Archive for the 'Philip Turner' Category
My Richard Armitage: An interpretation. Early career to North & South
• November 21, 2012 • 42 CommentsPosted in accents, acting, action, Angus, Annabel Capper, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, Between the Sheets, Bill Chatford, capitalism, career, Casualty, Cleopatra, Cold Feet, Craig Porter, dance, Daniela Denby-Ashe, Doctors, Epiphanes, fans, fantasy, fear, flow, Frozen, Gaskell, gestures, gratitude, gravitas, heterosexual dystopias, heterosexual utopias, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, Inspector Lynley Mysteries: In Divine Proportion, interiority, John Standring, joy, Lee, loss, Macbeth, Malice Aforethought, Margaret Hale, me, morality / ethics / norms, Mr. Thornton, musical theatre, North & South, objectification, overwork, Paul Andrews, Philip Turner, pronunciation, reality, redemption, Richard Armitage, silliness, singing, smug man, Sparkhouse, sprezzatura, status transactions, Steven, the accent, the Armitage morass, the clothes, the energy, the eyes, the face, the forehead, the hype, the smile, the smolder, theatre theatre, thinking / feeling, Tom Steele, Ultimate Force, why Armitage?, Why me?, work
F3, Day Six! One voice to thrill them all, and Armitage to bind them!
• March 17, 2012 • 29 CommentsPosted in acting, Armitage anatomy, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitage's body, Armitageworld dogmas, attempts at bravery, collateral attractions, fan art, fanfic, fans, fantasy, fanvids, Gently Go Man, George Gently, gestures, gratitude, Guy of Gisborne, if I could interview Mr. Armitage, Inspector Lynley Mysteries: In Divine Proportion, John Standring, Lucas North, Margaret Hale, Marie Lloyd, me, microexpressions, morality / ethics / norms, Mr. Thornton, North & South, objectification, Philip Turner, reality, Richard Armitage, Richard III, Ricky Deeming, Robin Hood, silliness, Sparkhouse, Spooks, the clothes, the eyes, the face, the feet, The Hobbit, the muscles, the profile, the thumbs, thinking / feeling, Thorin Oakenshield, why Armitage?, Why me?
Tags: Fanstravaganza, Richard Armitage
Fan showcase: Jane (part 2)
• January 17, 2012 • 62 CommentsPosted in acting, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, attempts at bravery, Captain America, career, fan showcase, fans, Heinz Kruger, humiliation, Inspector Lynley Mysteries: In Divine Proportion, John Porter, me, morality / ethics / norms, North & South, objectification, Philip Turner, reality, Richard Armitage, Robin Hood, Spooks, Strike Back, the competition, the hype, the real Armitage, why Armitage?
“Armigerous” Armitage: a career overview
• November 7, 2011 • 41 CommentsPosted in acting, Alex Track, Angus, Armitage on Armitage, Armitageworld dogmas, Captain America, career, Cleopatra, Epiphanes, fans, fantasy, George Gently, Guy of Gisborne, Heinz Kruger, heterosexual dystopias, heterosexual utopias, humiliation, humility, Ian Macalwain, if I could interview Mr. Armitage, Inspector Lynley Mysteries: In Divine Proportion, John Porter, John Standring, loss, Lucas North, Macbeth, Macduff, Marian, me, morality / ethics / norms, Mr. Thornton, North & South, objectification, Peter Macduff, Philip Turner, Richard Armitage, Ricky Deeming, Robin Hood, Sarah Caulfield, Shakespeare Retold, silliness, Sparkhouse, Spooks, squee, Strike Back, the arms, the eyes, the face, the fingers, the hands, The Hobbit, the thumbs, Thorin Oakenshield, Ultimate Force, why Armitage?, Why me?
You spin me right round, baby
• October 23, 2011 • 52 CommentsPosted in Armitage as victim, Armitageworld dogmas, attempts at bravery, fans, fantasy, heterosexual dystopias, heterosexual utopias, humiliation, humility, John Porter, joy, loss, me, Miss Marple: Ordeal by Innocence, morality / ethics / norms, objectification, Philip Turner, reality, redemption, Richard Armitage, silliness, Strike Back, the real Armitage, thinking / feeling, why Armitage?, Why me?
Armitage nescit
• October 14, 2011 • 49 CommentsPosted in accents, Between the Sheets, Cold Feet, fanvids, Frozen, Guy of Gisborne, Harry Kennedy, heterosexual utopias, Inspector Lynley Mysteries: In Divine Proportion, John Standring, joy, Lee, Lucas North, Margaret Hale, me, Mr. Thornton, North & South, objectification, Paul Andrews, Philip Turner, Richard Armitage, Robin Hood, silliness, Sparkhouse, Spooks, Steven, the voice, Vicar of Dibley
Armitage “characters who go nowhere” [spoilers for previous and future roles]
• August 13, 2011 • 54 CommentsPosted in acting, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, Captain America, career, dance, Emil Hostina, evil, fans, fantasy, gestures, gravitas, Guy of Gisborne, Heinz Kruger, humiliation, humility, Ian Macalwain, Inspector Lynley Mysteries: In Divine Proportion, interiority, John Bateman, John Porter, loss, Lucas North, Maya Lahan, me, microexpressions, morality / ethics / norms, Oleg Darshavin, Philip Turner, redemption, Richard Armitage, Robin Hood, Spooks, Strike Back, The Hobbit, the voice, Thorin Oakenshield, why Armitage?
Tags: acting, Captain America, Guy of Gisborne, Heinz Kruger, Ian Macalwain, Inspector Lynley Mysteries: In Cold Blood, John Bateman, John Porter, Lucas North, microexpressions, Philip Turner, Richard Armitage, Robin Hood, Spooks, the hobbit, Thorin Oakenshield, Ultimate Force
Me + Richard Armitage 