Archive for the 'resentment' Category
• August 21, 2014 •
33 Comments
Posted in anger, fear, forgiveness, me, morality / ethics / norms, reality, redemption, resentment, thinking / feeling, Why me?
Tags: dad, grief, me, mourning
• August 17, 2014 •
23 Comments
Posted in acting, Armitage as mirror, Armitage as victim, Armitageworld dogmas, attempts at bravery, capitalism, career, fans, Gary, Hamlet, Into the Storm / Black Sky, John Proctor, me, morality / ethics / norms, reality, resentment, Richard Armitage, status transactions, The Crucible, thinking / feeling
Tags: fans, me, objectivity, reviews, Richard Armitage
• June 20, 2014 •
32 Comments
Posted in Armitage as mirror, attempts at bravery, evil, fear, forgiveness, heterosexual dystopias, humiliation, if I could interview Mr. Armitage, John Proctor, me, morality / ethics / norms, redemption, resentment, Richard Armitage, status transactions, The Crucible, the hype, theatre theatre, thinking / feeling, Why me?
Tags: Bay Psalm Book, cruelty, John Proctor, Richard Armitage, The Crucible
• June 16, 2014 •
28 Comments
Posted in acting, collateral attractions, fear, Lee Pace, me, morality / ethics / norms, reality, resentment, Richard Armitage, sex
Tags: collateral attractions, Halt and Catch Fire, Lee Pace
• February 15, 2014 •
5 Comments
Posted in acting, anger, Armitage on Armitage, Armitage's body, career, gestures, Guy of Gisborne, heterosexual dystopias, humiliation, loss, Lucy Griffiths, Marian, medieval, microexpressions, morality / ethics / norms, resentment, Richard Armitage, Robin Hood, status transactions, the energy, the eyes, the face, violence, why Armitage?
Tags: acting, Guy of Gisborne, Richard Armitage, Robin Hood, status, violence
• November 9, 2013 •
10 Comments
Posted in acting, anger, Armitage's body, gestures, humiliation, interiority, John Porter, morality / ethics / norms, redemption, resentment, Richard Armitage, Strike Back, the energy, the face, thinking / feeling, violence
Tags: acting, Andrew Lincoln, John Porter, Richard Armitage, status, Strike Back, Strike Back: Origins, timing
• October 24, 2013 •
46 Comments
Posted in absolute utter unadulterated joy!, acting, anger, Armitage as mirror, Armitage as victim, Armitage on Armitage, Armitageworld dogmas, attempts at bravery, career, dwarves, fear, filmmaking, flow, gestures, gravitas, humiliation, if I could interview Mr. Armitage, loss, Lucas North, me, morality / ethics / norms, Peter Jackson, reality, redemption, resentment, Richard Armitage, Spooks, sprezzatura, the chin, the energy, the eyes, the face, The Hobbit, the jaw, thinking / feeling, Thorin Oakenshield, TPTW: Too painful to watch, why Armitage?, Why me?, work
Tags: Richard Armitage, The Hobbit: An Unexpected Journey, Thorin Oakenshield
• April 15, 2013 •
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Posted in action, Armitage's body, Lucas North, me, morality / ethics / norms, objectification, reality, resentment, Richard Armitage, silliness, Spooks, the booty, the legs, violence
Tags: Richard Armitage
• April 1, 2013 •
27 Comments
Posted in anger, Armitage as mirror, Armitage as victim, attempts at bravery, fear, flow, forgiveness, gratitude, humiliation, loss, Lucas North, me, order / disorder, reality, redemption, resentment, Richard Armitage, Spooks, status transactions, The Hobbit, Thorin Oakenshield, why Armitage?, Why me?, work
Tags: Passover, Richard Armitage, The Hobbit: An Unexpected Journey
Me + Richard Armitage 