinking / feeling, Tom Steele, Ultimate Force, why Armitage?, Why me?, work
