Archive for the 'overwork' Category

Looks like grey t-shirt and dark blue jacket for Richard Armitage tonight?

• August 17, 2014 • Leave a Comment

Posted in Armitage as victim, Armitage's body, fan candids, fans, fantasy, heterosexual dystopias, heterosexual utopias, humiliation, humility, if I could interview Mr. Armitage, John Proctor, meeting Richard Armitage, morality / ethics / norms, objectification, overwork, reality, Richard Armitage, selfies, stage door, the clothes, why Armitage?
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Finding the new perspective, or: How do I shift how I see myself?

• May 27, 2014 • 25 Comments

Posted in Armitage as mirror, attempts at bravery, fear, flow, forgiveness, gratitude, humiliation, humility, loss, me, morality / ethics / norms, overwork, reality, redemption, Why me?, work
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Promoting Thorin: Richard Armitage’s whirlwind journey

• October 13, 2013 • 61 Comments

Posted in absolute utter unadulterated joy!, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, capitalism, career, dwarves, fans, filmmaking, gravitas, overwork, Peter Jackson, reality, Richard Armitage, RichardArmitageNet.com, the clothes, the energy, The Hobbit, the hype, the real Armitage, Thorin Oakenshield, work
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Need some hopeful Armitage fanfic today?

• December 26, 2012 • Leave a Comment

Posted in Armitage as mirror, fanfic, fans, fantasy, fear, forgiveness, gratitude, John Bateman, loss, Lucas North, me, morality / ethics / norms, overwork, redemption, resentment, Richard Armitage, silliness, Spooks, thinking / feeling, why Armitage?
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In which I defend some aspects of PETA: or, sub-addendum to Legenda 54

• November 25, 2012 • 3 Comments

Posted in anger, Armitage as victim, attempts at bravery, capitalism, career, Cats, collateral attractions, disgust, fans, filmmaking, humiliation, humility, liking food, loss, me, morality / ethics / norms, overwork, Peter Jackson, reality, resentment, Richard Armitage, The Hobbit, the hype, the real Armitage, thinking / feeling, violence


Translation of French piece

• November 24, 2012 • 26 Comments

Posted in acting, action, anger, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Captain America, career, collateral attractions, dwarves, fans, fantasy, fear, filmmaking, flow, gravitas, Heinz Kruger, humiliation, if I could interview Mr. Armitage, interiority, joy, me, morality / ethics / norms, overwork, Peter Jackson, reality, redemption, resentment, Richard Armitage, RichardArmitageNet.com, silliness, Spooks, sprezzatura, status transactions, swords, The Hobbit, the hype, thinking / feeling, Thorin Oakenshield, violence


My Richard Armitage: An interpretation. Early career to North & South

• November 21, 2012 • 42 Comments

Posted in accents, acting, action, Angus, Annabel Capper, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Between the Sheets, Bill Chatford, capitalism, career, Casualty, Cleopatra, Cold Feet, Craig Porter, dance, Daniela Denby-Ashe, Doctors, Epiphanes, fans, fantasy, fear, flow, Frozen, Gaskell, gestures, gratitude, gravitas, heterosexual dystopias, heterosexual utopias, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, Inspector Lynley Mysteries: In Divine Proportion, interiority, John Standring, joy, Lee, loss, Macbeth, Malice Aforethought, Margaret Hale, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, overwork, Paul Andrews, Philip Turner, pronunciation, reality, redemption, Richard Armitage, silliness, singing, smug man, Sparkhouse, sprezzatura, status transactions, Steven, the accent, the Armitage morass, the clothes, the energy, the eyes, the face, the forehead, the hype, the smile, the smolder, theatre theatre, thinking / feeling, Tom Steele, Ultimate Force, why Armitage?, Why me?, work


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